Why was Sonya Marmeladova able to lead Raskolnikov to confess to the crime? » Essays, Unified State Examination in Literature 2021

Raskolnikov's confession to Sonya

3.6

(15)

First attempt to confess to murder.

Raskolnikov and Sonya started talking about what faith means to Sonya. She spoke, and her eyes sparkled, and Rodion thought that she was a holy fool. Taking from the table the Gospel brought to Sonya by her friend Lizaveta, he suddenly asked the girl to read to him about the resurrection of Lazarus.

She read, and Raskolnikov understood that this was the most sacred thing for her, that she was revealing her faith to him and wanted him to believe it too.

After reading, he was silent for a while, and then said that he had abandoned his family and would not go to them anymore, that now he and Sonya had a common road, one goal. He also said that we need to do something, we need to take power over ourselves and over everyone. Sonya was scared.

When leaving, Raskolnikov promised that he would come to her tomorrow and tell her who killed the old woman and Lizaveta. Sonya looked at him as if he were crazy and spent the whole night semi-delirious...

Second attempt to confess to murder.

The next day, Raskolnikov set out to fulfill his promise to Sonya yesterday. Arriving at Kapernaumov’s apartment, he, experiencing terrible torment, asked the girl to guess where he knew the killer. Sonya's eyes reflected horror, and Rodion realized that she had the same expression on her face that Lizaveta had when he approached her with an ax. It was obvious that she understood everything.

Suddenly Sonya hugged him and said that she would follow him to hard labor. Raskolnikov's heart softened, two tears rolled out of his eyes and hung on his eyelashes. Sonya began to ask why he did this. He began to explain, but he himself felt that there was something wrong with the explanation.

Rodion seemed to be delirious, and Sonya simultaneously understood and did not understand him. He said that he did not kill in order to help his family, and not in order to, having received funds and power, become a benefactor of humanity, but he killed “simply, he killed for himself, and it was the devil who led him with his hand.”

Sonya was again amazed at how he was suffering and said that he needed to go to the crossroads. kneel down, kiss the ground, bow on all four sides and loudly, loudly, publicly repent of what you have done before the people. Then God will forgive him. Raskolnikov said that it was stupid to repent before the cattle.

Convincing him, the girl offered him her cypress cross as a gift, since she still had a copper one from Lizaveta (she and her friend swapped: Sonya gave the icon, and Lizaveta gave the cross). Rodion wanted to take Sonya's cross, but then he said that it was not ready yet.

The conversation about how he should live further was interrupted: Mr. Le6yezyatnikov appeared.

3.6 / 5. 15

Analysis of the episode of Raskolnikov’s confession (Chapter 8 of Part 6 of the novel F

Chapter 8 is the final chapter in the sixth part of Dostoevsky’s novel Crime and Punishment. It is this that can be considered the formal denouement of the entire work - here Raskolnikov confesses to the murder to “officials”. However, this moment is only a small part of the chapter, the significance of which is much more important both for the development of the image of the main character and for the entire novel as a whole. Sonechka Marmeladova plays a huge role in this episode. We are once again convinced that this girl has become a “guardian angel” and “spiritual guide” for Raskolnikov, because it is she who pushes the hero to nationwide repentance and confession of his crimes. It is important that Raskolnikov’s sister, Dunya, especially clearly feels the connection between Sonya and her brother: “Dunya at least took one consolation from this meeting, that her brother would not be alone...” Excitement for Rodion’s fate, love for him brings both women together , makes them close people. Sonya is very concerned not only about Raskolnikov’s mental but also about his spiritual state. She longs with all her heart for him to repent and believe in the possibility of his own rebirth. It is important for her that Rodion wants to live not out of fear of death (“Can cowardice and fear of death alone make him live?”), but with a desire to change and correct something. And as if answering Sonya’s question, Raskolnikov comes to her and informs her that he has decided to confess. The hero behaves unnaturally - he wants to show that he is not worried at all, that he is going to the office because it will be “more profitable.” However, “he could not even stand still for one minute, he could not concentrate his attention on a single object; his thoughts jumped one after another, he started talking; his hands were trembling slightly.” Sonya puts a cypress cross on Rodion’s chest (“cypress, that is, common”), and she herself puts on a copper one - the one that belonged to Lizaveta, who was killed by Raskolnikov. This moment, like others in this episode, has symbolic meaning. Having put on the cross, the hero seemed to accept his fate (“this means that I am taking the cross upon myself, hehe!”), realized that it exists and needs to come to terms with it. In addition, it is important that this cross is common to the people - thereby Raskolnikov, as it were, brings himself closer to the people from whom he separated when he “crossed the moral line.” From this moment it becomes completely clear that the hero has embarked on the path of “spiritual rebirth.” Further events of the chapter confirm this, and also show how difficult this “revolution in consciousness” is for Raskolnikov: “Is it so, is it all so? - he thought again, coming down the stairs, - is it really impossible to stop and move everything again? and not go? On the way to the office, conducting a continuous dialogue with himself, Raskolnikov comes to the conclusion that he needs human society, that he desperately needs Sonya’s support. However, for now he perceives this as his own weakness, as another confirmation that he is a “trembling creature”: “And I dared to hope for myself so much, to dream about myself so much, poor me, insignificant me, scoundrel, scoundrel!” Without realizing it, Raskolnikov desperately needs public recognition and repentance; he longs to reunite with people again, to “go over to the side of good” again. That is why, it seems to me, he gives alms to a woman with a child and hears from her: “God bless you!” These words are another confirmation of the correctness of Rodion’s decision. Something with enormous force is dragging him to the Sennaya - into the very thick of the people. He himself still doesn’t understand why he’s going there, he squeezes through the crowd, trying to laugh with everyone at the antics of a drunken man. However, he came here for something else - for emotional liberation, mental relief. And it comes: “Everything in him softened at once, and tears flowed. As he stood, he fell to the ground. "Raskolnikov kisses the ground and bows to the people. Thus, he symbolically performs the rite of repentance that Sonya told him about. And she herself is nearby, invisibly supporting Rodion, praying for him: “...turning to the left, about fifty steps away, he saw Sonya.” The hero can only make a confession in the office. He does not want to tell Porfiry Petrovich about his crime - in this case it will turn out as if he admitted defeat. Raskolnikov chooses investigator Porokh. However, it is very difficult to recognize a hero. It’s as if through a fog he listens to an endless stream of speech flowing from the lips of Ilya Petrovich. All the words of the investigator merge for Raskolnikov into a single mass, from which he isolates the message about Svidrigailov’s suicide: “Raskolnikov felt as if something had fallen on him and crushed him.” The hero feels bad, he loses the last strength that he saved up in order to confess. Raskolnikov leaves the office on the street, but “in the courtyard, not far from the exit, a pale, completely dead Sonya stood and looked at him wildly, wildly.” It is thanks to Sonya that the hero returns to the office and says, and then repeats again: “It was I who killed the old official woman and her sister Lizaveta with an ax and robbed her.” Thus, this episode in the novel is the final one; it shows, in essence, the beginning of the hero’s “correction,” the fact that Raskolnikov has taken the path of admitting his guilt and spiritual rebirth. This is evidenced by the fact that he puts on the cross, his symbolic repentance on Sennaya, his confession in the office. In addition, this episode clarifies and clarifies the huge role in the “spiritual destiny” of the hero played by Sonya Marmeladova, who became a real guardian angel for Raskolnikov.

You may like => Bailiffs Take My Husband’s Car Can I Challenge

Raskolnikov's confession to a crime (essay)

Even as a child, Raskolnikov learned about the cruelty of the world and experienced acute compassion for the “humiliated and insulted.” Raskolnikov went to law school not because he wanted to become a lawyer, like Luzhin, but because he wanted to understand the problem of crime. His mother and sister do not understand him, thinking that he can work as Luzhin's assistant. And he left the university, most likely, not because he could not support himself. He is the author of the article “On Crime”. In the article he argued that a genius can sometimes, if necessary, commit a crime. Raskolnikov considered himself a genius. He will later “atone for his crime with a thousand good deeds.” Even then, after the crime, he does not find errors in his logical constructions and is angry that his nerves could not stand it.

In Dostoevsky's novels, the plot is not the main thing. The fact that Raskolnikov killed the old woman and Lizaveta is not the main thing. The main thing is the questions that Dostoevsky poses. The question of the injustice of the world is, of course, the main one. The point is not that Raskolnikov killed. The point is that he had no other way out of his situation. But this is also not a solution. The point is not that Katerina Ivanovna sent Sonya to the panel. But the point is that there was no other way out. Crime is a search for an “exit” from a hopeless situation. But then, after the murder, it turns out that the world is not only a “vale of tears” and suffering, one can completely reconcile with it. After the crime, he begins to appreciate life and is ready to live “at the height of space.”

May 17, 2021 polrostov 95

Share this post

How Long After Divorce Can You Apply for Marriage Registration?
Act on Liquidation of the Object Dismantling
What to do if you lost your paid state duty
Acknowledgment of Debt, Is It a Deal?

Crime and Punishment - a book of great pain for humanity

The action of the novel takes place in St. Petersburg, in the part where the poor lived. A grey, gloomy city, numerous pubs inviting people to drown their sorrows; crowds of drunks on the streets; women selling themselves for next to nothing, and those who did not want to do this threw themselves from the bridge into the water. A terrible kingdom of poverty, lawlessness, disease, hopelessness - these are the conditions in which ordinary Russian people exist, those conditions under which false (albeit quite understandable) ideas of restoring justice are born in the minds of many.

Yes, such an idea could have arisen in the hero’s head, as well as in the head of another student, whose conversation Raskolnikov once heard in a tavern, only under the influence of extreme poverty, hopelessness, and injustice of the world around him. “In one life, thousands of lives saved from rot and decay.” Isn’t it a noble, justified way out?!

You may like => Inaction of Police Officers Article

Of course, a marriage proposal made so unconventionally, and immediately after reading the Gospel, when Sonya expected the exact opposite - humility and repentance, and soon after Raskolnikov kissed the girl’s foot - could have confused a less impressionable nature. What can we say about Sonya, who then suffered in semi-delirium all night and all the next day. But what exactly was tormenting her? To some it may seem like something vague and complex from the area of spiritual life or mysterious psychology. In fact, the essence is simple: the girl needs to give an answer to the young man’s proposal. This is precisely the proposal to which Sonya then agrees (the second conversation is a repetition of the proposal, but in a form more understandable to Sonya).

Before another attempt to visit government agencies, the hero meets with Sonya. He is trying to convey to her the feelings of individualistic rebellion in his soul. Sonya sees some strangeness in him. Afterwards he comes to the square in order, on her advice, to bow to people, kiss the Russian soil, and confess publicly. Raskolnikov is irritated only by the thought that “these stupid, brutal hari” will see him and condemn him. The hero hates people, the crowd. He feels superior to them; in his opinion, they are not able to understand his thoughts and feelings.

The hero repents of his actions only after a conversation with Sonya, and finally confesses only at the end of the work. The following describes his life in hard labor and his complete repentance for the crime. Sonya pushed him to take this step, she managed to convince him that it would be better for himself, his heart would stop tormenting and suffering.