The concept of personality in the poetry of A.A. Blok


Essays

Poetry is generally associated with love and romance. True, Blok’s lyrics are somewhat different. It also raises philosophical questions, and there are many references to the Motherland. The author often thinks about the meaning of life. His early works deserve special attention, as well as a series of poems dedicated to the Beautiful Lady.

Features and originality of Blok's lyrics

For many, the originality of Blok’s lyrics lies in their special sound. The poems contain an abundance of vowels. They create a real orchestra that clearly affects the reader. Each of these letters can be compared to a musical instrument. Together they create an incredibly beautiful musical composition.

There are also other features of Blok’s lyrics. The language of the poems is metaphorical. Each of their images is endowed with a special, symbolic meaning. The most ordinary objects and words here have hidden meanings. Very unusual combinations are often observed. For example, red laughter or parchment speech.

The symbolism of the shades is of particular interest. The poet associates light and white with perfection, purity and harmony, and black with disaster, death and anxiety. Red symbolizes passion and life, and yellow symbolizes decay and withering.

The lyrics in Blok's poetry are based on the search for ideals and harmony. True, during the author’s lifetime, his works were valued only for the beauty of their presentation.

Themes and motives in Blok's lyrics

The themes of Blok's lyrics are very ambiguous. They are presented in a huge variety, but at the same time they represent a single whole. This is a kind of reflection of the poet’s life path. The author himself even spoke about this several times.

The creative path of the writer was very difficult. He wrote both romantic and symbolic poems, as well as works reflecting the realities of the revolution.

The motives of Blok's lyrics are a unique reflection of all the drama that was characteristic of the 19th and 20th centuries. In the poet’s works, there is a certain richness; there is realistic specificity and romanticism. Thus, he accurately describes the world around him in all its diversity.

Blok's early lyrics

Blok's early lyrics deserve detailed consideration. It is very problematic to say unequivocally what moods prevail in it. For the poet, this was a period of searching for an ideal, hopes and dreams. A kind of mythology appeared in his mind, which was associated with femininity and the transformation of the world.

Blok’s main lyrics in this period are love ones, but the poet also describes the events of the revolution, making the intonation of confusion. He himself was very critical of this creative stage and after a while he began to write in a completely new direction for himself. In a dramatic style, he describes mystical events with irony.

Homeland in Blok's lyrics

One of the important places is occupied by the Motherland in Blok’s lyrics. The poet himself constantly repeated that Russia is in his blood and all his work is about it. It is not surprising that he wrote many essays on this topic. The image of the Motherland in Blok's lyrics is ambiguous. The writer points out the plight of the state and is surprised that such a strong and rich power fails to prosper and find happiness.

Russia in Blok's lyrics is often represented in the image of a mother. The poet writes about his love for her, his readiness to help in difficult times, to protect her from all enemies. In fact, the writer became the first to raise the topic of the Motherland in a new vision. He was not afraid to write about the sorrows and troubles of the state.

The high ideals in Blok’s lyrics are very clearly manifested in the cycle of works “On the Kulikovo Field”. The poet combines modernity, historical events and symbolism in an incredible way.

In this case, real events were taken as the basis, namely the Battle of Kulikovo. True, those actions are described using epithets and metaphors, symbolically. The main idea is the struggle between good and evil. On the one hand, there are warriors defending the Fatherland, and on the other, attacking Tatars. In essence, Blok’s ideals are shown here. The poet says that for every person the most important thing is the Motherland and faith.

Blok's love lyrics

The theme of love occupies a special place in Blok's lyrics. The poet said that such works can be called a diary, which is written in verse. From the very first cycle of poems about the Beautiful Lady, the author describes such a contradictory and complex feeling. His love lyrics are ambiguous and have undergone a number of changes over time.

When creating an essay about Blok’s lyrics, it is worth saying that the poet’s first works about love are enthusiastic. In them he writes about his real lover and inspiration Mendeleeva. His first works were created under the influence of the philosopher Solovyov. The writer writes about eternal femininity, harmony and beauty. He calls his main image in the lyrics a Beautiful Lady and associates lunar, natural symbolism with her.

It would seem that this cycle is based on a real autobiographical fact, but the lyrical hero is in love with a certain image, an ideal. He worships this woman, so inaccessible, majestic and beautiful. The poet points out that life harmony is impossible in the presence of such a feeling.

In the Balaganchik cycle, the hero’s attitude towards the Beautiful Lady is already somewhat different. He no longer bows to her as to a deity. The woman is presented in more precise terms. The appeal to her is already more real, and not sublime. Feelings no longer have that light, that strength. They can be compared to a snow blizzard, which carries the hero into the distance, but does not allow him to find happiness or experience satisfaction.

The main motives of Blok's lyrics in the Carmen cycle are completely different. He no longer describes love, but frantic passion.

Blok's philosophical lyrics

The writer's works are characterized by philosophical reflections. He was a representative of symbolism and demonstrated his attitude to numerous problems. His figurative system is quite complex.

Initially, Blok's philosophical lyrics were based on a dream. He thinks about the mysterious, beautiful Stranger, who is a conductor between the world of dreams and reality. He dreams of creating a new world, where Beauty and Wisdom would always reign.

Over time, a transformation of the poet’s philosophical ideas is noted. The author focuses on the real problems of society. In his works, he increasingly writes about ordinary people who are the soul of the country.

Ideals and a terrible world in Blok's lyrics

In most poems, the author shows the imperfection of the world. The cycle Scary World in Blok’s lyrics deserves special attention. The poet literally removes the iris and shows the existing reality. He himself experiences pain, realizing that underneath there is dirt, vulgarity and blackness. He is afraid to admit to himself that he is part of all this abomination.

Blok believed that bad deeds cannot pass without a trace. Sooner or later they will remind themselves and affect a large number of people. In the poet's works, every little detail has a deep meaning. Blok strove to show life as realistically as possible, without embellishing it and without being afraid to show it in a dark, unpleasant light. He shows dead souls, an abomination that no longer surprises or frightens anyone.

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The artistic world of Blok's lyrics

Definition 1

The artistic world of a lyrical work is the world of emotional experiences and feelings of the poet.

A. Blok's lyrics are a unique phenomenon in Russian culture.

With all the variety of issues, the difference between his early work and the work of his mature period, Blok’s lyrics appear as a whole, unfolded in time, work.

Contemporaries noticed that several key words were often repeated in Blok's lyrics. For example, K. Chukovsky o and “fogs” are the favorite words of the early Blok.

All of A. Blok’s lyrics are characterized by a stable repetition of key images, lyrical situations and verbal formulas. These words and images are endowed not only with “dictionary” meanings, they also receive additional semantic energy, new semantic shades.

However, the meaning of such signal words is determined not only by the context of a particular work. Thanks to cross-cutting motifs, Blok's lyrics have an extremely high degree of integrity. Blok himself wanted readers to view his lyrics as a novel in verse, consisting of three volumes.

The poet called this novel “the trilogy of incarnation.”

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This position of the poet is connected primarily by the fact that the center of his lyrics is the personality of modern man. It is precisely this, in its relations with the social, the “cosmic”, and the natural world that forms the core of the problematic of Blok’s work. Traditionally, before Blok, similar problems were embodied in the genre of the novel.

Blok’s lyrical “novel” also has a unique plot, but it is not event-based, but lyrical, it is associated with the movement of thoughts and feelings, with the development of stable motives. In the lyrical “novel” by A.

Blok there is no distance between the hero and the author; here the personality of the poet himself is the hero of the “Trilogy of Incarnation”. Therefore, in literary studies, such a category as “lyrical hero” is used in relation to him.

This term, today used in relation to the work of other poets, first appeared in Yu. Tynyanov’s articles about Blok’s poetry.

The main features of Blok's lyrics are:

  • The sublimity of the theme
  • Musicality
  • Mystical mood
  • Polysemy
  • Vagueness of images
  • Understatement.

The hero of Blok’s lyrics may be a nameless warrior from the camp of Dmitry Donskoy, or a visitor to a suburban restaurant, or Hamlet, or a monk, but each time these images are the embodiment of one soul, one way of thinking, one attitude. Introduction of the term Yu.

Tynyanov explains that the greatest lyrical theme of A. Blok was the poet’s personality itself. Therefore, with all the variety of thematic material that forms the subject background of Blok’s lyrics, the “trilogy of incarnation” is monocentric from beginning to end.

External composition of Blok's lyrics

A. Blok divides his “novel in verse” into three volumes. Each volume has ideological and aesthetic unity and corresponds to one of the three stages of “incarnation”.

Note 1

“Incarnation” is a word taken from the theological lexicon; it means the incarnation of God in the form of a man, the appearance of the Son of Man.

The image of Christ in the poetic consciousness of A. Blok is associated with the idea of ​​a creative personality - an artist, an artist who, with his whole life, serves to recreate the world on the basis of beauty and goodness.

The basis of the plot of the trilogy is the path of the lyrical hero. Within each stage of the general movement there are a large number of particular situations and episodes. As a rule, in a prose novel, a specific episode is the content of a chapter. In the lyrical novel by A. Blok - the content of the poetic cycle.

There are many crossroads and turns, suffering and doubts along the way. But each episode enriches the lyrical hero with invaluable spiritual experience and broadens his horizons.

The space of the novel expands in concentric circles as it moves, and at the end of the journey, the space of all of Russia appears to the hero’s gaze.

In addition to the external composition, which is determined by division into volumes and cycles, the trilogy of incarnation also has a more complex internal composition - a system of motives, lexical, figurative and intonation repetitions that link individual poems and cycles into a single whole.

Unlike theme, motive is a formal-substantive category. In poetry, the motive serves as a compositional organization of individual poems into a single whole.

Due to the absence of direct plot connections between the poems, the motif complements the compositional integrity of the cycle and even of Blok’s entire lyrics.

It is created by lyrical images and situations that repeat and vary from poem to poem.

The main motives of A. Blok's lyrics

The central cycle of the first volume of A. Blok’s lyrical trilogy is “Poems about a Beautiful Lady.” These poems were Blok’s favorite throughout his life. This cycle is fundamentally multifaceted. The plot of “Poems about a Beautiful Lady” is the plot of waiting for a Meeting with your beloved. This meeting should transform the hero and the whole world, unite earth and sky.

The participants in this plot are “he” and “she”. The drama of the waiting situation lies in the opposition of the heavenly and the earthly, in the inequality of the Beautiful Lady and the lyrical hero. Along with the motive of waiting for a meeting, there is a motive of fear of it. At the moment of incarnation, a beautiful lady can turn into a sinful creature, and her descent into the world can turn out to be a fall.

In the second volume of the trilogy, the changes that have occurred in the poet’s soul are clearly manifested. Events from the surrounding reality invade his consciousness and require comprehension. Blok perceives these events as a dynamic beginning. The second volume of the trilogy is primarily associated with the motives of immersion in the elements of life.

The leading motive of the third volume is the death of the world of modern urban civilization. The lyrical hero realizes that the search for personal happiness is sinful. In a “terrible world,” happiness can turn into moral deafness and spiritual callousness.

Source: https://spravochnick.ru/literatura/russkaya_literatura/hudozhestvennyy_mir_liriki_bloka/

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