Homeland in the poetry of Blok and Yesenin

Love for the Fatherland is inherent in every person. This immense sublime feeling is inherent in the soul from birth. Love for home, loved ones, friends, gardens, fields and birch trees. This is where the Motherland begins! The greatest Russian classics, poets Alexander Blok and Sergei Yesenin, express their love for their native land most fully and lyrically and sincerely. They were both patriots of their country, loved life and believed in a bright future.

Sergei Yesenin idolized Rus', sang of it in beautiful, bright images, adored the countryside and enthusiastically enjoyed the beauty of Russian nature. His poems are the golden pearls of poetry. Almost every one of them contains the theme of the Motherland. Yesenin loved the Russian people, believed in God, and was happy with what he had. He happily dedicated poems to Alexander Pushkin, his mother, his beloved woman, the poets of Georgia, and Kachalov’s dog.

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A special poetic string lived in him, which made him worry, love the world, indulge in dreams, daydreams and oblivion. The poet lived in harsh revolutionary times, and therefore worried about the fate of his Fatherland. During these years, he wrote poems full of hopes that Rus' would nevertheless rise up, flap its wings and strengthen its power. He believed that new names would appear in Rus', united by one goal - to revive Russia. Sergei Yesenin was disappointed in the revolution. For him, she was a heavy burden, hanging like a stone on his heart. His lyrics were full of despair, collapse of plans, unfulfilled hopes, pessimism and melancholy. And then, when the unequal struggle of the people against the autocracy was going on in the country, he grieved over the destruction of his native village.

The people living with him on the same land were dear to him. His poetry reflected prophetic verses about the revolution, shortly before its onset. In his poems he saw lost, fallen Rus' and people in shackles. The poet had an amazing gift from above. His homeland was of great value to him and the love of his life. She served him as inspiration and joy. In her he saw the beauty, breadth and happiness of the Russian expanse. Sergei Yesenin was always with her, filled with an extraordinary feeling of merging with her endless expanses, a feeling of universal harmony, love and respect for her divine face.

In the work of Alexander Blok, love for his native Fatherland plays a large role. He dedicates his best lyrical lines to her. He compares Rus' with his wife, a close person, extols her as a shrine. For the poet, his homeland is a hard-won one, and he suffers with it, experiencing the most difficult, turning points in history. His poetry is filled with spiritual content. She brings people light, goodness, and purification. Russia for Blok is like first love, attractive and inspired! He sings of her in different ways: as a beggar, as a queen, and as a Russian beauty.

The poet lived with deep faith in God, loved to visit churches, praying for a bright future for Russia. He endlessly believed in better times, her happy and free existence. For Alexander Blok, the people are inextricably linked with the Motherland. He takes care of her, protects her, fights for a just cause. The poet in his poems interestingly connects personal and historical motives, filling the lyrics with the sublimity of the earthly principle. Nature for him is a poetic muse, a nightingale grove, a pink dawn, free Rus'.

The poetry of Alexander Blok and Sergei Yesenin is close to each other in that they have one homeland, beloved, desired, free. The poets lived happy lives, leaving us their poetic treasures, illuminated by the light of truth, kindness, love, and humanity. An unquenchable torch of inspiration burned in each of them.

Motherland in the poems of Blok and Yesenin

(356 words) For every poet, the theme of the Motherland is something intimate, personal. That is why poems about native places are always imbued with reverent love. And what does the Motherland appear to us like in the works of Blok and Yesenin?

What is surprising is that both poets considered this theme to be the main one in their poetry. Despite this fact, there are still significant differences between the two poets. The most obvious thing is the way of depicting the Motherland. For Blok, it is inextricably linked with personal experiences. Everything that happened in his native land, one way or another, affected the life of the author. In the poem “Russia” (1908), the lyrical hero talks about the Motherland without embellishment. Yes, this is a “poor”, poor and gray Russia, but it is his! Blok admired his country. In his opinion, a great future awaits her. It is in the poem “On the Kulikovo Field” (1908) that the image of a mare rushing into the distance is created. But the writer was sure that a bright future would not happen without pain and battles: “And eternal battle! Rest only in our dreams…". And the revolution could not but affect Blok’s work. In the cult poem “The Twelve” (1918), the poet recreated the image of a modernized, free Russia, and in “Scythians” he demanded that people stop all the “horrors of war.”

Yesenin's love for the Motherland is manifested through a description of nature. The poet sincerely admired its endless fields, meadows, blue sky and bright sun. In the lyrical poem “The Hewn Horns Sang” (1916), he openly confesses his love for the Fatherland: “I love to the point of joy and pain / Your lake melancholy.” Despite all the beauty of the Motherland, the poet still noticed its dullness and “wretchedness.” With the advent of the revolution, Yesenin hoped to see a new Russia, but this, unfortunately, did not happen. What happened had a strong impact on the poet’s inner world. He felt superfluous, unnecessary: “I don’t know what will happen to me / Maybe I’m not fit for a new life” (poem “Uncomfortable Liquid Moon..." (1925)). The writer understood that everything in the country was changing - this is clearly expressed in the lyrical works “Soviet Rus'” (1924), “Homeless Rus'” (1924), etc. Hoping for change, he moved abroad, but did not find peace there either. Yesenin realized that he could only be happy in his homeland.

So, the work of the two poets is united by the fact that they sincerely believe in the bright future of their Fatherland. Yesenin and Blok loved their Motherland, and we see this in their beautiful poems!

Author: Alena Buzkevich
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Comparison of biographies of Blok and Yesenin

Essay on the book: “Miscellaneous” - Blok A.A.
Among the best writers of the twentieth century, Alexander Alexandrovich Blok and Yesenin undoubtedly need to be included.
Comparing the lives of these writers, it must be said that from childhood they developed differently. Of course, this is due to their place of residence. After all, Blok lived in the so-called “fragrant wilderness.” Yesenin, from early childhood, ran through beautiful meadows, enjoying the unsurpassed beauty of flowering plants and golden fields.
However, what makes these writers great is one remarkable similarity. Despite their different habitats, they were both devoted to their native land with heart and soul. Their hearts were imbued with love for their native nature.
Probably for this reason, the favorite theme of both writers was the theme of the nature of their native land. Writers compared almost all feelings inherent in the human heart with nature. Blok said that his mood depended on the weather. Yesenin argued that the inner world of Russians is so rich because the nature in Russia is the most beautiful on the planet.
Other essays on the works of this author (Blok A.A.):
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Youth Lyrics by A.A. Blok
Sincere lyrical confession of Alexander Blok
“Russia, Rus'! Protect yourself, protect yourself...
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How does Blok see, Z. Gippius
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Despair in the lyrical works of Alexander Alexandrovich Blok
Amazing lyrics by Alexander Blok
A. Blok - symbolist
Analysis of A. Blok’s poem “The Nightingale Garden”
Analysis of the poem “About valor, about exploits, about glory”
Analysis of the poem “Stranger” by A.A. Blok
Analysis of A. Blok’s poem “I’m scared to meet you”
We analyze one of the best poems by Alexander Alexandrovich Blok about love, which he sent to his wife
One of the last poets to preserve the poetic values of the 19th century
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Lyrical hero in the poetry of A. Blok
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Theme of the Motherland in the lyrics of Blok and Yesenin

The theme of the Motherland, Russia, organically entered into Russian poetry, absorbing all the best that was characteristic of Russian poets. Pushkin, Lermontov, Nekrasov, Yesenin, Blok... Each of them found in this topic their own, deeply personal, and at the same time something common that constitutes the essence of the Russian national character, without which the meaning of life on earth is lost. “I consciously and irrevocably devote my life to this topic. I realize more and more clearly that this is the primary question, the most vital, the most real,” wrote Alexander Blok at the end of 1908 to K. S. Stanislavsky.

Turning to Blok’s lyrics, one feature should be noted in the depiction of the Motherland. The main role in the poet’s perception of the Motherland is played not by his external impressions, but rather by their refraction in the poet’s soul, comparison with his internal experiences. He spoke about his homeland with endless love, with heartfelt tenderness, with aching pain and bright hope. His fate is the fate of his homeland, inseparable from it, inextricably linked with it:

I want your gray huts,

Your songs are windy to me, -

Like the first tears of love.

A broad, multi-colored, full of life and movement picture of his native land “in tear-stained and ancient beauty” is composed in Blok’s poems. Vast Russian distances, endless roads, deep rivers, violent blizzards and snowstorms, bloody sunsets, burning villages, mad troikas, gray huts, alarming cries of swans and cries of a flock of cranes, milestones, trains and station platforms, the fire of war, soldier trains, songs and mass graves - all this, as if in a motley kaleidoscope, flashes before us when we read Blok’s poems, and all this is Russia, his long-suffering homeland. Even if she is poor, even if she is bitter and joyless, the poet sees in her such power that her enemies and rapists cannot resist:

Which sorcerer do you want?

Give back the robber's beauty!

Let him lure and deceive, -

You won't be lost, you won't perish,

And only care will cloud

Your beautiful features...

With such thoughts and confessions the poet addressed Russia, and truly it was not pity for his homeland, but he experienced completely different feelings - love, adoration, pride, that pride for it, which at one time inspired Gogol to create the anthem of Russia - the unstoppable troika rushing with unbridled force into boundless distance.

Over the years, the poet’s very idea of his homeland became more and more real and distinct. In the cycle “On the Kulikovo Field,” the poet’s voice seems to dissolve in the voice of the very history of his native country, which has such a great past and a huge future that it takes your breath away; it is in the past that the poet looks for the life-giving force that allows Rus' not to be afraid of “darkness.” This is how the image of the Motherland appears - a steppe mare rushing at a gallop.

The steppe mare embodies both Scythian origins and eternal movement. Blok's search for the future is tragic. Suffering is the inevitable price to pay for moving forward.

Therefore, the path of the Motherland lies through pain: “Our path - the arrow of the Tatar ancient will pierced our chest.” In this poem, Blok created an original and unique lyrical image of the homeland - not a mother, as it was among the poets of the past, but a beautiful friend, lover, bride, “bright wife” - an image covered in the poetry of Russian song and fairy tale folklore:

The theme of the Motherland in the lyrics of Yesenin and Blok. Comparative analysis of the theme of the Motherland.

The first half of the 20th century was eventful. These terrible and cruel years influenced the literature of that time, as poets and writers embodied the upheaval of society in their works. The works of that time are imbued with patriotism and citizenship.

The theme of the Motherland is one of the most important themes in the works of Blok and Yesenin. Poets were people with high civic gratitude to their state.

Blok’s poems are permeated by one feeling - a feeling of love for his country, despite all the changes, he speaks with tenderness about his homeland.

The block showed how diverse Russia is. The poet did not idealize her, reflecting both advantages and disadvantages in his works. Which shows the objectivity of Blok’s criticism, his sanity.

Blok embodied the whole country in the image of the Motherland, and Yesenin - his native land

viewed the Motherland as a country, and Yesenin as his native land, that is, more narrowly.

Yesenin's works are poems that reflect the poet's feeling for his homeland. Yesenin’s poetry is an attempt to reproduce the image of the homeland not as a whole state, but as a place close to the heart, that is, a small homeland, the house where the poet was born - the village of Konstantinovo.

The events of October 1917 were also reflected in the works of poets. So, Yesenin divides Rus' into the one that was before the revolution (poor) and after - a spiritual country. Are you enrolling in 2021? Our team will help you save your time and nerves: we will select directions and universities (according to your preferences and expert recommendations); we will fill out applications (all you have to do is sign); we will submit applications to Russian universities (online, by e-mail, by courier); we will monitor competition lists ( we will automate the tracking and analysis of your positions); we will tell you when and where to submit the original (we will evaluate the chances and determine the best option). Entrust the routine to professionals - more details.

Blok saw the revolution as a way to save Russia, a bright future. The theme of the Motherland is closely related to the theme of hope. Both poets believed that Russia would continue to develop, that the Russian people would be able to overcome all trials and find happiness.

Despite different approaches to describing the Motherland, their poetry is united by a feeling of true love for it. Their faith in the bright future of the country is strong, and through their works they give the people hope for a better destiny. The poets devoted their entire lives to Russia, their beloved Russia, despite the fact that they perceived it differently, but they had the same feeling for both of them. After their death, love for the Motherland is contained in their works.

Useful material on the topic:

Comparative analysis of A. Blok’s poems “Stranger” and “In a Restaurant”
Comparative analysis of the poems by A. Blok “Russia” and A. Bely “Motherland”
Comparative characteristics (analysis) of the theme of creativity in the lyrics of Akhmatova and Pasternak
Comparative analysis of the poems “Prisoner” and “Captive Knight”
Comparative analysis of M. Yu. Lermontov’s poems “Borodino” and “Valerik”

The theme of the Motherland in the works of A. Blok and S. Yesenin

One of the most difficult periods in the history of our country can be called the turning point in the first half of the 20th century. The years were terrible and cruel, many people suffered during this time. But this period also produced a large number of talented writers and poets. Many of them were true patriots who could not imagine their lives without their native country. Of course, everything that happened in the Motherland could not help but be reflected in the literature of that time. The theme of the Motherland is revealed especially clearly in the works of such poets as A.A. Blok and S.A. Yesenin. Both of these poets considered Russia the main theme of their poems. The theme of the Motherland is the most important theme of Blok’s poetry. At one of the performances, where the poet read a variety of his poems, he was asked to read poems about Russia. “It’s all about Russia,” Blok replied. The image of the Motherland appears gradually in Blok’s poems. But one feeling permeates all the poet’s poems - the feeling of reckless love. “How can we live and cry without you,” exclaims the lyrical hero in the poem “Autumn Will” (1905). This title reflected Blok’s perception of Russia: the poet associates his beloved country, first of all, with will, liberty (“immense distances” , “the path open to view”). However, this theme is embodied most fully and deeply in the “Motherland” cycle. This cycle can with all confidence be called the pinnacle of the “trilogy of humanization.” In "Motherland" the leading role belongs to the motives of the historical destinies of the country. Particularly significant in this regard is the cycle “On the Kulikovo Field”. The Battle of Kulikovo in the poet’s perception is a symbolic event that is destined to return. Therefore, in the poems of this cycle one can notice frequently occurring words with the semantics of return, repetition: “The swans screamed behind Nepryadvaya, And again, again they scream...”; “Again, with age-old melancholy, the feather grass bent to the ground”; “Again, over the Kulikovo field, the darkness rose and spread out...” and so on. Thus, Blok wanted to show how historical events are connected with modernity. For the lyrical hero, the Motherland is his home. He is trying to comprehend its history, to penetrate its “secret”, to know and understand, and, therefore, to help. The hero comes to the conclusion that the basis of Rus' is its people. To be together with the Motherland, you need to be close to the people (“Rus”): Where all the paths and all the crossroads are exhausted by the living stick, And the whirlwind whistling in the bare twigs Sings the legends of antiquity... So - in my slumber I recognized poverty in my native land, And in the flaps of her rags I hide my Soul's nakedness. In the poetry of Sergei Yesenin, a slightly different image of the Motherland developed. A native of the village, the early Yesenin perceived his fatherland, first of all, in the image of his native nature, “Ryazan expanses,” “huts, in the vestments of the image.” We see that in Yesenin’s lyrics the image of the Motherland is closely connected with Christian motifs: If the holy army shouts: “Throw away Rus', live in paradise!” I will say: “No need for paradise, Give me my homeland!” But in Yesenin’s pre-revolutionary works, Rus' is also a poor, long-suffering country, “black, then smelling of howling,” an abandoned land, a “wasteland.” In Yesenin's post-October lyrics, revolution becomes one of the central themes. Initially, the poet accepted this event. He believed that the goal of the revolution was to establish a Christian paradise on earth. In this regard, Russia was perceived by Yesenin as God’s chosen, spiritual country. Therefore, biblical themes and symbolism appear in the poetry of this time: The sky is like a bell, The month is a language, My mother is my homeland, I am a Bolshevik. This clearly echoes the work of Blok, who also connected the image of Russia with the theme of God and holiness. Let us at least remember his poem “The Twelve”. But already in 1920 - 1923 Yesenin became disillusioned with the revolution. Pessimistic motives of death, destruction, and collapse of hopes appear in his lyrics. The poet grieves more and more about the disappearance of the village so beloved and familiar to him, the advent of the age of the “iron horse”, the devilish principle. This was especially clearly manifested in the poem “The Mysterious World, My Ancient World...”. Here we also see a echo with Blok’s lyrics, especially with his “Scary World” cycle. In it, Blok embodied one of the sides of his homeland - the “terrible world” of a city that destroys and destroys people. At the end of their lives, both Yesenin and Blok are quite optimistic about the prospects for the development of Russia, about its future. The bloc expresses the hope that Russia will go through all the trials, toughen up and finally become happy. Yesenin accepts the Soviet present of his beloved Rus', saddening only that he could not find himself in a new life and remains with the “fading Russia.”