The theme of love in Tolstoy's novel War and Peace
Love is perhaps undeniably one of the most frequently encountered themes in literature.
Moreover, love is of a completely different nature: for family, native land, loved one. The novel by the great Russian writer Leo Tolstoy called “War and Peace” was no exception. All the heroes of the epic novel experience a feeling of love to varying degrees.
Helen Kuragina is an aristocratic, socialite with winning beauty. However, emptiness and ugliness raged inside. In her understanding, love lies in immeasurable wealth and status in society. Having become the wife of Pierre Bezukhov, Helen flirted with men with great pleasure, knowing what attracted them. Human relations were far from this family; the Kuragins thoroughly enjoyed vulgarity, meanness and joy.
Andrei Bolkonsky is a hero who has gone through a difficult path to achieving his love and to understanding his existence. Having taken Lisa as his wife, he did not comprehend that true family happiness. He never cared about society. Lisa, being pregnant, did not become a convincing reason for Andrei to refuse to go to war. However, his soul will be resurrected after meeting Natasha Rostova. Natasha became the person who saw Andrei's last look.
Natasha Rostova is a girl, and then a girl, who has a love for everything around her. The Rostov family in the novel was a symbol of cordiality, sincerity and care. Natasha grew up in a family where harmony and love flourished; in fact, she became such a person in life. The need she needed for life was love.
Pierre Bezukhov is a trusting and loving man, however, the choice of his betrothed was wrong, he did not immediately understand that he had been led by the nose, and that the once loving person, as it seemed to him, awakened in him a feeling of disgusting disgust. After which he fell madly in love with Natasha Rostova, who at first did not reciprocate his feelings, but he waited, and in the end he found true, selfless love.
Marya Bolkonskaya, the princess, believed that her calling was to become happy with a different happiness - the happiness of love, than her father believed, who believed that his severity fully expressed love, and also, in his opinion, love manifested itself in activity and reason. Marya is a naive and pure person who sees only the good in people. However, she did not immediately comprehend the feeling of sincere love; after an unsuccessful marriage with Anatoly Kuragin, whose goal was the selfish side of the coin, Marya found what she was looking for with Nikolai Rostov, whose path to love was as thorny and confusing as her own.
Natasha Rostova and Pierre Bezukhov in the novel by L.N. Tolstoy "War and Peace"
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Type: Problem-thematic analysis of the work
Epic novel by L.N. Tolstoy's "War and Peace" is one of the peaks in world literature. It is striking in the scale of the life depicted, the versatility and diversity of the work. The author examines various problems of society at the beginning of the 19th century, trying to find answers. One of these problems was the problem of true love and spiritual beauty of a person. Natasha Rostova.
One of the main characters in the novel was Natasha Rostova. The writer pays a lot of attention to her and this is not surprising, because Natasha’s soul is a whole novel in itself, a life story, and all the most important and important things are manifested in her spiritual qualities and actions. In the novel, the words “Natasha” and “love” are inseparable. Love is part of her soul.
Love for father and mother, for Andrei and Pierre, for Nikolai and Sonya... Each feeling is different from the other, but they are all deep and true. Let us remember the meeting of Natasha and Andrei at the ball. They understood each other suddenly, at a glance, and felt something uniting them both. Prince Andrei looked younger next to Natasha. He became relaxed and natural around her.
But from many episodes of the novel it is clear that Bolkonsky could remain himself only with very few people. “Prince Andrei ... loved to meet in the world that which did not have a general secular imprint on itself. And that was Natasha.” But true love still won and woke up in Natasha’s soul much later.
She realized that the one whom she idolized, whom she admired, who was dear to her, lived in her heart all this time. This man was Pierre. His “childish soul” was close to Natasha. And he was the only one who brought joy and light into the Rostov house when she felt bad, when she was tormented by remorse, suffered, and hated herself for everything that happened. She did not see reproach or indignation in Pierre's eyes.
He idolized her, and Natasha was grateful to him only for the fact that he existed in the world and that he was her only consolation. Natasha Rostova is the most beautiful female character in Russian literature, who is unusually real and at the same time divine. This is exactly what a woman-mother should be.
The image of Natasha embodied the ideal of a woman for Tolstoy - a woman for whom family is the meaning of her whole life. Pierre Bezukhov. L.N. Tolstoy shows us the young Pierre Bezukhov for the first time in Anna Pavlovna Scherer’s salon as an obvious violator of both public peace and the smooth flow of the evening in general. What distinguishes him from everyone else in the living room is his intelligent, observant gaze.
It is he, and not his enormous height or brown tailcoat, that inspires Anna Pavlovna with anxiety. Pierre is greeted with a bow that belongs to people of the lowest hierarchy. He is the illegitimate son of Catherine's nobleman, Count Bezukhov, and later his legal heir. In a short time he becomes the owner of thousands of souls and millions. And now he is a welcome guest in all salons and houses of both capitals.
Count Leo Tolstoy, without a doubt, loves Count Pierre Bezukhov very much. He makes him the most eligible bachelor in Russia, but, at the same time, marries him to a stupid and depraved creature, the brilliant St. Petersburg beauty Helen Kuragina.
And in that seemingly most “romantic” moment, when Pierre “asks” for Helen’s hand in marriage, he constantly relies on the word “seems” in his thoughts: “seems” I love, “seems” happy. He seeks happiness in married life and does not find it. His search for the truth leads him to the Masonic lodge. It seems to Pierre that in Freemasonry he found the embodiment of his ideals.
The thought of improving the world and himself embraces him. The ideas of brotherhood, equality and love are what most attract a young person to Freemasonry. He wants to act, to benefit people. First of all, he decides to ease the lot of the serfs. But hypocrisy and hypocrisy also penetrated into the environment of Freemasonry. There is no personal happiness either. A period of disappointments and mistakes begins in his life.
Natasha's love is Pierre's reward for all the hardships and mental anguish. She, like an angel, enters his life, illuminating it with a warm, gentle light. Finally, Pierre found his happiness in family life. He becomes a member of a secret society. Pierre speaks with indignation about the reaction that has occurred in Russia, about Arakcheevism, theft. At the same time, he understands the strength of the people and believes in them.
With all this, the hero resolutely opposes violence. In other words, for Pierre, the path of moral self-improvement remains decisive in the reconstruction of society. Intense intellectual search, the ability for selfless actions, high spiritual impulses, nobility and devotion in love (relationships with Natasha), true patriotism, the desire to make society more just and humane, truthfulness and naturalness, the desire for self-improvement make Pierre one of the best people of his time . Epilogue.
Natasha and Pierre are two “poles”, completely different people, separated by an abyss of worldviews. But their love became a bridge across this abyss, brought them closer and united them.
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One of the main characters in the novel was Natasha Rostova. The writer pays a lot of attention to her and this is not surprising, because Natasha’s soul is a whole novel in itself, a life story, and all the most important and important things are manifested in her spiritual qualities and actions. In the novel, the words “Natasha” and “love” are inseparable. Love is part of her soul.
Love for father and mother, for Andrei and Pierre, for Nikolai and Sonya... Each feeling is different from the other, but they are all deep and true. Let us remember the meeting of Natasha and Andrei at the ball. They understood each other suddenly, at a glance, and felt something uniting them both. Prince Andrei looked younger next to Natasha. He became relaxed and natural around her.
But from many episodes of the novel it is clear that Bolkonsky could remain himself only with very few people. “Prince Andrei ... loved to meet in the world that which did not have a general secular imprint on itself. And that was Natasha.” But true love still won and woke up in Natasha’s soul much later.
She realized that the one whom she idolized, whom she admired, who was dear to her, lived in her heart all this time. This man was Pierre. His “childish soul” was close to Natasha. And he was the only one who brought joy and light into the Rostov house when she felt bad, when she was tormented by remorse, suffered, and hated herself for everything that happened.
She did not see reproach or indignation in Pierre's eyes. He idolized her, and Natasha was grateful to him only for the fact that he existed in the world and that he was her only consolation. Natasha Rostova is the most beautiful female character in Russian literature, who is unusually real and at the same time divine. This is exactly what a woman-mother should be.
The image of Natasha embodied the ideal of a woman for Tolstoy - a woman for whom family is the meaning of her whole life. L.N. Tolstoy shows us the young Pierre Bezukhov for the first time in Anna Pavlovna Scherer’s salon as an obvious violator of both public peace and the smooth flow of the evening in general. What distinguishes him from everyone else in the living room is his intelligent, observant gaze.
It is he, and not his enormous height or brown tailcoat, that inspires Anna Pavlovna with anxiety. Pierre is greeted with a bow that belongs to people of the lowest hierarchy. He is the illegitimate son of Catherine's nobleman, Count Bezukhov, and later his legal heir. In a short time he becomes the owner of thousands of souls and millions.
And now he is a welcome guest in all salons and houses of both capitals. Count Leo Tolstoy, without a doubt, loves Count Pierre Bezukhov very much. He makes him the most eligible bachelor in Russia, but, at the same time, marries him to a stupid and depraved creature, the brilliant St. Petersburg beauty Helen Kuragina.
And in that seemingly most “romantic” moment, when Pierre “asks” for Helen’s hand in marriage, he constantly relies on the word “seems” in his thoughts: “seems” I love, “seems” happy. He seeks happiness in married life and does not find it. His search for the truth leads him to the Masonic lodge. It seems to Pierre that in Freemasonry he found the embodiment of his ideals.
The thought of improving the world and himself embraces him. The ideas of brotherhood, equality and love are what most attract a young person to Freemasonry. He wants to act, to benefit people. First of all, he decides to ease the lot of the serfs. But hypocrisy and hypocrisy also penetrated into the environment of Freemasonry. There is no personal happiness either. A period of disappointments and mistakes begins in his life.
Natasha's love is Pierre's reward for all the hardships and mental anguish. She, like an angel, enters his life, illuminating it with a warm, gentle light. Finally, Pierre found his happiness in family life. He becomes a member of a secret society. Pierre speaks with indignation about the reaction that has occurred in Russia, about Arakcheevism, theft. At the same time, he understands the strength of the people and believes in them.
With all this, the hero resolutely opposes violence. In other words, for Pierre, the path of moral self-improvement remains decisive in the reconstruction of society.
Intense intellectual search, the ability for selfless actions, high spiritual impulses, nobility and devotion in love (relationships with Natasha), true patriotism, the desire to make society more just and humane, truthfulness and naturalness, the desire for self-improvement make Pierre one of the best people of his time . Epilogue. Natasha and Pierre are two “poles”, completely different people, separated by an abyss of worldviews. But their love became a bridge across this abyss, brought them closer and united them.
Natasha Rostova and Pierre Bezukhov in the novel “War and Peace” (2nd version)
In the epic novel “War and Peace,” L. N. Tolstoy, painting historical pictures of life in Russia at the beginning of the 19th century, pays special attention to his favorite heroes, Pierre Bezukhov and Natasha Rostova, revealing their spiritual clarity and simplicity, the love relationships that develop on throughout the entire work.
The young Count Bezukhov first meets Natasha Rostova, a thirteen-year-old cheerful and spontaneous girl, in Moscow, where he is exiled for carousing and rowdyism in the company of Prince Kuragin and Dolokhov.
Invited to the name day of the old countess, he, who did not know parental warmth and love (an illegitimate son), raised by strangers, is amazed by the comfort, joyful atmosphere and hospitality of the Rostov family.
“Big, fat and humble,” Pierre is shy at first, but soon feels at ease, “looking with more and more pleasant looks at the guests” and at Natasha, who sits “opposite him” and looks at Boris Drubetsky with loving eyes.
“This same look of hers sometimes turned to Pierre, and under the gaze of this funny, animated girl he wanted to laugh himself, not knowing why.” Natasha, with her open and trusting heart, immediately becomes imbued with respect and sympathy for this man who came from abroad. “You know, this fat Pierre, who was sitting opposite me, is so funny!” - she says to Sonya.
The girl, “laughing with her eyes and blushing,” trustingly approaches him, inviting him to dance, and Pierre does not refuse her, although he dances poorly. From the first pages of the novel, L.N. Tolstoy shows the spiritual closeness of his characters, their mutual understanding: “...Pierre sat down with his lady. Natasha was completely happy... She sat in front of everyone and talked to him like a big girl.”
Entangled in the flattery and insidious intrigue of Prince Vasily Kuragin, Count Pyotr Kirillovich, having married Helen, an empty and calculating social beauty, realizing that the marriage with her is unhappy, is more and more drawn in soul and heart to Natasha, who has become the bride of Prince Andrei Bolkonsky, who sees Pierre has a “heart of gold.”
Bezukhov treats the charming and charming girl with tender devotion, admires and admires her. Therefore, having learned about Natasha’s betrayal of Prince Andrei, at first he cannot come to terms with it: “The sweet impression of Natasha, whom he knew from childhood, could not be combined in his soul with a new idea of her baseness, stupidity and cruelty.”
But, having learned that the naive girl was seduced with the help of the depraved Helen, he flies into a rage, almost strangling Anatole, forcing him to return Natasha’s letters and leave Moscow. Subconsciously, Pierre does not believe in the “fall” of the young countess and believes that “it is his responsibility to hide the whole matter and restore Rostova’s reputation.”
Seeing Natasha after her failed escape with Anatole, he understands what is going on in her heart and is imbued with a feeling of true love for her: “... now he felt so sorry for her that there was no room for reproach in his soul.” For Pierre, Natasha is pure and immaculate.
In a gentle, sincere voice, he speaks to the girl, calling her “my friend,” offering his help, advice: “... if... you just need to pour out your soul to someone... remember me... I will be happy if I am able to...” In a fit of tenderness and compassion, he confesses to Natasha: “If I were not me... and were free, I would this minute on my knees ask for your hand and love.”
Filled with despair and shame, humiliated and crushed by her grief, rejected by society, Natasha finds in Pierre a truly close person to her and cries “with tears of gratitude and tenderness.” These tears evoke the joy of life in the count, renewing his tormented soul with the desire to act. Having survived the horrors of war, having lost loved ones and loved ones, L.N.’s beloved heroes.
Tolstoy meet again as different people. Seeing Natasha’s “stern, thin and pale, aged face”, her dear, sweet and attentive eyes, Pierre feels a long-forgotten happiness that “has embraced and absorbed him all.” He “wanted to hide his excitement.
But the more he wanted to hide it, the more clearly, more clearly, than in the most definite words, he told himself, and her, and Princess Marya that he loved her.” For the first time after the death of Prince Andrei and Petya, Natasha experiences pleasure from communicating with Pierre, her “kind and sadly questioning eyes...
lit up,” and she tells him about her last meeting with Prince Andrei, seeing sincere sympathy in Pierre. And he understands “that over his every word and action there is now a judge, a court that is dearer to him than the judgment of all people in the world - this is Natasha.” The trials endured are even greater.
bring together the heroes of the novel, who see their happiness in simplicity, goodness and truth. Talking about his captivity, Pierre feels Natasha’s attention: “... she did not miss a word, a hesitation in her voice, a glance, a twitch of a facial muscle, or a gesture from Pierre.
She caught the unspoken word on the fly and brought it directly into her open heart, guessing the secret meaning of all Pierre’s spiritual work.” For the first time after the sad loss of her loved ones, a joyful and playful smile appears on Natasha’s face.
Pierre feels the presence of Natasha with his whole being and is surprised by her: “She was in the same black dress with soft folds and had her hair done the same way as yesterday, but she was completely different... A cheerful, questioning sparkle shone in her eyes; there was a gentle and strangely playful expression on his face.”
Only now Pierre realizes that he cannot live without Natasha and says to Princess Marya: “... I have loved only her, I have loved her all my life and I love her so much that I cannot imagine life without her.” Love transforms Bezukhov. He thinks about the “incredible happiness ahead.” He is overcome by “joyful, unexpected madness,” “the whole meaning of life... seemed to him...
only in his love and in the possibility of her love for him.” People seem to Pierre to be nice, friendly, attentive, kind and touching; he wants to tell everyone about his joy: “All the judgments that he made for himself about people and circumstances during this period of time remained forever true for him...
love filled his heart, and he, loving people without reason, found undoubted reasons for which it was worth loving them.” The world became beautiful for Pierre. He rejoices at the riders and carpenters, traders and shopkeepers who look at him “with cheerful, shining faces,” and admires the streets and houses.
And Natasha? In the devastated soul of the girl, “the power of life and hopes for happiness” suddenly awaken. She, for whom everything was in love, fell in love again and surrendered to this feeling with all completeness and sincerity, joy and fun: “Everything: face, gait, look, voice - everything suddenly changed in her...
She spoke little about Pierre, but when Princess Marya mentioned him, a long-extinguished sparkle lit up in her eyes and her lips wrinkled with a strange smile.” The meeting with Pierre Bezukhov after his return from captivity, his attention and love finally heal Natasha, who has found her happiness in her husband and children. Love and harmony reign among the Bezukhovs, created by Natasha the mother and wife, who always strived for one thing - “to have a family.” to have a husband,” “to whom she devoted herself entirely—that is, with all her soul.” She runs her house in such a way as to fulfill all of Pierre’s wishes: in everyday affairs, in raising children, in the Count’s activities, and in the very spirit of the house. She doesn’t just listen to Pierre, but absorbs his thoughts and feelings. He sees himself reflected in his wife, and this pleases him, because in the disputes “Pierre, to his joy and surprise, found not only in the words, but also in the actions of his wife, the very thought that she was arguing against.” Without understanding husband's mind, Natasha guesses what was most important in his activities, shares his thoughts only because Pierre for her is the most honest, most just person in the world. In the family, in Natasha's love for him, Count Bezukhov draws spiritual strength to fight evil and injustice. L.N. Tolstoy writes: “After seven years of marriage, Pierre felt a joyful, firm consciousness that he was not a bad person, and he felt this because he saw himself reflected in his wife... And this reflection did not happen through logical thought, and to others - a mysterious, direct reflection.” The novel “War and Peace” embodied L. N. Tolstoy’s thoughts about the secrets of happiness and love, about the purity of the moral feelings of the heroes of the work, their attitude to good and evil, truth and lies, to family life as one of the forms of unity between people.
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Love of Natasha and Pierre
The relationship between Natasha and Pierre in the novel moves to a new level when they meet in Bald Mountains after the death of Petya, Andrei and Helen. Recognizing Natasha in the sad, emaciated woman, Pierre understands “that all his former freedom has disappeared.
He felt that over his every word and action there was now a judge, a court that was dearer to him than the court of all people in the world.” They fell in love with each other, having behind them the experience of suffering and disappointment. The more valuable this new feeling turns out to be for them.
Natasha Rostova and Pierre Bezukhov are united by spiritual wealth, and the heroes feel the need to share it with each other.
At the end of the novel we see Natasha as Pierre's wife and mother of four children. “She gained weight and fatness, so that it was difficult to recognize in this strong mother the former thin, active Natasha.”
The heroine finds happiness not in visiting salons and fashionable evenings, but in her family. Happy is Pierre, who has found not just a beloved wife, but a faithful friend who takes part “in every minute of her husband’s life.”
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Essay Love in the work War and Peace by Tolstoy
Love is one of the main driving forces in the novel War and Peace. The difficult fates of various heroes appear before us.
One of them is the arrogant social beauty Helen. She is pretty, but her soul is empty. Helen’s main value is wealth and a high position in society. The social beauty builds her relationships on profitable calculations. She does not love her husband Pierre, she starts affairs with other men on the side. After her divorce from Pierre, Helen continues to lead a dishonest lifestyle.
Her brother, Anatoly Kuragin, has the same attitude towards life. He spends all his time in revelry, entertainment, and debauchery.
Essay war and peace Natasha Rostova
The work “War and Peace” by Leo Nikolaevich Tolstoy is known all over the world. The epic novel is rich in the variety of images created by the writer. In this grandiose work, five hundred and fifty-nine characters appear before the reader.
Some characters are practically invisible in the novel, and some are depicted vividly and fully; the writer subjected them to detailed psychological analysis, talking in detail about their lives, depicting the features of their characters and actions. The most important characters in the novel, which even those people have probably heard of.
who have never read this work in their lives are Andrei Bolkonsky. Natasha Rostova and Pierre Bezukhov. Of all the female characters found in War and Peace, the writer’s favorite character is Natasha Rostova.
This heroine appeals not only to the writer, but also to many readers who sympathize with the heroine’s charm, her youth, energy, and character traits.
Natasha first appears on the pages of the novel on her name day, while still a very young thirteen-year-old girl.
She behaves as a child who is the center of attention should behave. For example, when lunch was approaching its halfway point, Natasha shamelessly asks her mother: “What kind of cake will there be?” Natasha is confident that all her antics that day will be forgiven. The first ball Natasha attended showed all the splendor of this girl.
She is spontaneous, simple, and her actions seem to be dictated by the heroine’s soul. The girl has no concern about how the people around her treat her, what they think about her. In a wonderful way, Natasha wins over people, even those previously unknown to her.
Natasha Rostova seems to instill confidence in people, sow love for life in their hearts, and people, communicating with her, become better and kinder. And many episodes of the novel “War and Peace” prove this to us.
One example is the episode with Nikolai Rostov, when, after losing at cards, he returns home not in the best mood, and hearing Natasha sing, her beautiful voice, Nikolai forgets about all his problems: “... suddenly the whole world focused for him in anticipation next note, next phrase...” Nikolai, listening to Natasha’s singing, even rethinks everything that happened to him:
- “All this: misfortune, and money, and Dolokhov, and anger, and honor - all nonsense, but here she is - real...”
The writer endowed his beloved heroine with romanticism, simplicity, spirituality, and thanks to these qualities, Natasha Rostova is attractive to many readers. The beauty of Natasha Rostova is internal, she has a beautiful soul that knows how to sympathize with other people.
Natasha Rostova is not as beautiful in appearance as, for example, Helen, but thanks to her beautiful inner world, Natasha brings happiness, joy to others, and helps them. Leo Nikolayevich Tolstoy’s favorite heroine knows how to admire the world around her and its beauty.
With what sincerity and genuine admiration she tells Sonya about the beauty of the starry sky: “After all, such a lovely night has never happened!” Natasha Rostova also influenced Andrei Bolkonsky. who at a certain period of his life was indifferent to the world around him.
Andrei “...loved to meet in the world that which did not have a general secular imprint on it. That was Natasha.” M when Natasha was next to Andrey. When he heard her stories, he became at ease, became kinder and, like her, knew how to notice the beauty around him. Andrei Bolkonsky talks about Natasha. “...Rostova is very nice.
There is something fresh, special, not St. Petersburg, that distinguishes her.” Andrei fell in love with Natasha and, thanks to his feeling, saw a world that was “filled with some joys unknown to him.” And Natasha reciprocates Andrei’s feelings, because like any woman, she wants to love and be loved.
Natasha Rostova is an open and amorous person. This may explain her passion for Anatole. During the long absence of Andrei Bolkonsky, Natasha felt a return to life with Kuragin, but soon she understands and realizes her mistake.
As a result, Natasha finds her family happiness by marrying Pierre Bezukhov and devotes herself entirely to her family. According to Lev Nikolaevich Tolstoy, the family is the most important purpose of a woman. It is in the family that a woman is able to reveal herself most fully.
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Love in the novel War and Peace by Tolstoy essay
The theme of love in the well-known novel is raised repeatedly and from different angles. It is worth noting that the word “love” has several meanings. In most cases, when a person hears this word, an association of a couple in love arises. This is one type of love.
Our work raises this topic in different contexts. In the novel one can trace the love of parents for children and children for parents, love between husband and wife, love for a brother or sister, love for one’s homeland and fatherland, love for people, love for those in need of help, the wounded and the disadvantaged.
The personification of femininity
Starting to read the famous work, we understand that Natasha Rostova is Tolstoy’s favorite heroine in the novel “War and Peace”. He singles her out from all the heroes, devotes entire chapters to the girl’s life, describes her appearance, experiences, and actions with especially warm feeling. For the writer, Natasha Rostova is the personification of femininity. Her image embodies the author’s ideas about the main purpose of a woman, as a mother and wife.
The main character is not perfect. Natasha's character is complex, changeable and contradictory. Tolstoy's favorite, like every person, has its own advantages and disadvantages. But there is something so good and real in her that attracts the reader’s attention, makes her empathize, and evokes sympathy.
Option 2
Love is undoubtedly one of the most beautiful feelings on earth. This feeling has been described by many poets and writers. L.N. Tolstoy is no exception. In his immortal novel “War and Peace” the theme of love is very well explored. It is shown from different angles. The writer spoke about love both between a man and a woman, and between parents and children, between friends and brothers and sisters, and, of course, about selfless love for the Motherland and Fatherland. Reading the novel, we see that people love and sincerely surrender to this feeling, which means that they truly live. Despite the fact that a lot of time has passed since this novel was written, its theme continues to be relevant today. Next I will tell you about those characters who each experienced this multifaceted feeling in their own way.
Prince Andrei Bolkonsky. This man did not marry for love, and at the beginning of the novel he did not understand what it meant to love. He realized this only when he met Natasha Rostova on his life’s path. When he met young Natasha, he felt reborn. Before his death, Andrei was able to forgive Natasha for her betrayal, and Natasha looked after him after being wounded. This was his happiness. He even forgave his rival, and found the strength to confess his true love to his beloved woman.
Natasha Rostova is the most beautiful and sweet creature, imbued with love for everything that surrounds her. She certainly loves everyone in her family. This was the only way she could grow up in this good family, where an atmosphere of goodwill, harmony and love always reigned. Several times the heroine mistook infatuation and childhood dreams for love, this was the case with Boris and Anatole. True love can be called love for Andrei Bolkonsky, love was truly all-consuming. But the love for Pierre Bezukhov is also real, only it is a little different, calm, sincere.
Love is the essence of Natasha Rostova's life. War and Peace Tolstoy L. N.
Love is the essence of Natasha Rostova's life. “I love my dear Natasha so much,” Leo Tolstoy could rightfully paraphrase the words of A.S. Pushkin. Indeed, it is in this heroine that the writer’s female ideal is embodied. What does it consist of? In Natasha Rostova, an overabundance of life is striking. The first meeting with her on the pages of the novel leaves the reader with the impression of fresh youth, indomitable movement: the heroine runs into the hall where the guests are gathering, runs in accidentally, not calculating the speed, and immediately disrupts the decorous conversation of the adults. This small scene contains a compressed projection of the entire future fate of Natasha, whose soul is so overwhelmed by the movement of life that it cannot always remain within the framework of “how it should be.” So, for example, having recklessly surrendered to her feelings for Anatoly Kuragin, the girl went too far. Young Natasha is “dark-eyed, with a big mouth, ugly, but alive.”
Tolstoy deliberately emphasizes the “ugliness” of the thirteen-year-old girl’s appearance in order to show the charm of her naturalness by contrast. The heroine is gifted by nature: she dreams of becoming a dancer and sings so well that admiring listeners forget about everything in the world. She perfectly feels the beauty of the world. Rostova is so shocked by the magic of the moonlit night in Otradnoye that she is unable to sleep, “after all, such a charming night has never, never happened.” Natasha carries within herself an amazing freshness of feelings, the springlike purity of a child’s view of things.
For her, indeed, everything is a first. She continually discovers the charm and beauty of the world. There are many things about Natasha that remind us of Pushkin’s Tatyana Larina. It is the “Russian soul” that brings the heroines of “War and Peace” and “Eugene Onegin” together.
We see a girl dancing “On the Pavement Street” while visiting her uncle. “Where, how, when did this countess, raised by a French emigrant, suck into herself from that Russian air that she breathed, this spirit, where did she get these techniques?.. But these spirits and techniques were the same, inimitable, unstudied, Russian, which her uncle expected from her.” Christmas time and fortune telling together with Sonya transport the heroine into the romantic, mysterious world of folk beliefs and customs. The essence of Natasha Rostova's life is love. Natasha loves everyone: her mother-countess, and her father, and Nikolai, and Petya, and the resigned Sonya, and Boris Drubetsky, to whom she swore eternal devotion, and the whole world.
She is so charming that not only the noble Denisov, but also the smart careerist Boris Drubetskoy is seriously infatuated with her, although marrying a girl with almost no fortune would result in the death of his career. Natasha Rostova’s first ball... We feel the heroine’s trembling readiness “for the greatest joy and the greatest sorrow,” a passionate desire to be invited to dance, to be noticed. And again Tolstoy uses his favorite technique of contrast, comparing the high-society beauty Helen and Natasha. Outwardly, Rostova loses, but “Helen already had a varnish on her from all the thousands of glances sliding over her body, and Natasha seemed like a girl.” It is precisely with her youth and naturalness that Andrei Bolkonsky’s heroine attracts. Dancing with her, the prince feels “revived and rejuvenated,” and Natasha herself is “at that highest level of happiness when a person becomes completely kind and good and does not believe in the possibility of evil, misfortune, and grief.” An excess of life and inexperience are the source of her mistakes and rash actions.
The mother anxiously feels that “there is too much of something in Natasha and that this will not make her happy.” It is the image of Natasha that is the key to understanding the philosophical side of the novel. The story of Anatoly Kuragin is especially instructive. The problem of human freedom, the main one in the novel, comes to the fore here. How to combine human freedom and the laws of human society, common sense, and morality? Is man free?
Where are the limits of human freedom? These questions constantly haunt Tolstoy, and he tries to give his answer to them. Love for Prince Andrei awakens with renewed vigor in the heroine after leaving Moscow with a convoy, which includes the wounded Bolkonsky. The prince's reconciliation with Natasha fully corresponds to the ideal of love for one's neighbor. Bolkonsky's death deprives Rostova's life of the main meaning, the meaning of love, but the news of Petya's death forces Tolstoy's heroine to overcome her own grief in order to keep her mother from insane despair. Natasha “thought that her life was over.
But suddenly love for her mother showed her that the essence of her life - love - was still alive in her. Love woke up and life woke up.” Natasha's attitude towards Pierre testifies to the heroine's insightful heart. Comparing Boris Drubetsky with Bezukhov, she characterizes the latter as dark blue and red and quadrangular. It seems to me that this association sensitively captures Pierre’s sincere kindness, his sweet angularity, and spontaneity. After marriage, Natasha gives up social life, singing, and dressing up. And this is not a sacrifice to the family, but the need to give yourself entirely to those you love. Her husband and children constitute the main meaning of Natasha’s life. The author emphasizes her maternal essence in the portrait.
“She became plump and wider, so that it was difficult to recognize in this strong mother the former thin, active Natasha. Her facial features were defined and had an expression of calm softness and clarity. In her face there was not, as before, that incessantly burning fire of revival that made up her charm. Now only her face and body were often visible, but her soul was not visible at all. One strong, beautiful and fertile female was visible.” This is the writer’s artistic response to the demands of women’s emancipation. Emancipation, according to Tolstoy, is, of course, possible - Anna Pavlovna Scherer, Helen Kuragina, Julie Karagina are quite emancipated - but it will never make a woman happy. Even if Natasha is far from Pierre’s intellectual and political quests, the mutual understanding of the spouses is based not on reason, not on judgments, inferences and conclusions, but on the ability to love, “with extraordinary clarity and speed cognizing and communicating each other’s thoughts, in a way contrary to all the rules of logic.”
This is the ideal of family happiness, in which there are no barriers of lies and alienation between people. This is Tolstoy’s ideal of “peace.”
Several interesting essays
The main character of the work is Eugene Onegin, presented by the author in the image of a twenty-six-year-old young rich St. Petersburg nobleman. The hero is described in the novel as an educated fashionable dandy
Vladimir Dubrovsky is one of the main characters of the work, who throughout the narrative turns from a young rake into a noble and honest young man.
“Woe from Wit” by A. S. Griboyedov can truly be considered an innovative work. There is still controversy over the genre of this play.
Silence. The barely perceptible creaking of snow. Everything is white. Somewhere in the distance horses are running, carrying haystacks. When I look at the picture, I want to drop everything I’m doing, sit on a bench, close my eyes and think about something pleasant.
The main characters of the story “Olesya” by I. A. Kuprin, a girl named Olesya and the visiting gentleman Ivan Timofeevich, are vivid images that represent love in one of its manifestations
