- Essays
- According to paintings
- Kiprensky
- Portrait of A.S. Pushkin
The artist painted a picture commissioned by Pushkin’s friend, Delvig. Against a dark gray background, the poet sits half-turned, the light from a burning candle falls on his face and clearly highlights all his features. The right side of the face is illuminated, while the left is in shadow. Pushkin is dressed in a black frock coat, with a Scottish plaid draped over his right shoulder. The blanket hints at a homely environment. It is at home that people like to relax on the sofa and cover themselves with a warm checkered blanket.
A white shirt is visible from under the collar. It sets off the poet’s dark skin and dark hair. A dark satin scarf or scarf is tied around the neck with a large bow. The arms are crossed on the chest in a closed position. She says that a person is not inclined to be frank. But his appearance can tell everything about him, you just need to be able to read and understand.
The look is thoughtful, calm. Large expressive eyes under black eyebrows look at the world with a childish wide and open look. His mouth is closed, the poet is serious, he won’t even smile. Only the right hand with long thin fingers and nails is visible. It immediately becomes clear that the person does not engage in heavy physical labor. Nails are clean and well-groomed. The long sideburns and black, curly hair on his head indicate that the poet’s ancestors were clearly not Europeans. Plump pink lips, the top with a “bow”, just like a woman’s. The nose is long, without a hump, the nostrils are not as wide as those of Negroids. And only the hair indicates African ancestors. The high forehead, cut by a couple of wrinkles and framed by rings of black curls, is relaxed. The poet is relaxing, enjoying the artist's company.
Behind the poet on a pedestal with a lyre in his hands stands a bronze muse. When she flies to the poet, inspiration strikes him.
The poet liked the portrait, although he did not like to pose. The friends argued about the poet’s manners. Some did not believe that Pushkin could be so thoughtful and serious. Others argued that crossed arms were the poet's favorite pose. This suggests that Pushkin was different and fickle. What a blessing that the portrait has reached us! And we can admire our beloved Pushkin.
I do not agree with those who considered the poet not beautiful. What is beauty? In the words of the poet Zabolotsky “...Is she a vessel in which there is emptiness, or a fire burning in the vessel...”? And the poet’s fire burned so brightly in his heart that he created truly masterpieces. Equals to which have not yet been created.
Description of the portrait of Pushkin
During the life of Alexander Sergeevich Pushkin, it was possible to create an unusual portrait of him, compiled in 1827 by Orest Kiprensky, who is still a famous and talented artist. He always painted only from life, so there was no doubt about the authenticity of what he depicted. He always managed to easily convey the moods of the characters, to show everything down to the smallest detail, which is simply a crime not to pay attention to. How did such a delightful portrait of such a great writer come to light?
Pushkin had a very devoted friend named Anton Delvig, who wanted a picture to be painted for Alexander Sergeevich. He insisted on depicting Pushkin’s muse in the background, who repeatedly visits the writer while he is working on his magnificent poems. And the portrait shows the muse holding a lyre in her hands, she herself is a bronze statue that takes on the distraction. In the picture there is only her, and Pushkin himself. It is clearly shown that the poet is immersed in his thoughts, a muse has come to him, he is thinking about his specific creation.
The writer is wearing a frock coat and a cloak, which is draped over one shoulder. In such an outfit there were people who paid special attention to fashion. However, in Kiprensky’s painting the light is structured in such a way that the gaze falls not on Pushkin’s appearance, his attire, but on his face. It is radiant, glowing brightly. It immediately becomes clear that he is considering his new creation.
If you notice the writer’s tensely compressed lips, you realize that the poet feels anxiety. His gaze is full of sadness, but in Pushkin’s pose there is both humility and calmness, and this is noticeable in his arms, which are crossed.
Kiprensky managed to portray Alexander Sergeevich as elegant and mysterious. The portrait is thought out to the smallest detail. The creation itself was appreciated during his lifetime by Pushkin, who believed that the artist slightly embellished his image. However, the painter’s task was not to copy everything down to the smallest details, like a photograph, but to show the spiritual beauty of the soul that our Sun of Russian Poetry keeps within itself!
This is one of the most famous portraits of the great poet Alexander Pushkin. Many people know the poet in this image.
9th grade
Description of the portrait of Pushkin by the author Kiprensky
In front of me is a portrait of Pushkin, made by the famous Russian artist Orest Kiprensky. Perhaps this is one of the best and most famous lifetime images of the poet.
Probably, the fact that the portrait was created at all can be considered a great success. After all, it is known that Alexander Sergeevich, for all his cheerfulness and sociability, was still a rather private person, and did not particularly like posing in front of artists.
It seems to me that Kiprensky was very well able to capture and convey this trait of his. In the painting the poet is depicted half-turned towards the viewer. He looks thoughtfully into the distance, crossing his arms over his chest. We cannot meet his gaze, look into his eyes and penetrate into the secrets of the poet’s brilliant soul.
A blanket is casually thrown over Pushkin's shoulder. Such a seemingly insignificant detail carries a deep meaning, because it is a direct reference to the image of Lord Byron, an English poet, whose work Alexander Sergeevich highly valued and sincerely loved.
Extreme attention to detail is generally a distinctive feature of Orest Kiprensky’s paintings. And this work is no exception: there is absolutely nothing superfluous in it, its composition is thought out very carefully. So, in the right corner of the canvas we see a figurine of the Muse holding a lyre in her hands. I think the artist wanted to show in this way the inextricable connection between the poet and his inspiration and creativity. There is nothing else in the background, nothing distracts our attention from the significance of the thought expressed by the painter.
As already noted, Pushkin was a lively and energetic person, but he did not completely open up even to close friends. The artist emphasizes this duality of the poet’s nature with the help of lighting: one half of Pushkin’s face is illuminated, while the other, on the contrary, is in the shadows.
It is known that Alexander Sergeevich highly appreciated the portrait by Kiprensky. He thanked the artist by dedicating the poem “Favorite of Light-Winged Fashion” to him.
9th grade
Other works: ← Portrait of a boy Chelishchev↑ Kiprensky O.A.
Description of the portrait of A.S. Pushkin
In the portrait, Pushkin is depicted as a real fashionista, he is very elegantly dressed, wearing a frock coat made of black fabric, with only the collar of a white shirt showing, and a chic raincoat lined with tartan, the only bright element in the picture. It is believed that this cloak is not depicted by chance; it is supposedly a reference to the Scottish romantic poet Byron, who was an idol not only for Pushkin at his early stage of creativity, but also for Kiprensky himself.
The poet's face in the portrait is unusually spiritual. It is known that Pushkin had African roots, and because of this he was not considered handsome, but Kiprensky depicted his “Arap” face as light and expressive, he has clear, clean eyes that seem to convey some kind of thought, the whole expression on his face evokes the person looking at the portrait feels as if at the moment the poet’s head is ripening another brilliant work that will bring him world fame.
The poet has a pale face, hinting at sleepless nights spent with pen over paper under candlelight. The lips are not tightly closed, but they have a sad curve. Kiprensky depicts Pushkin on a yellow-green background, but highlights the area around the poet’s head, thus creating a kind of halo, which is very symbolic, given the subsequent tragic events in Pushkin’s life. The artist did not forget to depict the smallest details, for example, the strongly curly hair of the Russian poet, confirming his African origin, voluminous sideburns, depicted so naturally that it seems as if you would stretch out your hand and touch them. Pushkin's contemporaries emphasized that he always kept his hands and nails clean, and in the portrait they are depicted as sleek, almost tender, in order to emphasize the aristocratic nature of the poet.
All the colors of the portrait are consistent, soft, dark, not causing ripples in the eyes, which emphasizes Pushkin’s face very favorably. His whole appearance is filled with dignity and confidence, as if he is in a surge of creative energy.
An interesting detail is the image of the Muse in the form of an antique statue with a lyre in her hand in the background. This is not only a kind of reference to Pushkin’s line of work, but also a hint that the poet is currently in a state of inspiration, creating another masterpiece. Apart from the Muse, the picture no longer depicts any details that could distract from Pushkin’s face.
The uniqueness of the portrait lies in the fact that everyone perceives it in their own way. For some, Pushkin appears calm and thoughtful, lost in his own thoughts, for others - majestic and static, and for others - completely worried about something. This is precisely the effect that Kiprensky sought.
Essay based on Kiprensky's painting Portrait of A.S. Pushkin 9th grade
The artist painted a picture commissioned by Pushkin’s friend, Delvig.
Against a dark gray background, the poet sits half-turned, the light from a burning candle falls on his face and clearly highlights all his features. The right side of the face is illuminated, while the left is in shadow. Pushkin is dressed in a black frock coat, with a Scottish plaid draped over his right shoulder. The blanket hints at a homely environment. It is at home that people like to relax on the sofa and cover themselves with a warm checkered blanket. A white shirt is visible from under the collar. It sets off the poet’s dark skin and dark hair. A dark satin scarf or scarf is tied around the neck with a large bow. The arms are crossed on the chest in a closed position. She says that a person is not inclined to be frank. But his appearance can tell everything about him, you just need to be able to read and understand.
The look is thoughtful, calm. Large expressive eyes under black eyebrows look at the world with a childish wide and open look. His mouth is closed, the poet is serious, he won’t even smile. Only the right hand with long thin fingers and nails is visible. It immediately becomes clear that the person does not engage in heavy physical labor. Nails are clean and well-groomed. The long sideburns and black, curly hair on his head indicate that the poet’s ancestors were clearly not Europeans. Plump pink lips, the top with a “bow”, just like a woman’s. The nose is long, without a hump, the nostrils are not as wide as those of Negroids. And only the hair indicates African ancestors. The high forehead, cut by a couple of wrinkles and framed by rings of black curls, is relaxed. The poet is relaxing, enjoying the artist's company.
Behind the poet on a pedestal with a lyre in his hands stands a bronze muse. When she flies to the poet, inspiration strikes him.
The poet liked the portrait, although he did not like to pose. The friends argued about the poet’s manners. Some did not believe that Pushkin could be so thoughtful and serious. Others argued that crossed arms were the poet's favorite pose. This suggests that Pushkin was different and fickle. What a blessing that the portrait has reached us! And we can admire our beloved Pushkin.
I do not agree with those who considered the poet not beautiful. What is beauty? In the words of the poet Zabolotsky “...She is a vessel in which there is emptiness, or a fire burning in the vessel. "? And the poet’s fire burned so brightly in his heart that he created truly masterpieces. Equals to which have not yet been created.
Description of the portrait of Pushkin
During the life of Alexander Sergeevich Pushkin, it was possible to create an unusual portrait of him, compiled in 1827 by Orest Kiprensky, who is still a famous and talented artist. He always painted only from life, so there was no doubt about the authenticity of what he depicted. He always managed to easily convey the moods of the characters, to show everything down to the smallest detail, which is simply a crime not to pay attention to. How did such a delightful portrait of such a great writer come to light?
Pushkin had a very devoted friend named Anton Delvig, who wanted a picture to be painted for Alexander Sergeevich. He insisted on depicting Pushkin’s muse in the background, who repeatedly visits the writer while he is working on his magnificent poems. And the portrait shows the muse holding a lyre in her hands, she herself is a bronze statue that takes on the distraction. In the picture there is only her, and Pushkin himself. It is clearly shown that the poet is immersed in his thoughts, a muse has come to him, he is thinking about his specific creation.
The writer is wearing a frock coat and a cloak, which is draped over one shoulder. In such an outfit there were people who paid special attention to fashion. However, in Kiprensky’s painting the light is structured in such a way that the gaze falls not on Pushkin’s appearance, his attire, but on his face. It is radiant, glowing brightly. It immediately becomes clear that he is considering his new creation.
If you notice the writer’s tensely compressed lips, you realize that the poet feels anxiety. His gaze is full of sadness, but in Pushkin’s pose there is both humility and calmness, and this is noticeable in his arms, which are crossed.
Kiprensky managed to portray Alexander Sergeevich as elegant and mysterious. The portrait is thought out to the smallest detail. The creation itself was appreciated during his lifetime by Pushkin, who believed that the artist slightly embellished his image. However, the painter’s task was not to copy everything down to the smallest details, like a photograph, but to show the spiritual beauty of the soul that our Sun of Russian Poetry keeps within itself!
Description of the mood of the painting Portrait of A.S. Pushkin
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Tropinin V. A. Portrait of Pushkin Alexander Sergeevich. 1827
Many images of the great Russian poet Alexander Sergeevich Pushkin have survived to this day, but one of the most famous and realistic of them is the portrait of Pushkin, painted by the artist Vasily Tropinin in 1827.
There are several versions of the appearance of Pushkin’s portrait, according to one of which the painting was commissioned by the poet’s friend Sobolevsky, however, learned people are not very inclined to this particular development of fate with Tropinin’s painting of Pushkin.
The most likely reason is the personal order of the portrait by Pushkin himself, who wanted to surprise Sobolevsky in this way, who never saw it in the original, because the canvas was replaced with a fake, and only a few decades later the original was bought by Prince Obolensky from a small merchant.
The artist’s main task was to depict not only a portrait likeness, but also to show the inner world of the famous poet, his true nature and character.
Since Pushkin had a rather restless character, Tropinin had to constantly catch him from mutual friends and acquaintances in order to make sketches. It is likely that the clothes in the portrait were designed by the artist himself.
Tropinin painted a half-length portrait of Alexander Sergeevich, focusing on his face and extended arm. His whole posture speaks of his irrepressible energy; it may seem that in a moment he will get up and leave.
The poet's clothing is very symbolic: the artist depicted him in a loose dressing gown thrown over a white shirt with a raised collar. A silk scarf casually tied over the collar and slightly tousled hair completes the look.
True Russian Byron in a robe! By the way, at the beginning of the nineteenth century, the robe was considered both comfortable home clothing, but also a kind of symbol of love of freedom and liberty. It is not for nothing that Tropinin chose this particular outfit to depict Pushkin: like no other, it accurately conveys the main character traits of the poet, his love of freedom and freethinking.
After all, it is no coincidence that there is a comparison with Byron - the views of Alexander Sergeevich were very similar to the direction of thought of this great English poet.
Despite the slight carelessness in the portrait of Pushkin, it is difficult to blame Tropinin for any flaw; no one can say that his portrait turned out to be simple, lifeless and intimate, showing him primarily as a person, and not Pushkin the poet.
What is his glance worth? The poet’s close people claimed that this was exactly the facial expression Alexander Sergeevich had when his muse visited him and he created his brilliant works.
Tropinin did not oversaturate the portrait with details; in the center of the canvas is the figure of the poet, and only such a small detail as the manuscript on the table gives the picture a little symbolism.
Few of his contemporaries could call Pushkin’s appearance beautiful or even simply pleasant, and at the first glance at the portrait, attention is really attracted by the general unsightliness of the poet’s face, but this feeling lasts only a second. The artist masterfully managed to convey through the portrait the spirituality and rich inner world of Alexander Sergeevich, thanks to which the resulting image evokes delight and love from the audience.
Particular attention should be paid not only to the expression of the poet’s face, but also to his hand, which involuntarily attracts the eye with two rings that were very dear to the poet. Alexander Sergeevich wore one of them, donated by Elizaveta Vorontsova, without taking it off, considering it his source of luck and fortune, but nothing is known about the origin of the second.
The peculiar “homey” atmosphere of the picture, created by the artist, tries not so much to show the great poet as an ordinary ordinary person, but to convey his nature, rebellious against strictness and convention, the creative disorder of his soul. Alexander Sergeevich’s strong-willed chin and purposeful gaze confirm this opinion.
By a careless appearance, Tropinin means Pushkin’s free-thinking, which was so skillfully conveyed by the artist with the help of a brush and paints. Most likely, it is no coincidence that it was Vasily Tropinin who was able to create the first animated portrait of this great poet.
Who, if not a native of serfs, which the artist was, could so subtly feel the love for freedom and liberty emanating from our Russian Byron?
Vasily Tropinin put a piece of his soul into this portrait, which is probably why this canvas became the crown of his creations. The great artist found a kindred spirit in the great poet: this is exactly what can be said about this famous work of art, thanks to which we can see with our own eyes not only the face, but also the soul of Alexander Sergeevich.
One of the notable reviews of Pushkin’s portraits is the statement of the bibliophile A. A. Sidorov. As we know, the artist Kiprensky also has a similar canvas with Pushkin, who, according to Sidorov, looks more strict and secular, compared to Tropinin’s work, the poet is depicted in a homely, simple and more relaxed manner.
Today Tropinin's painting A. S. Pushkin is in the Pushkin Museum, (on the Moika) in St. Petersburg
Source: https://www.art-portrets.ru/artists/kartina-tropinina-pushkin.html
