Friendship between Raskolnikov and Razumikhin
As the plot develops, we see that the hero repents of his actions, but again for his own personal reasons.
He regrets that he cannot protect Dunya from Svidrigailov, that he brought little benefit to the Marmeladov family, that he devoted little time to his only good friend Razumikhin.
In order to correctly reveal the character of the hero, Dostoevsky raised the theme of friendship and enmity in his novel. Antipodes and at the same time doubles of Raskolnikov are Luzhin and Svidrigailov.
Former student; comrade of Rodion Raskolnikov. in the final - the husband of Avdotya Romanovna Raskolnikova. distant relative of Porfiry Petrovich.
Raskolnikov suddenly remembered him on the eve of the crime, trying to find a way out of the impasse in life: “Razumikhin was one of his former university comrades.
It is remarkable that Raskolnikov, while at the university, had almost no friends, was alienated from everyone, did not go to anyone, and was difficult to receive.
Raskolnikov and Razmikhin
The novel contains an open polemic with the views of Chernyshevsky. According to the author's plan, Razumikhin was supposed to appear as the saving hero he was in “What is to be done? ” Rakhmetov speaks. They are similar in their manifestation of strength, both are students.
“Razumikhin was still the same: kind, tall. He was also remarkable because he could not eat at all for who knows how long and endure extraordinary cold. “Rakhmetov limits his needs and tortures himself from the experiment (he is rich).
Razumikhin - out of need (poor).
Razumikhin and Raskolnikov: friendship of two opposites
(346 words) Dmitry and Rodion are two heroes of Dostoevsky’s novel Crime and Punishment. The relationship between them reveals the true essence of friendship, selfless and faithful, and sweeping away all obstacles in its path. However, the young people themselves are antagonists in everything, so it’s even surprising how they became friends.
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Bank of Unified State Exam arguments in the Russian language
F.M. Dostoevsky “Crime and Punishment”. Dmitry Razumikhin is a true friend of Rodion Raskolnikov. He is a sympathetic, open, kind person. It is Razumikhin who takes care of the sick Raskolnikov: he is nearby and invites the doctor. He treats his sister and his friend’s mother just as well.
Razumikhin does not believe to the last that Raskolnikov committed murder. He tries to justify his friend, citing illness. But when the truth becomes obvious, the hero does not abandon Raskolnikov.
Dmitry Razumikhin marries Duna, his sister, and in three or four years, when he has saved the required amount of money, he is going to move to Siberia, where a friend is serving hard labor.
Among eternal values, friendship has always occupied one of the very first places. But everyone understands friendship in their own way. Someone is looking for benefits in friends, some additional privileges in receiving material benefits.
But such friends are until the first problem, before trouble. It is no coincidence that the proverb says: “friends are made in trouble.” But the French philosopher M. Montaigne argued: “In friendship there are no other calculations or considerations other than itself.”
And only such friendship is real.
What is the friendship of Raskolnikov and Razumikhin based on in Dostoevsky’s novel Crime and Punishment
The novel “Crime and Punishment” shows two completely opposite life paths that any person can take.
Two people, similar to each other in social status and age, find different solutions to the same problem. Razumikhin tries to see the positive sides in his life and live calmly.
But Raskolnikov is not at all satisfied with his life. He wants something else, not quite fully aware of what exactly.
The juxtaposition of two poor students who found themselves in the same situation in a big city, deprived of connections, the possibility of a decent income, essentially alone, but who perceived this situation differently, did not lead me to the idea that Razumikhin should be cited as an example to Raskolnikov.
Crime and Punishment
Razumikhin’s characterization is quite interesting. Dostoevsky presented us with the type of such a dork, a rude brawler, a strong nature, but a very noble and generous Russian man who completely obeys Avdotya Romanovna, Raskolnikov’s sister. After all, he is literally thrilled and humiliates himself in front of this fragile and graceful beauty.
Raising the question only of the moral improvement of each person, the writer turned to religion. Rodion Raskolnikov and Sonya Marmeladova are the two main characters of the novel, appearing as two oncoming streams. Their worldview forms the ideological part of the work.
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It’s easy to speak and remain silent with a friend.”
Rodion is attracted to Dmitry by his vital activity, desire to do something, kindness and responsiveness, education and erudition. It is to Razumikhin that the main character goes immediately after the murder; he needs to talk to someone and Rodion knows that he can find this in his friend.
During his illness, Razumikhin takes care of Raskolnikov, invites a doctor and buys him a suit. When, after a crime, Rodion loses the desire to live, he sees nothing positively and the whole world is his enemy. It is the devotion, kindness and cordiality of Razumikhin, Sonya and his mother that make Raskolnikov live. This is an example of true friendship.
It often happens that people cannot distinguish between real and imaginary friendship.
The theme of friendship between Razumikhin and Raskolnikov
Having worked as a literature teacher for many years, I became convinced that the novel by F.M. Dostoevsky's "Crime and Punishment" is interesting for today's children. Perhaps this is explained by the fact that many teenagers are also ambitious, like the main character of the novel, they are also hurt by social injustice, and they also want to take their place in this world.
Friendship between Raskolnikov and Razumikhin
The juxtaposition of two poor students who found themselves in the same situation in a big city, deprived of connections, the possibility of a decent income, essentially alone, but who perceived this situation differently, did not lead me to the idea that Razumikhin should be cited as an example to Raskolnikov.
True friendship between Raskolnikov and Razumikhin
Even though he loves her terribly, even though he is self-willed by nature and bold to the point of absurdity, in front of her, even though he is the groom, he always trembled and was afraid of her. He didn't dare talk to her. "
In the final text, regarding the love that flared up in Razumikhin’s heart for Duna Raskolnikova, it is said even more clearly: “It is clear that the ardent, frank, simple-minded, honest, strong as a hero and drunken Razumikhin, who had never seen anything like it, at first sight lost his head.
Friendship between Razmikhin and Raskolnikov's influence
Literary example: Raskolnikov decides to commit a crime for the sake of his loved ones, driven by a thirst for revenge for all the disadvantaged and poor people of that time. He is guided by a great idea - to help all the humiliated, disadvantaged and abused by modern society. However, this desire is not realized in an entirely noble way.
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Dostoevsky's novel and Raskolnikov's double incarnations
Article menu:
- Dmitry Razumikhin
- Petr Luzhin
- Lebezyatnikov
- Porfiry Petrovich
- Dunya (Avdotya)
- Sonechka Marmeladova
Crime and Punishment is an extremely complex work. The reader is free to perceive the surface of the novel, embodied in the form of a plot. But also hidden among the letters of the text are Raskolnikov’s doubles - images of heroes reflecting Rodion’s features, like a mirror surface.
Dear book lovers! We invite you to familiarize yourself with the characterization of Rodion Raskolnikov in Fyodor Dostoevsky’s novel “Crime and Punishment”
The first reading of the work does not reveal the full palette of specificity of “Crime and Punishment”, does not allow one to “see through” the subtleties and accents hidden in the depths of the text. The plot of the novel is a detective story, so the reader, discovering and plunging into the narrative depths for the first time, finds himself captured in a network of fascinating events. However, the idea that prompted Dostoevsky to create “Crime and Punishment” is much more extensive to be fully embodied in just one plot.
Upon careful and detailed study of the novel (if the reader turns into a researcher or literary critic), one can see that the novel is replete with images of characters who do not directly influence the life of the central character - Rodion Raskolnikov. The question arises why the writer placed on the pages of the work figures whose presence in the novel is not clear.
But if we come closer to Dostoevsky’s plan, we will find answers to the questions posed: each character has a unique meaning and plays a specific role. There are no extra roles on stage, everything is taken into account: every mentioned gear is involved in the mechanism.
The personality of the main character disintegrates, splits into a collection of fragments and fragments. The reader, perhaps, will easily note the unusual and symbolic nature of the central character’s surname: a split arises within Rodion’s soul; the text repeatedly states that Raskolnikov is like two different personalities. But that’s not all, because the personality of the main character also splits in such a way that fragmented traits end up in the images of other characters. In some ways, this leitmotif is reminiscent of the fairy tale about “The Snow Queen,” where a shard of ice falls into the eye of Kai, the main character. Likewise, Raskolnikov’s personality is refracted in the features of other characters in the novel. So, we found out that Raskolnikov’s doubles are separate characters in the work, so it’s worth dwelling on the characteristics of these heroes in more detail.
Dmitry Razumikhin
The double of the main character of Crime and Punishment is also Raskolnikov’s best friend. This is the first in a series of mirror reflections of Rodion. Dmitry is characterized by traits that are opposite to Raskolnikov: activity, cheerfulness, sociability and openness. Razumikhin's life is no less complicated than Raskolnikov's life. However, the young man managed to resist life’s adversities and move forward, despite poverty, need and despair. Razumikhin does not allow negative emotions to take over him.
Raskolnikov was unable to continue his studies due to poverty. Razumikhin studies at St. Petersburg University, as before. Dmitry does not lose hope for the future: the young man is full of plans and energy to realize his plans. Raskolnikov is the direct opposite of Dmitry. Rodion is characterized by gloom, isolation, detachment from society and a complete inability to solve problems. Dmitry seems to highlight and brighten individual features of Raskolnikov, which, thus, become more accessible to the understanding of readers.
Razumikhin is an optimist, Raskolnikov, on the contrary, falls into despair, gloom, and cruelty. Poverty spoils the hero's personality, making Rodion cruel and evil. Raskolnikov is convinced that people are vile creatures, but no less vile are those who consider others as such. Dmitry would not have divided people into “trembling creatures” and “those who have the right,” like his comrade. Raskolnikov's apathy and tendency to doubt, skepticism, cynicism and nihilism allows the hero to get carried away by ideas about a superman. This is possible due to the presence in Raskolnikov of a trait of arrogance, which is absent in Razumikhin.
Meanwhile, doubles must also have similarities: youth, level of education, intelligence, talent, decency and natural nobility, not related to origin. Dmitry and Rodion have the same dreams. However, for Dmitry, unlike Raskolnikov, the path to achieving this dream and goal is also important. Rodion, apparently, is a supporter of the idea that the end justifies the means. Actually, this statement is realized in Raskolnikov’s act: getting rid of universal evil, improving humanity presupposes the possibility of murder. “Right-having” individuals, powerful and strong-willed people are not limited to accepted moral principles.
To achieve the goal, Dmitry chooses the path of diligent, persistent and hard work, and Raskolnikov chooses the quick path of crime, in the hope of getting easy money.
Petr Luzhin
Pyotr Petrovich is also described as Rodion’s double. Luzhin is going to marry Duna, Raskolnikov’s sister. However, Peter is not a positive character at all. For Luzhin, marriage is just a way to satiate himself with the dependent position of the unfortunate girl and to enjoy Dunya’s hopeless situation. Hypocrisy, meanness and deceit are the main personality traits of Luzhin. Meanwhile, the hero carefully disguises these qualities, trying to demonstrate his nobility of nature and honesty everywhere.
Everyone who reads books is smart and cool guys. We bring to your attention a brief summary of Fyodor Dostoevsky’s story “White Nights,” which is not included in the school curriculum for its “atypicality” for the work of this author.
Luzhin is an expression of the previous statement that the end justifies the means. The man does not stop at slandering the girl (Sonya Marmeladova) in order to marry an unloved woman. All this is for the sake of indulging one’s own whims and satisfying selfish interests.
Raskolnikov is a more complex character than Luzhin. Rodion has a theory that all means are suitable for testing. However, at the root of this method of verifying his theory, Raskolnikov acts selfishly - just like Luzhin.
The image of Svidrigailov is initially unsympathetic to the reader. Gloominess, depravity, disregard for moral and ethical standards are characteristic personality traits of the hero. Among Svidrigailov’s vile acts are adultery, sexual perversions associated with the corruption of minors, and even murder. Svidrigailov is a widower, but once upon a time the hero was bought out of prison by a rich landowner. However, now the woman is dead (the death of Svidrigailov’s wife is quite mysterious).
The character himself expresses the opinion that there are similarities between him and Raskolnikov. The first thing the heroes have in common is crime. Rodion is a murderer, just like Svidrigailov. Neither Svidrigailov nor Raskolnikov consider the offense shameful, not recognizing it as a crime. In the context of Raskolnikov’s worldview, the murder of a moneylender is a necessary sacrifice, it is a service to humanity on the part of him, Rodion. After all, the old woman is the embodiment of evil. It’s the same with Svidrigailov: the hero does not feel guilty, does not repent for the fact that people died because of his mistake.
However, one cannot deny the presence of positive traits in Svidrigailov. The man helps Sonechka Marmeladova with money, and also tries to help orphans - the children of the late former official Marmeladov. As we remember, Raskolnikov also gives Marmeladov’s widow, Katerina, his last funds, leaving him penniless.
Lebezyatnikov
Once again Dostoevsky rewards another character with an eloquent surname. The trait that sticks out in the image of Andrei Semenovich is the thoughtless exposure of young people to newfangled trends in the field of philosophy and ideology. Grotesque is the main artistic technique that the author uses to create the character of Lebezyatnikov. The hero is Raskolnikov’s double, because Rodion is also passionate about new ideas: first of all, this is the concept of the superman (also found in the works of Friedrich Nietzsche), nihilism, as well as the desire to divide people not into classes, but into “those with the right” and the weak, inert, gray mass (slaves and leaders).
However, Lebezyatnikov is harmless: the hero stupidly copies the behavior and speech of authorities, without understanding a word. Stupidity and kindness do not make Lebezyatnikov dangerous. Raskolnikov, having an extraordinary mind, talent and high-quality education, becomes a dangerous person when he begins to test philosophical and theoretical constructs in practice. Andrei Semenovich is the image with which Dostoevsky creates a parody of Raskolnikov’s enthusiasm for new ideas.
Porfiry Petrovich
Dostoevsky endows the investigator with the features of Raskolnikov’s double: an experienced man, behind whose shoulders is the burden of past years, suffering and pain, is one of the few who is able to understand Raskolnikov. It is interesting that the investigator is a relative of Dmitry Razumikhin, Rodion’s only true friend.
Despite the fact that Porfiry Petrovich is only 35 years old, the man feels like an old man. Razumikhin speaks positively about the investigator. When Porfiry Petrovich took up the case of the murder of Alena Ivanovna and Lizaveta, he realized that the matter was not easy.
In Raskolnikov, the investigator notices features that reveal the young man. Porfiry Petrovich is a master of psychological analysis, a man with an insightful and analytical mind.
Porfiry understands that the painter Mikolka, who took the blame, did not kill the old women. The investigator feels sorry for Raskolnikov, sincerely sympathizing with the young man. However, the hero and Raskolnikov are united by a tendency towards cynicism, mistrust and skepticism. Contrary to what the character says about himself as an honest person, Porfiry Petrovich often fools people and plays different roles. In addition, the character of the hero can hardly be called simple and pleasant: Porfiry Petrovich is distinguished by causticity, causticity, poisonousness and bad nature.
In addition to Raskolnikov’s male counterparts, Dostoevsky also brings to the stage women who show similarities to the main character.
Dunya (Avdotya)
Avdotya Romanovna is the sister of the central character in Crime and Punishment. The heroine has a secondary character, but the presence of the image of Rodion’s sister also plays a role in the novel. The girl is about 22 years old, Dunya is several years younger than her brother. Like Razumikhin, Dunya overcomes life's adversities, relying on work and diligence.
The girl is a governess for the rich. Dunya's good manners and education allow her to work as a teacher. Avdotya helps his brother and mother, who also works tirelessly.
Dunya and Raskolnikov are similar in appearance. Dostoevsky describes the girl like this: beautiful, tall, thin; the eyes are dark, the hair is light brown, but the shade of the hair is lighter than that of Rodion.
Dunya has proud features, but at the same time kind. Raskolnikov is characterized by sickly pallor, while Dunya is characterized by ordinary pallor, combined with the girl’s health and fresh appearance.
Education, kindness, strength of character and willpower help a girl overcome difficulties. In addition, the image of Dunya is characterized by chastity and purity, courage and prudence, breadth of mind, nobility, patience, generosity, responsiveness, and ardor of heart.
Sonechka Marmeladova
Sofya Semyonovna, like Porfiry Petrovich, convince Raskolnikov of the need to admit guilt for the murder. Marmeladova is a lifelong friend and spiritual double of Rodion. The heroes seem completely different, because Sophia is a deeply religious, religious person, while Raskolnikov is an atheist.
But Sonya is close to the main character of Crime and Punishment, because the girl, like Rodion, also crosses the moral line. Out of need and poverty, Sonya's stepmother forces the girl to go out onto the dirty streets of St. Petersburg to earn money from selling her own body.
Sonya recently turned 18 years old. The girl's appearance is like that of an angel: petite, thin blonde. The childish expression on her face, blue eyes, blond hair - all this seems to reflect the heroine’s inner world, pure and innocent, despite the fact that Sonya was forced to become a prostitute. Meekness, timidity, irresponsibility, hard work and honesty, as well as simplicity are the main qualities of a girl.
Sonya develops sincere feelings for Raskolnikov. At first, the girl annoys the hero, but in the end Rodion opened his soul and confessed to Marmeladova’s crime. Instead of condemnation, Sonya feels pity for Raskolnikov, because the young man inflicted a terrible trauma on his soul. After this, Sonya does not abandon Rodion, following her lover to hard labor, into exile.
Raskolnikov does not believe that he committed a crime. Meanwhile, guilt and conscience torment the main character. Sonya perceives herself as a sinner, wanting redemptive suffering. Marmeladova shows Rodion that only a return to God and a revaluation of Christianity will help the young man overcome his spiritual schism.
Selflessness, naivety, gullibility and nobility are another set of qualities inherent in Sonya as Raskolnikov’s double character. Sonya is an expression of aspects that sleep inside Rodion, but will awaken when the hero accepts salvation in religion and faith.
Sonya suffered insults and humiliation: from men, from close people, from her stepmother, for whose sake the girl agreed to a moral decline. Thanks to the money earned by Sonya, Katerina, who was sick with consumption, was able to feed her children. Marmeladova is a mirror that helps Dostoevsky demonstrate the fallacy of Rodion’s theory, as well as the falsity of concepts that are far from humanism.
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Author: Victoria Davydova
Friendship between Raskolnikov and Razumikhin briefly
One became embittered and decided to commit a crime, while the other did not. But it's not that simple. The novel shows how a healthy and strong physically and mentally person can endure a lot, but an initially fragile, painful nervous person can break down. Go crazy, commit suicide, become obsessive and cross the line. He's not crazy.
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The system of characters in the novel by F.M. Dostoevsky “Crime and Punishment”
Raskolnikov and Razumikhin Analysis crime and punishment Dostoevsky friendship Razumikhin Raskolnikov Essay friendship Raskolnikov and Razumikhin Essay friendship Raskolnikov and Razumikhin Razumikhin to the last does not believe that Raskolnikov committed murder.
Razumikhin and Raskolnikov: But when the truth becomes obvious, the hero does not abandon Raskolnikov. Dmitry Razumikhin marries Duna, his sister, and in three or four years, when he has saved the required amount of money, he is going to move to Siberia, where a friend is serving hard labor. Among eternal values, friendship has always occupied one of the very first places.
Surprising but true! And Dmitry was always ready to share the latter; it was more important for him to give rather than receive. Svidrigailov embodies one of the possibilities of realizing the main character’s idea. As a moral cynic, he is a mirror image of the ideological cynic Raskolnikov.
They are similar in their manifestation of strength, both are students. Razumikhin is poor due to need. But Razumikhin knows his goal and is firmly moving towards it. Unlike Rakhmetov, Razumikhin is an enemy of any theory, easily starts affairs, goes to the establishment of “Laviza”. Very often the emphasis is on the material component.
But can it be applied to friendship? I think not. There are many examples of true friendship in literature. I remembered one of the most famous works of E. Crime and Punishment, the friendship between Razmikhina and Raskolnikov, essay Uncle Fyodor became such friends with Matroskin that he even left home when dad forbade leaving the cat at home.
Or you can recall the immortal classic work by F. Friendship of Raskolnikov and Razumikhin, essay Andrei Stolts and Ilya Oblomov are completely different people, but they are drawn to each other. Stolz comes to Oblomov with pleasure, and the latter greets him with joy. In fact, Dmitry’s last name is Vrazumikhin, but everyone calls him Razumikhin, including the author.
It is known that material for essays on a literary topic must be sought first and foremost in the literary work itself, carefully reading and re-reading it, discovering more and more new depths in it, delving into the features of its form.
From these positions, the analysis of an episode as one of the genres of school essays is undoubtedly useful and deserves its active introduction into the wider practice of the school. Dostoevsky is a humanist writer, so he solves all issues from this position.
Characteristics Minor characters become ideological allies or opponents of the main character. Raskolnikov and Razumikhin And she needs help in jurisprudence, economics and education, as well as to promote the purchase of land by peasants, organize insurance, public loans and improve agricultural tools.
It was in this way that Razumikhin saw how the abyss of social inequality was gradually overcome. Friendship between Razmikhin and Raskolnikov argument He alone is capable of lifting Ilya Ilyich from the sofa, giving movement to his monotonous philistine life.
The main thing is not to forget that the topic is literary: How does Razumikhin’s friendship manifest itself? How does Razumikhin’s friendship manifest itself? The seemingly small image of Razumikhin combines very strong qualities.
At the same time, he is a hard worker and a merry fellow, a caring nanny and a bully, a brave quixote and a deep psychologist. Fyodor Mikhailovich Dostoevsky Comes from a noble family.
Despite the fact that Rodion rarely remembers Dmitry and gets irritated when he feels his guardianship, in his soul he appreciates Razumikhin, the only person with whom he became friends in St. Petersburg. There is more than enough vital energy in him. However, he does not commit a crime to obtain these funds, but is looking for, as they say now, a legal source of income.
Perhaps this is explained by the fact that many teenagers are also ambitious, like the main character of the novel, they are also hurt by social injustice, and they also want to take their place in this world.
Insurance after death And finds. Earning a living from penniless translations, he took a closer look at the publishing business and decided that he could become a publisher - honest, cultured and useful. The ideological antipode of Raskolnikov is Porfiry Petrovich.
The investigative officer is a smart, careful, courageous person, he knows investigative practice well, and does not adhere to routine. But he has no evidence, and his only weapon becomes psychology.
He makes Raskolnikov think every minute that he, the investigator, knows all his ins and outs. Well, so he will all be, everything will be spinning around me, like around a candle; freedom will not be nice, it will begin to think, get confused, entangle itself all around, as if in a net, worry itself to death.
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Friendship Raskolnikov and Razumikhin analysis
Dostoevsky's Friend of Raskolnikov from the novel F. The friends met at the university, which both were forced to leave due to financial difficulties. The hero's real name is Vrazumikhin, but everyone around him called him Razumikhin. The surname-nickname emphasizes Dmitry’s reasonableness. Noble blood did not give Razumikhin any privileges.
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Crime and Punishment (rock opera)
Category: Examples of essays academic year Among the eternal values, friendship has always occupied one of the very first places. But everyone understands friendship in their own way. Someone is looking for benefits in friends, some additional privileges in receiving material benefits.
But such friends are until the first problem, before trouble. But the French philosopher M. And only such friendship is real. In the novel F. Both are law students, both live in poverty, both are looking for additional income.
Six months of constant soul-searching, searching for a way to deceive fate, knocks Raskolnikov out of his usual rhythm of life. He doesn’t accept translations, doesn’t give lessons, doesn’t go to classes, in general, he doesn’t do anything. And yet, in difficult times, his heart leads him to a friend.
Razumikhin is the complete opposite of Raskolnikov. He works, spins around all the time, earning pennies, but these pennies are enough for him to live and even to have fun. And Raskolnikov is crushed, driven to extreme despair.
The sentence for double murder was almost halved. Thus, Dostoevsky proves to us the idea of God's providence that people are saved by people. And let someone say that Razumikhin was not a loser when he got a beautiful wife, a friend’s sister, but did he really think about his own benefit?
No, he was completely absorbed in caring for the person. In the novel I. He alone is able to lift Ilya Ilyich from the sofa, to give movement to his monotonous philistine life.
Even when Oblomov finally settles in with Pshchenitsyna, Andrei makes several more attempts to get him off the couch. Having learned that Tarantyev and Oblomovka’s manager actually robbed a friend, he takes matters into his own hands and restores order.
Although this does not save Oblomov. But Stolz honestly fulfilled his duty to his friend, and after the death of his unlucky childhood friend, he takes his son to be raised, not wanting to leave the child in an environment that is literally covered in the mire of idleness and philistinism. Montaigne stated: In friendship there are no other calculations or considerations than itself.
Only such friendship is real. If a person who calls himself a friend suddenly begins, ingratiatingly, to ask for help or begins to settle scores for the service rendered, saying, how much I helped you, but what did I do for me, refuse such a friend! You will not lose anything except an envious glance, an unkind word.
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Razumikhin Dmitry Prokofievich
Validity: beginning of July, presumably.
Setting: St. Petersburg, a city in the R-th province, a prison in Siberia Characters: Rodion Romanovich Raskolnikov - former law student, 23 years old Alena Ivanovna - old pawnbroker, widow, college secretary, ca.
Semyon Zakharovich Marmeladov is a former official, over 50 years old. Sofya Semyonovna Marmeladova - daughter of Marmeladov, c. Pulcheria Aleksandrovna Raskolnikova - mother of Raskolnikov, 43 years old.
Harmonic dominants of meaning in the novel by F. However, the creator of this theory, S.
Dostoevsky in the 1920s The former did not do anything significant in their lives, while the latter were ready to do anything just to remain in history. The writer included, for example, Napoleon among them, as evidenced by the reflections of the main character. Raskolnikov Rodion Romanovich is a proud and strong personality. He lives in a rented apartment in St. Petersburg and has difficulty making ends meet.
Analysis of works of Russian and foreign literature, samples of school essays
Razumikhin is a true friend, a person who will not leave you in trouble. He does not spare Rodion the most precious thing - time, his irreplaceable resource. It is Razumikhin who nurses and feeds Raskolnikov soup, gets him second-hand clothes and boots, which he specially chose for his friend. Raskolnikov initially refuses. Pride prevents him from sincerely thanking his friend for his concern.
A cruel, exciting, all-consuming struggle between Good and Evil - this problem has stood and will always confront humanity. In the novels of Fyodor Mikhailovich Dostoevsky, this duel takes place in the souls of individual people. The polarity of the divine and devilish principles, the violent clash of light and darkness is revealed in the very depths of existence.
Nobility: under the appearance of a simpleton there was hidden “...depth and dignity...”.
Former student; comrade of Rodion Raskolnikov. in the final - the husband of Avdotya Romanovna Raskolnikova. distant relative of Porfiry Petrovich. Raskolnikov suddenly remembered him on the eve of the crime, trying to find a way out of the impasse in life: “Razumikhin was one of his former university comrades.
Fyodor Dostoevsky’s work “Crime and Punishment” is a story about the tragedy of ordinary people, weakened by injustice.
Friendship between Raskolnikov and Razmikhina essay
Razumikhin Dmitry Prokofievich - the image of a true friend Categories: Dostoevsky's Friend of Raskolnikov from the novel by F.
Friends met at the university, which both were forced to leave due to financial difficulties. The hero's real name is Vrazumikhin, but everyone around him called him Razumikhin.
The surname-nickname emphasizes Dmitry’s reasonableness. Noble blood did not give Razumikhin any privileges.
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- Razumikhin and Raskolnikov: friendship of two opposites
- Read an essay on the topic of Friendship and Enmity in the novel Crime and Punishment by Dostoevsky for free
- Essay crime and punishment letter to Raskolnikov's mother
- Razumikhin Dmitry Prokofievich
- The theme of friendship between Razumikhin and Raskolnikov
- Ege and oge/gia. educational information portal. exam preparation
- Essay “The Image of Raskolnikov in the novel “Crime and Punishment””
Read an essay on the topic of Friendship and Enmity in the novel Crime and Punishment by Dostoevsky for free
Examples of essays academic year Among the eternal values, friendship has always occupied one of the very first places. But everyone understands friendship in their own way. Someone is looking for benefits in friends, some additional privileges in receiving material benefits.
Essay crime and punishment letter from Raskolnikov's mother A letter from the mother to Raskolnikov can be found at the beginning of the novel Crime and Punishment, in Part 1, Chapter 3. You can also read online Crime and Punishment fragments and episodes on our website.
Razumikhin and Raskolnikov: The relationship between them reveals the true essence of friendship, selfless and faithful, and sweeping away all obstacles in its path. However, the young people themselves are antagonists in everything, so it’s even surprising how they became friends. Who is Rodion?
Essay crime and punishment letter to Raskolnikov's mother
Part 3 Essay based on the novel by F. Part 3 Aeon In literary criticism, little attention is paid to the analysis of the image of Raskolnikov’s mother Pulcheria Alexandrovna. She experiences their failures as her own and strives to do at least something for them. Dostoevsky admires her selfless love for children. She looks with pain at the fate of her daughter.
She wants her children to support and help each other throughout their lives. Dostoevsky chooses a colorful old name for the heroine - Pulcheria.
It is no coincidence that she is baptized before her next meeting with him, and in a conversation with Dunya she evaluates the characters of the children more soberly and frankly than with her son: Another image important for understanding maternal love in the novel is Katerina Ivanovna. Using her example, F.
Ege and oge/gia. educational information portal. exam preparation
By telling the story of his life, the writer makes us think about a number of important questions. It is difficult to determine what type of novel F.'s work belongs to.
It raises problems affecting various spheres of human life: Rodion Raskolnikov is the center of the novel. It is with him that all the other storylines of the great classic work are connected.
The main character of the novel Appearance Description of Raskolnikov in the novel begins with the first chapter.
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On this page they searched for: essay on the topic crime and punishment with a plan. friendship between Raskolnikov and Razumikhin. crime.
Dostoevsky in the 1920s There are plenty of ideas and background in it, but the author’s main goal was to put forward a theory about two types of people: The first did not do anything significant in their lives, and the second were ready to do anything just to remain in history. The writer included, for example, Napoleon among them, as evidenced by the reflections of the main character. Raskolnikov Rodion Romanovich is a proud and strong personality.
Essay “The Image of Raskolnikov in the novel “Crime and Punishment””
St. Petersburg, a city in the R-th province, a prison in Siberia Characters: Rodion Romanovich Raskolnikov - former law student, 23 years old Alena Ivanovna - old pawnbroker, widow, college secretary, ca.
Raskolnikov decides to commit a crime for the sake of his loved ones, driven by a thirst for revenge for all the disadvantaged and poor people of that time. He is guided by a great idea - to help all the humiliated, disadvantaged and abused by modern society.
Arguments of friendship and enmity. Final essay Final essay in the direction: What is it?
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Harmonic dominants of meaning in the novel by F.
Elena Tretyakova A few general remarks about the architectonics of Dostoevsky’s works In Dostoevsky’s works, a powerful craving for the ancestral home of language is palpable - archaic myth [1], apparently for this reason, the creations of this author served as the impetus for the creation of the theory of myth restoration [2]. However, the creator of this theory, S. Telegin, in his works about Dostoevsky, Leskov and other Russian epics, failed to reduce his complex of ideas into a coherent teaching:
He regrets that he cannot protect Dunya from Svidrigailov, that he brought little benefit to the Marmeladov family, that he devoted little time to his only good friend Razumikhin.
In order to correctly reveal the character of the hero, Dostoevsky raised the theme of friendship and enmity in his novel. Antipodes and at the same time doubles of Raskolnikov are Luzhin and Svidrigailov. Friendship between Raskolnikov and Razumikhin Former student; comrade of Rodion Raskolnikov.
Raskolnikov suddenly remembered him on the eve of the crime, trying to find a way out of the impasse in life:
Galina Rebel Why Akunin F. In the novel B. It was Mr. Dostoevsky who was afraid that the reader would not want to condemn a criminal for just one pawnbroker:
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The world of heroes "Crime and Punishment"
In the novel “Crime and Punishment,” Dostoevsky created a special, unique world , within which special laws operate, in which a special psychological environment, a special space reigns. The unusualness of this world, first of all, is that almost all the central characters of the novel are people rejected by society, “formers.” Raskolnikov is a “former student” (this is how he himself answers the police question about who he is). Razumikhin is also a former student in the main part of the work. A former official, who “exactly five days ago” finally and irrevocably broke down, enters Marmeladov’s novel. His daughter Sonya is a former “young lady”. Katerina Ivanovna’s children, whom poverty drove out into the street to beg, are former “children of the nobility.” Svidrigailov appears in the novel as a former landowner (although he was once a “decent owner”). He has irrevocably parted with his recently prosperous past and tells Raskolnikov about it with some mocking surprise, as if about another life.
Almost all the heroes of the work are not busy with a specific case (with the exception of Zosimov, a practicing physician and bailiff Porfiry Petrovich). Luzhin is currently preparing himself for predatory activities. Razumikhin earns his living by making translations for a market publisher-bookseller and is passionate about his own book publishing project (in the epilogue the author reports on his successes in this field). These heroes of Dostoevsky are contraindicated in “normal” – business, official, economic – life activities. They cannot stay within these limits. And Marmeladov, to whom fate more than once (even before his death) gave him a chance to take the path of a “corrected” official. And Svidrigailov, shortly before committing suicide, admitted to Raskolnikov that it was impossible to attach himself to any specific occupation: “Believe it or not, at least there was something; well, to be a landowner, well, a father, well, a lancer, a photographer, a journalist... n-nothing, no specialty! Sometimes it’s even boring.”
Raskolnikov’s indifference to life and inability to find himself in it reaches its extreme point. Although “he was oppressed by poverty,” this “has recently ceased to burden him. He completely stopped taking care of his daily affairs,” it is said at the beginning of the novel. Despite his pride, “he was least ashamed of his rags on the street”; he “doesn’t give a damn,” as he himself will tell Nastasya, about his poverty and the possibility of somehow improving the situation with lessons. Raskolnikov's detachment from everyday affairs takes such an extreme form that even food becomes an extraneous act for him. To the amazement of compassionate Nastasya, he can hardly force himself to eat “three or four spoons” and “mechanically” sips the tea.
The family is presented in Dostoevsky’s novel in a completely different way than other writers of the 19th century. In Crime and Punishment there is not a single family, almost all the heroes are members of broken families, and most of the women are widows (Raskolnikov’s mother, his landlady, moneylender Alena Ivanovna). Katerina Ivanovna becomes a widow for the second time. Even the “prosperous” (at the beginning of the novel) house of the Svidrigailovs will be in trouble and it will cease to exist. All families in the novel either fall apart or are not created, cannot arise. Luzhin's matchmaking with Dunya becomes unsuccessful, although he appeared in the novel as a groom. Raskolnikov was also not destined to marry the landlady's daughter. The dying project of Svidrigailov’s marriage to a sixteen-year-old “angel”, whom greedy parents are ready to sell to him, also turned out to be a mirage. The only family whose fate will be successful compared to others is the family of Dunya and Razumikhin, but it remains outside the immediate depiction.
Naturally, heroes deprived of a family are also deprived of a home. None of them have their own place. All of them: the Marmeladovs, Sonya, Raskolnikov, Pulcheria Alexandrovna with Dunya, Svidrigailov, Luzhin - exist in someone else’s place and temporarily. They temporarily live in apartments, in rooms, huddle in corners and find temporary shelter with friends. Moreover, many of them (Marmeladov, Luzhin, Raskolnikov) are persistently kicked out from this random place. Almost all the heroes of “Crime and Punishment” appear before the readers as voluntary or involuntary “eternal wanderers.”
***
The only exception is Porfiry Petrovich. Apart from Zosimov, he is the only one of all the heroes of the novel who is connected by a strong position in life: service, direct work and a government apartment. But it is noteworthy that in his most sincere statements, revealing the hidden side of his nature, Porfiry Petrovich several times calls himself “a finished man,” “finished,” “numb.” And it is not just words. Compared to the other characters, Porfiry really seems to be covered with a shell. If the life of others is open from all sides to chance (and most often unpleasant, dramatic), then the life of Porfiry Petrovich is protected from all sorts of chance by a stone wall, which means, in the words of the author, “over.”
Most of the novel's characters fall out of normal life, mistaking each other for crazy people. Throughout almost the entire novel, Katerina Ivanovna is on the verge of mental breakdown. If Sonya perceives her as a child, then many see her as crazy. Together with “meaning and intelligence,” “as if madness” flashes in Marmeladov’s eyes. More than once they mistake each other for madmen and Raskolnikov and Sonya. Raskolnikov’s “madness,” “madness,” “cloudness of reason” were discussed by Zossimov and Razumikhin. Even with strict sobriety, Porfiry Petrovich, who evaluates the criminal, says that his act “in conscience, it is darkness.” “He’s crazy,” Raskolnikov says and thinks about Svidrigailov. And Svidrigailov, in turn, is convinced that St. Petersburg is “a city of half-crazy people.”
Life on the verge of a breakdown distinguishes many of the heroes of the work. Not many people have strength and mental fortitude. The emotional mood of almost all the characters is negative. It is no coincidence that critics called Crime and Punishment a novel of “revenge and sorrow.” Over the course of five parts of the work, negative emotions and reactions of the characters are intensified, and only in the sixth are they resolved and eliminated to some extent. And the center of the conflict is, of course, Raskolnikov - a classic example of the type of “embarrassed heroes” of Dostoevsky.
Almost all the actions of the main character are contradictory; Raskolnikov’s contradictory nature manifests itself in them. The contradictions of his nature are also manifested in the motivation for the crime. But the motivations for the hero’s behavior in the novel are constantly bifurcated, because the hero himself, captured by an inhuman idea, is deprived of integrity. Two people live and act in it at the same time: one Raskolnikov’s “I” is controlled by the consciousness of the hero, and the other “I” at the same time performs unconscious mental movements and actions. It is no coincidence that Raskolnikov’s friend Razumikhin says that Rodion has “two opposing characters alternately replacing each other.”
Here the hero goes to the old woman-pawnbroker with a clearly realized goal - to make a “test”. Compared to the decision that Raskolnikov will implement tomorrow, the last expensive thing bought for next to nothing by the old woman and the upcoming money conversation are insignificant. Something else is needed: to remember well the location of the rooms, to carefully spy which key is for the chest of drawers and which is for the storage, where the old woman hides the money. But Raskolnikov can’t stand it. The old pawnbroker draws him into the web of her money combinations and confuses the logic of the “test.” In front of the readers' eyes, Raskolnikov, having forgotten about the purpose of the visit, enters into an argument with Alena Ivanovna and only then pulls himself together, “remembering that he also came for someone else.”
The inconsistency in the hero’s behavior is also evident in the scene on the boulevard. Pity for a teenage girl, a desire to save an innocent victim, and next to her - contemptuous: “Let it be!” This, they say, is how it should be. This percentage, they say, should go every year... somewhere... to hell..."
Outside the city, shortly before a terrible dream-memory, Raskolnikov again unconsciously joins the life typical of a poor student. “Once he stopped and counted the money: it turned out to be about thirty kopecks. “Twenty to the policeman, three to Nastasya for the letter, so yesterday he gave the Marmeladovs forty-seven or fifty kopecks,” he thought, counting for something, but soon he even forgot why he took the money out of his pocket.” The paradox is revealed again as a consequence of the hero’s “split” soul: the determination “to do such a thing” should exclude such trifles. But Raskolnikov fails to escape from “trifles,” just as he fails to escape from himself, from the contradictions of his soul. The illogical actions of the hero reveal the living nature of the young man, not subject to theory.
“Crime and Punishment” is a “noisy” novel. Hotel rooms, apartments and corners filled with residents, streets and alleys of the city are filled with frantic voices, loud screams, and incessant speech. Raskolnikov, even in his dreams, is haunted by everything that surrounds him in reality. Only a few pages fall out of the general tone of the work, in particular those that relate to Lizaveta and Sonya. Only in the world of these two heroines is there silence, and this is very important for the author. But it should be noted that Sonya, whose voice enters with a clear and quiet melody into the loud and irritated sound of other voices, is also not always meek and silent. She can be “stubborn” and “persistent”, “tremble with anger and indignation”, “strictly and angrily” defend her interests. Born into this noisy world, she cannot be different. That is why Dostoevsky avoided iconographic techniques when depicting his heroine.
The main line of the novel is the ideological opposition of Raskolnikov to the other heroes. Even random encounters become predestination for him with various opposing heroes. Almost all the heroes are opposed to Raskolnikov: Sonya, Porfiry Petrovich, Luzhin, Lebezyatnikov, and Svidrigailov. All of them accelerate the processes occurring in Raskolnikov’s soul.
The names and surnames of the heroes of the novel were carefully thought out by Dostoevsky and are full of deep meaning. The surname of the main character of the novel indicates that in the author’s mind, Raskolnikov’s passionate love for people and fanaticism in defending his “idea” were associated with a schism - a certain aspect of the self-awareness of Russian people. Schism (Old Believers, Old Belief) is a movement that arose in the mid-17th century in the Russian Church as a protest against the innovations of Patriarch Nikon, which consisted of correcting church books and some church customs and rituals. Raskolnikov “splits” the mother who gave birth to him, the earth, “splits his homeland,” and if we take into account the patronymic and the ideological meaning of the image itself, then a direct interpretation is possible: the split of the Romanov homeland.
► Materials about the novel by F.M. Dostoevsky "Crime and Punishment":
- Biography of the writer
- History of the creation of the work
- Plot and issues
- Originality of the work
- Dreams in the novel
- Petersburg in the novel
- Critics about the novel “Crime and Punishment” and the work of F.M. Dostoevsky
Essays
- Sonya Marmeladova and Rodion Raskolnikov in the novel “Crime and Punishment”
- Raskolnikov's idea and its collapse
- The world of the “humiliated and insulted” in the novel “Crime and Punishment”
► Go to the table of contents of the book “Crime and Punishment” by F.M. Dostoevsky. Summary. Features of the novel. Essays
