Speaking surname Raskolnikov
According to literary scholars, F. M. Dostoevsky gives the main character of the work “Crime and Punishment” the name Raskolnikov for a reason. Mentioning that the family has been known for 200 years, he makes a reference to the schismatics. Dissenters are those who, without rejecting the main movement and its principles, separate from it, but do not reject it.
Like the schismatics, the main character rejects the laws of morality and ethics accepted in society, justifying his actions with great goals.
The crime committed finally split his soul, separated him from friends, relatives and society. The only person capable of reviving him is Sonya Marmeladova, a sinful girl who became a saint for Rodion and gave him faith in the future. Also, the character’s surname may indicate that two people coexist within him - a social phobe who prefers to communicate with people as little as possible, and a generous person with a big heart.
Also, the character’s surname may indicate that two people coexist within him - a social phobe who prefers to communicate with people as little as possible, and a generous person with a big heart.
This article will help schoolchildren write an essay on the topic “Raskolnikov.”
The work reveals the image of the main character of the novel, his biography, relationships with people around him. Test on the work The most popular materials of December for grade 10: New tests Be among the first on the honor board
Dream symbolism, hidden meaning
Dostoevsky reveals in his work the burning themes of morality and morality, carefully approaching the hero’s thoughts. Raskolnikov's last dream opens the hero's eyes to the world, fully revealing his fears and concerns. The main character sees this dream in the epilogue of the work, when he is in hard labor. Of course, the support of Sonya Marmeladova played a significant role in the formation of a different worldview.
Having suffered enough, Rodion, while in prison, reflects on his own fears. He remains confident in the correctness of his judgments. Exposure comes in a terrible dream. The images that pop up in Raskolnikov’s third dream are very symbolic:
- trichinae, which pose a danger to all humanity, lead the world to the loss of all norms;
- a pestilence that deprives people of all their usual moral and moral qualities;
- an emerging epidemic that makes a person cruel, which entails a tragedy on a global scale;
- trichinas, symbolizing the state of mind of the main character.
The convict's dream is completely opposite to Raskolnikov's judgments. Previously, the man was sure that the chosen ones were given, like a mission, the right to commit crimes. Now the hero understands how important it is to bring light, to rid the earth of negativity, evil, and crime. The theorist gradually learns the true values of life and gets rid of the “trichins” in his soul. The compassion that awakens inside allows Rodion Raskolnikov to be resurrected for a new life.
Symbolic meaning
It is no coincidence that the author places Raskolnikov’s last dream in the epilogue.
Having gone through all the suffering, through a lot of thoughts and fears, still being confident in his rightness, it is in a dream that Raskolnikov comprehends the exposure of his terrible theory. The deep symbolism of the dream is that “trichinas” are a terrible danger to all humanity. They can lead to the loss of all norms of human life, all moral and ethical qualities of a person.
The spread of cruelty will lead to a tragedy on a global scale.
Sleeping in hard labor is completely opposed to Raskolnikov's theory. If earlier he was sure that the chosen ones have the right to commit crimes, now he realizes that it is much more important to bring light, to cleanse the earth of crimes and malice.
This helps the hero get rid of the “trichins” in his soul. The hero, thanks to compassion, is resurrected for a new life.
Analysis
The great Russian writer Fyodor Mikhailovich Dostoevsky in his work “Crime and Punishment” reflected not only the era, but also raised moral problems, the laws of humanity and goodness.
The horror of Rodion’s crime lies in the fact that he doubts whether he needs to repent of his terrible act. It is in a dream that all his doubts are refuted.
What did Raskolnikov dream about while in prison?
In a dream, Raskolnikov sees people being killed. He watches people go crazy, delirious, destroy each other. Even when creating alliances and reaching agreements among themselves, they quickly change their minds. People consider themselves smart, they have unshakable faith in their actions. The guy is sure that chosen people can save the whole society. There is no malice or meanness in this category of people. They are entrusted with the mission to save humanity.
What do the symbols mean in Raskolnikov's dream?
The author specifically places Rodion's last dream in the epilogue. Overcoming pain and fear, he was confident in his ideals, but in a dream he was exposed to a terrible theory. The meaning of the dream is that “trichinas” are a serious threat to people’s lives. They can lead to a complete loss of all habitual values and spiritual qualities.
Increased violence will lead to a serious tragedy, and sleeping in prison is opposed to Rodion's theory. If earlier he believed that chosen people could execute people, now he strives to cleanse the earth of evil. These actions help eliminate the “trichins” in the soul, and sympathy gives him a chance to return to normal life.
How will Raskolnikov save his soul?
Rodion's last dream is considered a reflection of all his difficult life trials. In this situation, the real punishment lies in his repentance for committing the crime, but even he has a chance to save his soul. Initially, the hero is deprived of good qualities, but he can sympathize and empathize. He tries to blame Sonechka Marmeladova for his troubles, but she helps Rodion find a new life. Only after realizing his destructive passions can the hero return to life. Through the pity and sympathy that he finds in Sonya Marmeladova, Rodion realizes the things that save his soul.
In the novel, the author raises important issues of morality, ethics, and spiritual qualities in a person. Sleeping in hard labor is considered the end of suffering, trials and the beginning of a new stage in his difficult life.
The main idea of the work of F. M. Dostoevsky
A detailed description of Raskolnikov's crime and punishment forms the basis of the plot of the novel by F. M. Dostoevsky. Punishment begins immediately after the murder is committed.
Painful doubts, remorse, a break with loved ones turned out to be much worse than long years of hard labor. The writer, subjecting Raskolnikov to a deep analysis, tries to warn the reader against misconceptions and mistakes.
Deep faith in God, love for one's neighbor, and moral principles should become the basic rules in the life of every person.
The analysis of the image of the main character of the novel can be used by 10th grade students in preparation for writing an essay on the topic
“The image of Raskolnikov in the novel “Crime and Punishment”
" Test on the work The most popular materials of December for grade 10: New tests Be among the first on the honor board
“What is the significance of Raskolnikov’s dream in hard labor for revealing the main idea of Dostoevsky’s novel Crime and Punishment?”
Dostoevsky's novel Crime and Punishment has a six-part structure and ends with an epilogue.
It is known that an epilogue is “the final chapter of a work of fiction, introducing the further fate of the heroes.” In Dostoevsky's novel, the epilogue, consisting of two small chapters, fulfills this function. And if the first chapter of the epilogue is more formal, covering mostly the “external life” of the heroes, then the second focuses on the internal life of Rodion and Sonya.
And if the first chapter of the epilogue is more formal, covering mostly the “external life” of the heroes, then the second focuses on the internal life of Rodion and Sonya. This part of the epilogue highlights a very significant stage in the spiritual development of the protagonist. First, we learn that, having confessed in court, having spent a large amount of time in hard labor, Raskolnikov did not repent of his crime, did not reconsider his attitude towards it.
The only thing Rodion scolded himself for, what made him despondent, was disappointment in himself:
“This is one thing he admitted his crime: only that he did not bear it and made a confession.”
. We see that the hero evaluates his action exclusively from a “worldly” point of view - what people will say or think about him.
Reasoning from such positions, Raskolnikov is perplexed as to why his crime is terrible if others allow themselves to do the same, if the law is just the result of the whim or desire of individual people and nothing more.
Consequently, the hero concludes, his only fault is that he turned out to be weak and could not overcome his moral torment. Rodion does not think about the essence of the issue, that murder is a terrible act, contrary to the very nature of man. That is why he began to have moral torment, that is why he “couldn’t stand it.”
That is why he began to have moral torment, that is why he “couldn’t bear it.”
But so far the hero is very far from this “discovery”. However, during hard labor, Raskolnikov experiences a significant spiritual turning point, which marks the beginning of a new life. The harbinger of this turning point is Rodion's disease.
In his delirium, strange visions come to him - once again the hero’s soul “gives him a hint”, directs him to the right path. In this dream, through a fantastic plot, the author himself expresses his point of view on the widespread dissemination of nihilistic, godless ideas, like the idea of Rodion. These theories infect people, make them crazy, “possessed.”
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However, the infected themselves do not notice this - they imagine themselves to be the chosen ones, the missionaries. However, widespread infection with such ideas leads to the degeneration of the human race. And only a few immaculate souls who have retained their moral purity will be able to save people from complete destruction.
I think that it was the dream that changed something in Raskolnikov’s mind, helped him realize what the hero had felt for a long time.
Rodion realized that he loved Sonechka, that this fragile girl was his salvation, his support and support: “He himself didn’t know how it happened, but suddenly something seemed to pick him up and seem to throw him at her feet.
He cried and hugged her knees." Having opened up to love for an individual, the hero embarked on the path of love for all people (it was not for nothing that other convicts changed their attitude towards him) and for God.
At the end of the epilogue, Raskolnikov opened the Gospel for the first time, and we understand that from that moment a new moment in his life began - the moment of rebirth. And although the writer does not talk about the long-term fate of the hero, it becomes clear to us that this will be a completely different life -
“gradual rebirth..., gradual transition from one world to another, acquaintance with a new, hitherto completely unknown reality”
. It seems that in many ways the novel “Crime and Punishment” was written precisely for this epilogue.
In it, the author claims that forgiveness and revival of any person, even the most terrible criminal, is possible.
All that is needed for this is his repentance and a “turn” towards people, peace, love - a “turn” towards God. It is his dream that helps Raskolnikov understand this.
Raskolnikov's punishment
Pulcheria Alexandrovna blessed the newlyweds, but soon her health deteriorated and she died. Sonya wrote to the Razumikhins every month.
From her messages they knew that Raskolnikov went to work and Sonya had the opportunity to see him, while she herself settled in the city and earned money by sewing.
Raskolnikov is constantly gloomy, is almost not interested in news about his relatives, he is aloof from everyone, and they do not like him in prison. At first he also behaved aloofly, almost rudely, with Sonya, but gradually her visits became a habit. In her last letter, Sonya reported that Rodion Romanovich was very seriously ill and was in the hospital.
Raskolnikov fell ill from wounded pride. He was angry that he so mediocrely surrendered to the hands of justice, although he does not consider himself guilty and does not repent of the murder.
He admitted his crime only in that he could not bear what he had done and turned himself in. He also suffered from the thought that he could not kill himself, whereas Svidrigailov succeeded.
In prison they hated him, they even wanted to kill him as an atheist, although he went to church with everyone else.
What is the significance of Raskolnikov’s dream in hard labor for revealing the main idea of Dostoevsky’s novel “Crime and Punishment”?
Reasoning from such positions, Raskolnikov is perplexed as to why his crime is terrible if others allow themselves to do the same, if the law is just the result of the whim or desire of individual people and nothing more.
Consequently, the hero concludes, his only fault is that he turned out to be weak and could not overcome his moral torment. Rodion does not think about the essence of the issue, that murder is a terrible act, contrary to the very nature of man.
That is why he began to have moral torment, that is why he “couldn’t bear it.” But so far the hero is very far from this “discovery”. However, during hard labor, Raskolnikov experiences a significant spiritual turning point, which marks the beginning of a new life.
The harbinger of this turning point is Rodion's disease. In his delirium, strange visions come to him - once again the hero’s soul “gives him a hint”, directs him to the right path.
In this dream
Reasoning from such positions, Raskolnikov is perplexed as to why his crime is terrible if others allow themselves to do the same, if the law is just the result of the whim or desire of individual people and nothing more. Consequently, the hero concludes, his only fault is that he turned out to be weak and could not overcome his moral torment.
Rodion does not think about the essence of the issue, that murder is a terrible act, contrary to the very nature of man. That is why he began to have moral torment, that is why he “couldn’t bear it.” But so far the hero is very far from this “discovery”. However, during hard labor, Raskolnikov experiences a significant spiritual turning point, which marks the beginning of a new life.
The harbinger of this turning point is Rodion's disease.
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In his delirium, strange visions come to him - once again the hero “gives him a hint”, directs him to the right path. In this dream, through the fantastic
Crime and Punishment of Raskolnikov
After the perfect, the image of Raskolnikov in the novel acquires a certain duality, as if the hero is at a crossroads. He is trying to understand whether he can continue to live with such a stain on his conscience or whether he needs to confess and atone for his guilt.
Tormented by the pangs of conscience, Rodion increasingly realizes that he is not like his heroes, sleeping peacefully, having sent thousands of innocent people to death.
After all, having killed only two women, he is unable to forgive himself for this. Feeling guilty, he moves away from people, but at the same time he is looking for a kindred spirit.
She becomes Sonya Marmeladova - a girl who went to the panel in order to save her relatives from starvation.
“Raskolnikov in hard labor (analysis of chapter 2 of the epilogue of F. M. Dostoevsky’s novel “Crime and Punishment”)”
In Dostoevsky's novel Crime and Punishment, the epilogue, consisting of two small chapters, plays a very significant role: it is from it that we learn about the fate of the main characters of the work - Raskolnikov, Sonechka and others.
If the first chapter of the epilogue is more formal and covers mostly the “external life” of the heroes, then the second focuses on the internal life of Rodion and Sonya. This part of the epilogue highlights a very significant stage in the spiritual development of the protagonist. First, we learn that, having confessed in court, having spent a large amount of time in hard labor, Raskolnikov did not repent of his crime, did not reconsider his attitude towards it.
First, we learn that, having confessed in court, having spent a large amount of time in hard labor, Raskolnikov did not repent of his crime, did not reconsider his attitude towards it.
The only thing Rodion scolded himself for, what made him despondent, was disappointment in himself:
“This is one thing he admitted his crime: only that he did not bear it and made a confession.”
. We see that the hero evaluates his action exclusively from a “worldly” point of view - what people will say or think about him.
Reasoning from such positions, Raskolnikov is perplexed as to why his crime is terrible if others allow themselves to do the same, if the law is just the result of the whim or desire of individual people and nothing more. Consequently, the hero concludes, his only fault is that he turned out to be weak and could not overcome his moral torment.
Rodion does not think about the essence of the issue, that murder is a terrible act, contrary to the very nature of man. That is why he began to have moral torment, that is why he “couldn’t bear it.”
But so far the hero is very far from this “discovery”. However, during hard labor, Raskolnikov experiences a significant spiritual turning point, which marks the beginning of a new life.
The harbinger of this turning point is Rodion's disease. In his delirium, strange visions come to him - once again the hero’s soul “gives him a hint”, directs him to the right path.
In this dream, through a fantastic plot, the author himself expresses his point of view on the widespread dissemination of nihilistic, godless ideas, like the idea of Rodion.
These theories infect people, make them crazy, “possessed.” However, the infected themselves do not notice this - they imagine themselves to be the chosen ones, the missionaries. However, widespread infection with such ideas leads to the degeneration of the human race.
And only a few immaculate souls who have retained their moral purity will be able to save people from complete destruction. I think that it was the dream that changed something in Raskolnikov’s mind, helped him realize what the hero had felt for a long time.
Rodion realized that he loved Sonechka, that this fragile girl was his salvation, his support and support: “He himself didn’t know how it happened, but suddenly something seemed to pick him up and seem to throw him at her feet. He cried and hugged her knees."
Having opened up to love for an individual, the hero embarked on the path of love for all people (it was not for nothing that other convicts changed their attitude towards him) and for God. At the end of the epilogue, Raskolnikov opened the Gospel for the first time, and we understand that from that moment a new moment in his life began - the moment of rebirth.
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And although the writer does not talk about the long-term fate of the hero, it becomes clear to us that this will be a completely different life -
“gradual rebirth..., gradual transition from one world to another, acquaintance with a new, hitherto completely unknown reality”
. Thus, the epilogue in the novel “Crime and Punishment” plays an important role, since it tells about the further fate of the main characters of the work.
In addition, the epilogue shows a very significant stage in the life of the main character - a spiritual turning point, the beginning of purification and a new life.
Interesting Facts
- The magazine "Russian Messenger" owes Dostoevsky's novel its rise in popularity. After the publication of Crime and Punishment, the publication acquired 500 new subscribers - an impressive number for those times.
- According to the author's original idea, the novel had a different ending. Raskolnikov was supposed to commit suicide, but Fyodor Mikhailovich decided that such an outcome was too simple.
Dostoevsky's novel "Crime and Punishment"
- In St. Petersburg at the address st. Grazhdanskaya, 19 – Stolyarny lane, 5 there is a house called Raskolnikov’s house. It is believed that the main character of the novel lived there. There are exactly 13 steps leading to the attic, as it is written in the book. Dostoevsky also describes in detail the yard where his character hid the loot. According to the writer’s memoirs, the courtyard is also real - Fyodor Mikhailovich noticed this place when he relieved himself there during a walk.
Raskolnikov's House in St. Petersburg
- Georgy Taratorkin was approved for the role based on a photograph. The actor was in the hospital with a serious illness, the diagnosis was disappointing - according to doctors' forecasts, his legs would have to be amputated. In the photo, Taratorkin impressed the director with his sickly, haggard face, which is how Raskolnikov appeared to him. When the young actor received the good news that his candidacy had been approved, he immediately rose to his feet. So the role saved the man’s limbs.
- In Kulidzhanov's film, the episode of Raskolnikov's destruction of evidence after the murder is accompanied by a muffled rhythmic knock. This sound is the heartbeat of Georgy Taratorkin recorded on a tape recorder.
Resurrection of Raskolnikov
During his illness, Raskolnikov dreamed in delirium that the whole world was condemned and must perish. Some microscopic creatures appeared that inhabited people, causing them to become possessed and crazy, but considered themselves the owners of the ultimate truth.
Everyone listened only to themselves. Not coming to an agreement, people killed each other with bitterness.
Raskolnikov could not forget his feverish dreams, and it tormented him.
One evening he went to the window and saw Sonya in the distance at the hospital gates. She stood as if waiting. Something pierced his heart, he shuddered and moved away from the window.
In the following days, Sonya did not come, and Raskolnikov felt that he was missing her. After being discharged, he found out in the prison that the girl was ill, and he became very alarmed. Finally, Sonya sent a note that she would come to see her soon.
His heart beat strongly and painfully.
The next day Raskolnikov went to work. He had a free moment, and he sat on the bank of the Irtysh and looked at the other side, to where there was freedom.
Sonya quietly approached and sat down next to him.
The girl's face turned pale and haggard, but she smiled joyfully at him and timidly extended her hand. He always took this hand with disgust and was silent throughout the visit, but now they sat without separating their hands.
Suddenly something seemed to grab Raskolnikov, he fell at Sonya’s feet, crying and hugging her knees. At first she was scared. but she immediately realized that he loved her.
They could not speak, there were tears in their eyes.
Now Raskolnikov was resurrected and knew it; even the prisoners seemed to look at him differently.
In the evening he remembered Sonya and thought about how his endless love would atone for all the torment he had caused her. He had the Gospel under his pillow, and Raskolnikov knew that Sonya’s convictions would now be his convictions. 5 / 5. 2 Tags:
Raskolnikov's dream about the end of the world - text
“He spent the entire end of Lent and Holy Week in the hospital. Already recovering, he recalled his dreams when he was still lying in the heat and delirium. In his illness, he dreamed that the whole world was condemned to be a victim of some terrible, unheard of and unprecedented pestilence coming from the depths of Asia to Europe. All were to perish, except for a few, very few, chosen ones. Some new trichinae appeared, microscopic creatures that inhabited people’s bodies. But these creatures were spirits, gifted with intelligence and will. People who accepted them into themselves immediately became possessed and crazy. But never, never have people considered themselves as smart and unshakable in the truth as the infected believed. They have never considered their verdicts, their scientific conclusions, their moral convictions and beliefs more unshakable. Entire villages, entire cities and peoples became infected and went crazy. Everyone was in anxiety and did not understand each other, everyone thought that the truth lay in him alone, and he was tormented, looking at others, beating his chest, crying and wringing his hands. They didn’t know who to judge and how, they couldn’t agree on what to consider as evil and what as good. They didn’t know who to blame, who to justify. People killed each other in some senseless rage. Whole armies gathered against each other, but the armies, already on the march, suddenly began to torment themselves, the ranks were upset, the warriors rushed at each other, stabbed and cut, bit and ate each other. In the cities they sounded the alarm all day long: they called everyone, but who was calling and why, no one knew, and everyone was in alarm. They abandoned the most ordinary crafts, because everyone proposed their thoughts, their amendments, and they could not agree; Agriculture stopped. Here and there people gathered in heaps, agreed to something together, swore not to part, but immediately started something completely different from what they themselves had immediately intended, began to blame each other, fought and cut themselves. Fires started, famine began. Everything and everyone was dying. The ulcer grew and moved further and further. Only a few people in the whole world could be saved; they were pure and chosen, destined to start a new race of people and a new life, to renew and cleanse the earth, but no one saw these people anywhere, no one heard their words and voices. Raskolnikov was tormented by the fact that this senseless nonsense resonated so sadly and so painfully in his memories that the impression of these feverish dreams did not go away for so long. It was already the second week after the Holy Week; It was warm, clear, spring days; in the prisoner's room the windows were opened (latticed ones, under which a sentry walked). Sonya, throughout his illness, could only visit him in the ward twice; Every time you had to ask for permission, and it was difficult.” — Epilogue, Chapter II
Hard labor Raskolnikova in the novel “Crime and Punishment”
The last chapter of the novel “Crime and Punishment” ends with the poor student Raskolnikov confessing to the murder of the old woman and her sister.
Readers will learn about the further fate of the heroes even in the epilogue.
In the epilogue, the author talks about how, after turning himself in, Raskolnikov is tried and sentenced to 8 years of hard labor in Siberia.
The main character ends up in a Siberian prison as a second-class convict. This article presents materials about Raskolnikov’s hard labor in the novel “Crime and Punishment.” See: All materials on “Crime and Punishment” All articles about Raskolnikov
Analysis of the epilogue crime and punishment
The complex interweaving and interaction of all these lines occurs in the main part of the novel, which tells the story of Raskolnikov’s crime, committed under the influence of the idea of individualism that captured him. It was most fully manifested in his theory, according to which all people are divided into two categories - “trembling creatures”, who must submit to those who, in the name of high goals, even have the right to shed blood. The moral torment that gripped Raskolnikov after the terrible crime confirms that his “test” did not pass: he was unable to step over the blood. Sonechka helps him find support in his faith in God, encourages him to get rid of torment by repenting in front of everyone in the square. And indeed, at the end of the main part of the novel, Raskolnikov comes to the police and confesses to what he has done.
Analysis of the epilogue crime and punishment
After all, as it turns out, having made a confession, Raskolnikov did not repent. “This is one thing he admitted to his crime: only that he could not bear it and turned himself in,” writes Dostoevsky about Rodion’s mood in prison. The sense of his own rightness will not be shaken? The axis in him, he will hate? your own selfishness. But then things that are inexplicable from a human point of view begin to happen: for some reason, the convicts’ cellmates become imbued with an unreasonable hostility towards Rodion, although their crimes are sometimes more terrible; and they don’t really know Raskoennikov enough to dislike him so much! At the same time, they almost faint with admiration, reverently gawking at Sonya, who comes to visit Rask?nikov; although, again, they don’t even know her at all! In the end, the convicts shouted “Atheist!” They rush at Rodion, beat him, and the guard prevents bloodshed... What happens? Why?
