Brief Analysis
Before reading this analysis, we recommend that you familiarize yourself with the poem The rye is ripening over a hot field.
History of creation - the exact date of writing is unknown, approximately this work dates back to the late 1850s. Published for the first time in the magazine “Russian Bulletin” in 1860.
The theme is midsummer, which the poet describes as a time of joy for the eyes.
The composition is one-part, with one stroke Fet paints the whole picture, describing it from different sides.
Genre : lyric poem.
The poetic meter is tetrameter trochee with cross rhyme.
Epithets – “hot field”, “whimsical wind”, “golden tints”, “boundless harvest”, “fire-breathing eye”.
Personifications - “the whimsical wind drives,” “the moon looks timidly,” “the moon is amazed,” “for a moment a fire-breathing eye closes the sky.”
History of creation
It is unknown in what year exactly this work was written. Researchers date it to the end of the 1850s, and it was published in 1860, then connoisseurs of Fet’s poetry could read this work in the Russian Messenger magazine.
Fet was an apologist for the idea of “pure art”; he believed that poetry should be separated from politics and other problems of the outside world. Most often, he turned specifically to the theme of nature, describing not so much the picture that the reader had to see, but the emotion that needed to be felt. So the poem “The rye is ripening over the hot field” is the essence of a verbal expression of happiness and beauty.
Analysis of Fet's poem Rye is Ripening
Analysis of Fet’s poem “The rye is ripening over the hot fields”
Analysis of Fet’s poem “The rye is ripening over the hot fields”
The work of Afanasy Afanasyevich Fet rightfully occupies a prominent place in the treasury of world poetry about nature. His work marks a new stage in the development of Russian romantic poetry.
It is at this stage, as critics note, that poetic sublimity is combined with a certain pragmatism, which is, oddly enough, a manifestation of romantic freedom.
In general, Fetov’s so-called natural philosophy, expressing the visible and invisible connections between man and nature, helped him create a whole series of cycles of poems about nature: “Spring”, “Summer”, “Autumn”, “Snow” and others.
If in poems about spring, as a rule, transitional states are expressed, because spring marks the transition from winter to spring, then the poem “The rye is ripening over a hot field” recreates the picture of the height of summer, when everything in nature is already preparing to bear fruit.
Obviously, this is a gratifying picture for the poet, because fields of ripening cereals have been the key to reliable food in winter since ancient times. Therefore, the image of an endless rye field is comparable to the sea.
The similarity is enhanced by the “golden shimmer” metaphor, which gives rise to an association with sea waves, only not of turquoise, but of a golden hue.
It would be logical to imagine that this picture is described in the midst of a bright summer day, but it turns out that “the day has spread its arms wide into the region of the night.”
With this personification, the poet not only creates the image of a long summer evening, when, it would seem, the sun has already set and it is still light outside, which is typical for central Russia, but also endows nature with independence, as if it exists only according to its own laws, beyond the control of to a person.
The presence of a person, however, is felt in the poem: this, by the way, is a sign of the psychologism of Fetov’s work. The romantic hero Feta strives to experience a feeling of spiritual fusion with nature. Then he will be able to dissolve in her and understand her soul.
This is what happens in this poem: it is the hero who can assess the state of the month - that he “timidly looks into the eyes” and “is amazed that the day has not passed.” Thus, one can again notice the transition from one state to another, characteristic of Fet’s poetry.
Only now is the transition from day to night.
It should be noted that Afanasy Fet’s poems do not actually express a thought, do not depict a picture as such - they express a state, mood, impression.
Therefore, Afanasy Afanasyevich saw his main task in the field of poetry as the desire to stop and express the most intimate moments of happiness and beauty, in fact, to express the inexpressible.
Therefore, in the last quatrain, we are together with the hero, invisibly present where “above the boundless harvest of bread” the sky “closes a fire-breathing eye.” we feel this moment when the picture of the sunset of a summer day narrows, turns into a red dot on the horizon.
Despite the apparent simplicity of the rhythmic organization of this poem (tetrameter trochee and cross rhyme), it evokes admiration for the beauty of a summer evening, smoothly flowing into night and quickly giving way to dawn.
Every Russian person, who has seen a sunset and greeted the dawn at least once in his life, will very quickly reproduce in his memory the very picture he once saw, but after reading A. Fet’s poem “The rye is ripening under a hot field,” he will rather experience a feeling of delight , which he once experienced.
The poet manages to touch the strings of a person’s soul that are inaccessible to artists or musicians. This feature distinguishes the poetry of Afanasy Afanasyevich Fet.
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The work of Afanasy Afanasyevich Fet rightfully occupies a prominent place in the treasury of world poetry about nature. His work marks a new stage in the development of Russian romantic poetry.
It is at this stage, as critics note, that poetic sublimity is combined with a certain pragmatism, which is, oddly enough, a manifestation of romantic freedom.
In general, Fetov’s so-called natural philosophy, expressing the visible and invisible connections between man and nature, helped him create a whole series of cycles of poems about nature: “Spring”, “Summer”, “Autumn”, “Snow” and others.
If in poems about spring, as a rule, transitional states are expressed, because spring marks the transition from winter to spring, then the poem “The rye is ripening over a hot field” recreates the picture of the height of summer, when everything in nature is already preparing to bear fruit.
Obviously, this is a gratifying picture for the poet, because fields of ripening cereals have been the key to reliable food in winter since ancient times. Therefore, the image of an endless rye field is comparable to the sea.
The similarity is enhanced by the “golden shimmer” metaphor, which gives rise to an association with sea waves, only not of turquoise, but of a golden hue.
It would be logical to imagine that this picture was described in the midst of a bright summer day, but it turns out that “the day has spread its arms wide into the region of the night.”
With this personification, the poet not only creates the image of a long summer evening, when, it would seem, the sun has already set and it is still light outside, which is typical for central Russia, but also endows nature with independence, as if it exists only according to its own laws, beyond the control of to a person.
The presence of a person, however, is felt in the poem: this, by the way, is a sign of the psychologism of Fetov’s work. The romantic hero Feta strives to experience a feeling of spiritual fusion with nature. Then he will be able to dissolve in her and understand her soul.
This is what happens in this poem: it is the hero who can assess the state of the month - that he “timidly looks into the eyes” and “is amazed that the day has not passed.” Thus, one can again notice the transition from one state to another, characteristic of Fet’s poetry. Only now is the transition from day to night.
It should be noted that Afanasy Fet’s poems do not actually express a thought, do not depict a picture as such - they express a state, mood, impression.
Therefore, Afanasy Afanasyevich saw his main task in the field of poetry as the desire to stop and express the most intimate moments of happiness and beauty, in fact, to express the inexpressible.
Therefore, in the last quatrain, we, together with the hero, invisibly present where “above the boundless harvest of bread” the sky “closes a fire-breathing eye,” feel this moment when the picture of the sunset of a summer day narrows, turns into a red dot on the horizon.
Despite the apparent simplicity of the rhythmic organization of this poem (tetrameter trochee and cross rhyme), it evokes admiration for the beauty of a summer evening, smoothly flowing into night and quickly giving way to dawn.
Every Russian person, who has seen a sunset and greeted the dawn at least once in his life, will very quickly reproduce in his memory the very picture he once saw, but after reading A. Fet’s poem “The rye is ripening under a hot field,” he will most likely experience a feeling of delight , which he once experienced.
The poet manages to touch the strings of a person’s soul that are inaccessible to artists or musicians. This feature distinguishes the poetry of Afanasy Afanasyevich Fet.
“The rye is ripening over the hot fields...” A. Fet
“The rye is ripening over the hot fields...” Afanasy Fet
The rye is ripening over the hot cornfield, and from cornfield to cornfield the whimsical wind is driving
Golden shimmers.
Timidly the moon looks into the eyes, Amazed that the day has not passed, But wide into the area of the night
The day spread its arms.
Above the boundless harvest of bread Between the sunset and the east The sky closes for just a moment
Fire-breathing eye.
Analysis of Fet’s poem “The rye is ripening over the hot fields...”
The second half of the nineteenth century in literary Russia was marked by the struggle between representatives of the “natural school” and “pure art”. The conceptual difference between the two movements lay in the attitude towards the reflection of social problems in creativity.
Supporters of the “natural school” believed that works of art should describe people’s troubles and the political situation. Realism became the main method. Adherents of “pure art” tried to distance themselves as much as possible from the problems of the outside world in their creativity.
They devoted their poems to the themes of love and nature, and philosophical reflections. Fet was also an apologist for “pure art”. He believed that it was impossible to accurately convey things and phenomena in words. His landscape lyrics are a captured moment, described through the prism of individual perception.
Often, Afanasy Afanasievich’s poems recorded transitional moments and states of nature. Such is the work “Rye is Ripening over a Hot Field...”, dated to the end of the 1850s and first published in the magazine “Russian Messenger” in 1860.
The sunset appears before the readers. The day has almost come to an end, but the night has not yet come into its own. This borderline time is accurately and briefly described by Fet in the last three lines of the poem: ... Between sunset and east Only for a moment does the fire-breathing eye close the sky.
Afanasy Afanasievich does not paint a picture of some abstract sunset. Its landscape is truly Russian. It’s not for nothing that it contains rye - the breadwinner plant for simple village people.
The endless plain is another integral feature of the landscape of central Russia. Therefore, Fet’s grain harvest is characterized by the adjective “boundless.”
Before the eyes of the readers there clearly appears a picture of our native endless expanses, a rye field, along which you can run for a long, long time, with your arms outstretched.
There is only one color characteristic in the poem - the poet called the iridescence golden.
With the help of this adjective, Afanasy Afanasievich manages to convey the mood of the picture he is drawing, to create the atmosphere of a hot summer day at its end.
The word “golden” in the work “Rye is ripening over a hot field...” exudes warmth, tenderness and even the smell of freshly baked bread. It’s amazing how Fet, through precisely noticed details, breathes life into the depicted landscape.
“The rye is ripening over the hot fields. ", analysis of Fet's poem
The work of Afanasy Afanasyevich Fet rightfully occupies a prominent place in the treasury of world poetry about nature. His work marks a new stage in the development of Russian romantic poetry.
It is at this stage, as critics note, that poetic sublimity is combined with a certain pragmatism, which is, oddly enough, a manifestation of romantic freedom.
In general, Fetov’s so-called natural philosophy, expressing the visible and invisible connections between man and nature, helped him create a whole series of cycles of poems about nature: “Spring”, “Summer”, “Autumn”, “Snow” and others.
If in poems about spring, as a rule, transitional states are expressed, because spring marks the transition from winter to spring, then the poem “The rye is ripening over a hot field” recreates the picture of the height of summer, when everything in nature is already preparing to bear fruit.
Obviously, this is a gratifying picture for the poet, because fields of ripening cereals have been the key to reliable food in winter since ancient times. Therefore, the image of an endless rye field is comparable to the sea.
The similarity is enhanced by the “golden shimmer” metaphor, which gives rise to an association with sea waves, only not of turquoise, but of a golden hue.
It would be logical to imagine that this picture was described in the midst of a bright summer day, but it turns out that “the day has spread its arms wide into the region of the night.”
With this personification, the poet not only creates the image of a long summer evening, when, it would seem, the sun has already set and it is still light outside, which is typical for central Russia, but also endows nature with independence, as if it exists only according to its own laws, beyond the control of to a person.
The presence of a person, however, is felt in the poem: this, by the way, is a sign of the psychologism of Fetov’s work. The romantic hero Feta strives to experience a feeling of spiritual fusion with nature. Then he will be able to dissolve in her and understand her soul.
This is what happens in this poem: it is the hero who can assess the state of the month - that he “timidly looks into the eyes” and “is amazed that the day has not passed.” Thus, one can again notice the transition from one state to another, characteristic of Fet’s poetry. Only now is the transition from day to night.
It should be noted that Afanasy Fet’s poems do not actually express a thought, do not depict a picture as such - they express a state, mood, impression.
Therefore, Afanasy Afanasyevich saw his main task in the field of poetry as the desire to stop and express the most intimate moments of happiness and beauty, in fact, to express the inexpressible.
Therefore, in the last quatrain, we are together with the hero, invisibly present where “above the boundless harvest of bread” the sky “closes a fire-breathing eye.” we feel this moment when the picture of the sunset of a summer day narrows, turns into a red dot on the horizon.
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Despite the apparent simplicity of the rhythmic organization of this poem (tetrameter trochee and cross rhyme), it evokes admiration for the beauty of a summer evening, smoothly flowing into night and quickly giving way to dawn.
Every Russian person, who has seen a sunset and greeted the dawn at least once in his life, will very quickly reproduce in his memory the very picture he once saw, but after reading A. Fet’s poem “The rye is ripening under a hot field,” he will most likely experience a feeling of delight , which he once experienced.
The poet manages to touch the strings of a person’s soul that are inaccessible to artists or musicians. This feature distinguishes the poetry of Afanasy Afanasyevich Fet.
Nature in the poems of A. A. Fet: analysis of the poem “The rye is ripening over the hot field”
Analysis of the poem “The rye is ripening over the hot field”
The thrill and music of summer nature in the lyrics of A. Fet
The fate of the Russian poet Afanasy Fet was very difficult. Studying his biography, getting to know his character more closely, it is difficult to imagine that such peaceful lines breathing calmness came from the pen of this artist.
In the middle of the 19th century, there were discussions among the creative intelligentsia about the extent to which painting and literature should reflect the current social problems of society. Opinions were divided: there were people who wrote “on the topic of the day” and those who focused on eternal values.
Fet also belonged to the latter group, all his life he zealously defended the right to the existence of “pure art,” far from mundane, pressing squabbles. In this sense, Fet can be called the predecessor of the symbolists Bryusov and Balmont.
The lyricist’s poem “The rye is ripening over the hot field” became a real hymn to Russian nature. It reveals the real talent of the poet. It’s not easy to describe summer in Russia with rich colors.
Many foreigners admit that summer in northern latitudes is dull, sparse in rich shades, “hill-forests” and birch-aspen trees touch few people.
At that time, many Russian artists lived permanently in Italy, from where they sent their works to exhibitions - depicting the beauty of the Bay of Naples or the hills of Tuscany planted with cypresses and oleanders. In contrast to them, Fet reveals the beauty of the Russian summer with a large-scale, truly epic picture of his native expanses.
The words “And from the field to the field”, “Over the boundless harvest of bread” give rise to the reader’s inner gaze of the image of the endless Russian plain - a field full of ripened wheat. Fet in this poem deliberately gives a message about color only once (“Golden shimmer”).
Thus, for the reader of the lines, everything is painted gold. The shine of the ears of grain, illuminated by a bright long northern sunset, the full moon, the “fire-breathing eye” of the sun - all this merges in one color scheme, like the color of the heavenly skies on icons.
However, unlike the icons of the Byzantine canon, Fet’s nature is not static.
The dynamism of the picture is given by the very transition period of the captured moment - sunset. The sun and moon, day and night meet, and the viewer involuntarily gets the impression that now, in a moment, something very important is about to happen.
The feeling of anxiety and expectation is conveyed by the lines “The moon looks timidly into its eyes, I am amazed that the day has not passed...”. This feeling is intensified by the wind, and we seem to see in reality the waves that it raises in the field of golden ears.
The poet emphasizes the spirituality of nature at the very end of the work in a very successful theo-anthropomorphic image: heaven (God) only for a moment closes its eyelids over the wondrous picture of its creation.
Listen to Feta's poem The rye is ripening
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Subject
The main theme of the poem is precisely a description of the height of summer and the feelings this time of year evokes in the lyrical hero. It is interesting that he does not describe a hot afternoon, which would be symbolic. Fet very accurately conveys the state of peace that the lyrical hero experiences. This condition is dictated by the fact that the rye has grown well, which means that the winter will be full. This is more of a subconscious feeling than a formed thought, but this feeling is closely related to the theme of the work.
Main theme
The main thing in the work is the poet’s desire to convey in words his emotions and feelings experienced on a delightful summer evening, and to evoke the same feeling in readers. The author creates the effect of presence and is “timidly” amazed at the landscape he sees, just like the new moon. The poem teaches us to see beauty in every moment, because much escapes people in the everyday bustle.
The author well conveys the state of evening peace and his joy that the rye has grown. He does not say this directly, but when reading the lines, a subconscious feeling is created that everything is going well, and the spring labors of the plowmen were not in vain. A field of golden color is a delight to the poet’s eyes, and this is also perceived by his readers.
The main theme of the poem is precisely a description of the height of summer and the feelings this time of year evokes in the lyrical hero. It is interesting that he does not describe a hot afternoon, which would be symbolic. Fet very accurately conveys the state of peace that the lyrical hero experiences. This condition is dictated by the fact that the rye has grown well, which means that the winter will be full. This is more of a subconscious feeling than a formed thought, but this feeling is closely related to the theme of the work.
Composition
The composition of the poem is one-part; throughout all three stanzas, Fet describes the same picture and the associated emotional state of the lyrical hero.
So, in the first stanza, the reader is presented with a beautiful picture of a field with already ripe rye, which sways in the wind.
The second stanza is an indication of the time when the action takes place - that period of the day when the moon is already appearing in the sky, but the sun has not yet completely left.
And the third stanza shows the sun setting over the edge of the field, signaling the end of the day. The transition from day to night is a magical time that evokes a deep response in the soul of the lyrical hero.
Fet does not directly indicate the presence of a person, but the idea and sensations belong to him. This reveals the psychologism of the poet’s work, distinguishing his works from the Russian literary heritage of the 19th century. The trochaic trimeter with cross rhyme makes the poem very simple in terms of rhythmic organization, while helping the poet express admiration for the beauty of the pre-sunset summer evening. Simple rhythm makes it easier to perceive the work and feel all the emotions invested in it.
Analysis of the poem “The rye is ripening over the hot fields” by Fet
The poem “The rye is ripening over the hot fields” is written in Fet’s characteristic manner. As a follower of “pure art,” he could not help but capture a beautiful picture of nature.
A brief analysis of “The rye is ripening over a hot field” according to plan will help 10th grade students better understand the essence of this work and Fet’s legacy as a whole.
It can be used as preparatory material for a literature lesson.
Before reading this analysis, we recommend that you familiarize yourself with the poem The rye is ripening over a hot field.
History of creation - the exact date of writing is unknown, approximately this work dates back to the late 1850s. Published for the first time in the magazine “Russian Bulletin” in 1860.
The theme is midsummer, which the poet describes as a time of joy for the eyes.
The composition is one-part; with one stroke, Fet paints the whole picture, describing it from different sides.
Genre : landscape lyrics.
The meter of the poem is trochaic tetrameter with cross rhyme.
Epithets – “hot field”, “whimsical wind”, “golden tints”, “boundless harvest”, “fire-breathing eye”.
Personifications - “the whimsical wind drives”, “the moon looks timidly”, “the month is amazed”, “for a moment a fire-breathing eye closes the sky.”
It is unknown in what year exactly this work was written. Researchers date it to the end of the 1850s, and it was published in 1860, then connoisseurs of Fet’s poetry could read this work in the Russian Messenger magazine.
Fet was an apologist for the idea of “pure art”; he believed that poetry should be separated from politics and other problems of the outside world.
Most often, he turned specifically to the theme of nature, describing not so much the picture that the reader had to see, but the emotion that needed to be felt.
So the poem “The rye is ripening over the hot field” is the essence of a verbal expression of happiness and beauty.
The main theme of the poem is precisely a description of the height of summer and the feelings this time of year evokes in the lyrical hero. It is interesting that he does not describe a hot afternoon, which would be symbolic.
Fet very accurately conveys the state of peace that the lyrical hero experiences. This condition is dictated by the fact that the rye has grown well, which means that the winter will be full.
This is more of a subconscious feeling than a formed thought, but this feeling is closely related to the theme of the work.
The composition of the verse is one-part; throughout all three stanzas, Fet describes the same picture and the emotional state of the lyrical hero associated with it.
So, in the first stanza, the reader is presented with a beautiful picture of a field with already ripe rye, which sways in the wind.
The second stanza is an indication of the time when the action takes place - that period of the day when the moon is already appearing in the sky, but the sun has not yet completely left.
And the third stanza shows the sun setting over the edge of the field, signaling the end of the day. The transition from day to night is a magical time that evokes a deep response in the soul of the lyrical hero.
Fet does not directly indicate the presence of a person, but the idea and sensations belong to him. This reveals the psychologism of the poet’s work, distinguishing his works from the Russian literary heritage of the 19th century.
This is classical landscape lyricism - one of the three movements in poetry that was recognized as worthy of “pure art.”
The trochaic trimeter with cross rhyme makes the poem very simple in terms of rhythmic organization, while helping the poet express admiration for the beauty of the pre-sunset summer evening. Simple rhythm makes it easier to perceive the work and feel all the emotions invested in it.
In his poem, Fet uses classical means of expression to help him complete his artistic task:
- Epithets – “hot field”, “whimsical wind”, “golden tints”, “boundless harvest”, “fire-breathing eye”.
- Personifications - “the whimsical wind drives”, “the moon looks timidly”, “the month is amazed”, “for a moment a fire-breathing eye closes the sky.”
Thanks to personifications, nature appears as something that is beyond human control, something that has its own will. A person can admire and admire her, can dissolve in her - and only then can he understand her essence, feel true harmony.
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Means of expression
In his poem, Fet uses classical means of expression to help him complete his artistic task.
- Epithets – “hot field”, “whimsical wind”, “golden tints”, “boundless harvest”, “fire-breathing eye”.
- Personifications - “the whimsical wind drives”, “the moon looks timidly”, “the month is amazed”, “for a moment a fire-breathing eye closes the sky.”
Thanks to personifications, nature appears as something that is beyond human control, something that has its own will. A person can admire and admire her, can dissolve in her - and only then can he understand her essence, feel true harmony.
The poem “The rye is ripening over the hot fields...” - analysis according to plan
Option 1
History of creation
It is unknown in what year exactly this work was written. Researchers date it to the end of the 1850s, and it was published in 1860, then connoisseurs of Fet’s poetry could read this work in the Russian Messenger magazine.
Fet was an apologist for the idea of “pure art”; he believed that poetry should be separated from politics and other problems of the outside world. Most often, he turned specifically to the theme of nature, describing not so much the picture that the reader had to see, but the emotion that needed to be felt. So the poem “The rye is ripening over the hot field” is the essence of a verbal expression of happiness and beauty.
Subject
The main theme of the poem is precisely a description of the height of summer and the feelings this time of year evokes in the lyrical hero. It is interesting that he does not describe a hot afternoon, which would be symbolic. Fet very accurately conveys the state of peace that the lyrical hero experiences. This condition is dictated by the fact that the rye has grown well, which means that the winter will be full. This is more of a subconscious feeling than a formed thought, but this feeling is closely related to the theme of the work.
Composition
The composition of the verse is one-part; throughout all three stanzas, Fet describes the same picture, and the emotional state of the lyrical hero associated with it.
So, in the first stanza, the reader is presented with a beautiful picture of a field with already ripe rye, which sways in the wind.
The second stanza is an indication of the time when the action takes place - that period of the day when the moon is already appearing in the sky, but the sun has not yet completely left.
And the third stanza shows the sun setting over the edge of the field, signaling the end of the day. The transition from day to night is a magical time that evokes a deep response in the soul of the lyrical hero.
Fet does not directly indicate the presence of a person, but the idea and sensations belong to him. This reveals the psychologism of the poet’s work, distinguishing his works from the Russian literary heritage of the 19th century.
Genre
This is classical landscape lyricism - one of the three movements in poetry that was recognized as worthy of “pure art.”
The trochaic trimeter with cross rhyme makes the poem very simple in terms of rhythmic organization, while helping the poet express admiration for the beauty of the pre-sunset summer evening. Simple rhythm makes it easier to perceive the work and feel all the emotions invested in it.
Means of expression
In his poem, Fet uses classical means of expression to help him complete his artistic task:
Epithets – “hot field”, “whimsical wind”, “golden tints”, “boundless harvest”, “fire-breathing eye”.
Personifications - “the whimsical wind drives”, “the moon looks timidly”, “the month is amazed”, “for a moment a fire-breathing eye closes the sky.”
Thanks to personifications, nature appears as something that is beyond human control, something that has its own will. A person can admire and admire her, can dissolve in her - and only then can he understand her essence, feel true harmony.
Option 2
The thrill and music of summer nature in the lyrics of A. Fet
The fate of the Russian poet Afanasy Fet was very difficult. Studying his biography, getting to know his character more closely, it is difficult to imagine that such peaceful lines breathing calmness came from the pen of this artist. In the middle of the 19th century, there were discussions among the creative intelligentsia about the extent to which painting and literature should reflect the current social problems of society.
Opinions were divided: there were people who wrote “on the topic of the day” and those who focused on eternal values. Fet also belonged to the latter group, all his life he zealously defended the right to the existence of “pure art,” far from mundane, pressing squabbles. In this sense, Fet can be called the predecessor of the symbolists Bryusov and Balmont.
The lyricist’s poem “The rye is ripening over the hot field” became a real hymn to Russian nature. It reveals the real talent of the poet. It’s not easy to describe summer in Russia with rich colors. Many foreigners admit that summer in northern latitudes is dull, sparse in rich shades, “hill-forests” and birch-aspen trees touch few people. At that time, many Russian artists lived permanently in Italy, from where they sent their works to exhibitions - depicting the beauty of the Bay of Naples or the hills of Tuscany planted with cypresses and oleanders. In contrast to them, Fet reveals the beauty of the Russian summer with a large-scale, truly epic picture of his native expanses.
The words “And from the field to the field”, “Over the boundless harvest of bread” give rise to the reader’s inner gaze of the image of the endless Russian plain - a field full of ripened wheat. Fet in this poem deliberately gives a message about color only once (“Golden shimmer”). Thus, for the reader of the lines, everything is painted gold. The shine of the ears of grain, illuminated by a bright long northern sunset, the full moon, the “fire-breathing eye” of the sun - all this merges in one color scheme, like the color of the heavenly skies on icons. However, unlike the icons of the Byzantine canon, Fet’s nature is not static.
The dynamism of the picture is given by the very transition period of the captured moment - sunset. The sun and moon, day and night meet, and the viewer involuntarily gets the impression that now, in a moment, something very important is about to happen. The feeling of anxiety and expectation is conveyed by the lines “The moon looks timidly into its eyes, I am amazed that the day has not passed...”. This feeling is intensified by the wind, and we seem to see in reality the waves that it raises in the field of golden ears. The poet emphasizes the spirituality of nature at the very end of the work in a very successful theo-anthropomorphic image: heaven (God) only for a moment closes its eyelids over the wondrous picture of its creation.
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Question 1 of 7In what year did Afanasy Fet write the poem “The rye is ripening over the hot fields!?
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