"Crime and Punishment": a summary of the epilogue. "Crime and Punishment": the meaning of the epilogue

The sentence passed on the main character

We continue to describe the summary of the epilogue “Crime and Punishment”. It briefly describes the events preceding Rodion's hard labor. Raskolnikov did not hide anything at the trial. The judges and the investigator were amazed by the fact that he did not use his things and wallet, hiding them under a stone, and did not even know how much money was there. This allowed us to conclude that Rodion committed the crime under “temporary insanity.” This circumstance, as well as a sincere confession, somewhat softened the sentence.

Other factors favorable to the defendant were also taken into account. While studying at the university, he used his last means to support a friend who suffered from consumption, and after he died, he looked after his sick father. Raskolnikov got the man admitted to the hospital and buried him when he died. At the trial, Rodion’s landlady said that he once saved two small children from a fire, while receiving burns. The judges took into account all the circumstances, and on their basis the criminal was sentenced to only 8 years of hard labor.

What happened to Pulcheria Alexandrovna, Razumikhin and Dunya?

Everyone assured Pulcheria Alexandrovna that her son had gone abroad. However, she felt in her soul that something terrible had happened to him, and lived only in anticipation of a letter from Raskolnikov. Her condition became worse every day, and soon this woman died. Razumikhin married Duna. Zosimov and Porfiry Petrovich were among the guests invited to their modest wedding. Razumikhin resumed his studies at the university, and in a few days he was going to move closer to Rodion, to Siberia. Dunya supported him in this.

Sonya's act

The epilogue of the novel “Crime and Punishment” is largely based on the image of this girl. It’s hard to imagine Dostoevsky’s work without this heroine.

Sonya, using the money Svidrigailov left her before his death, went to Siberia, and regularly reported everything to Razumikhin and Duna in letters. Quite often she visited Raskolnikov, who was not interested in anything, according to her, and was always in a gloomy mood, taciturn and gloomy. He clearly understood his position, did not expect anything good from the future, did not harbor any hopes and was not surprised by anything that he observed around him. He did not shy away from work, but he did not ask for it, he was indifferent to food, and lived in a common cell.

As Sonya wrote, at first Raskolnikov was not particularly interested in her visits, but after a while he suddenly felt the need for them and even felt sad sometimes when she could not come to him. This girl reported to herself that during this time she met influential people, earned her living by sewing, and even achieved great success in this matter, since there was no milliner in the city. However, Sonya did not mention in her letters that with the help of her friends, the authorities began to treat Rodion better and made his work easier. The girl reported in her last letter that Raskolnikov became seriously ill and was admitted to the hospital.

Crime And Punishment Epilogue And Its Role In The Novel

The entire novel is oversaturated with noise. The buzzing streets, the scandal at the wake, the crazy Katerina Ivanovna in the crowd, the heart-rending, deafening screams of Raskolnikov, even when he does not speak, but only thinks to himself. In addition, dreams with the roar of disputes, with carnage, with fire, alarm bells. And suddenly on the last page there is an absolutely silent scene: “something seemed to pick up” Raskolnikov and throw him at Sonya’s feet. “They wanted to talk, but they couldn’t.”

ideas of love and kindness, mercy and compassion. But is the writer ready to offer this “recipe” for everyone affected by the “disease” of individualism? Perhaps, even in the epilogue there is no final answer to this question. Perhaps this is its main meaning: by showing the story of Raskolnikov, the writer invites more and more generations of readers to think about the problems posed and try to find their own solution.

Raskolnikov's Dream

Raskolnikov was delirious for a long time during his illness. This hero always imagined that due to an unprecedented illness, the world was about to perish, and only a select few could survive. People affected by the microbe went crazy, considering any thought, any belief, to be the ultimate truth. No one knew what was good and what was bad; everyone was convinced that the truth lay only in him.

We continue to describe the work “Crime and Punishment” (a summary of the epilogue). Raskolnikov's dream in its structure is important because it symbolizes the transformation of the main character. We will talk about this in more detail in this article. Sonya was on duty outside his windows during Rodion’s illness, and he accidentally saw this girl one day. Sonya did not come for two days after that. Rodion, returning to the prison, learned that the girl was sick and therefore was lying at home. Sonya, having learned that Raskolnikov was worried about her, sent him a note in which she wrote that she was already recovering and would soon come to see him.

Start of a new life

That same night Rodion took the Gospel that was lying under his pillow and opened it. This book belonged to Sonya, it was the same one from which the girl read to Raskolnikov about the resurrection of Lazarus. Rodion thought at the beginning of hard labor that she would torture him with religion, force him to read books and talk about faith.

However, she never did this, did not even offer the Gospel. Shortly before his illness, he himself asked her for it, but did not reveal it until now. However, now the main character has decided to do this.

The girl was also nervous all that day, and at night she fell ill again. But she was so happy that she was almost afraid of her sudden happiness. Only seven years!

With this, Dostoevsky completes his work. Accordingly, the summary of the epilogue “Crime and Punishment” ends. It does not say about the further fate of Sonya and Rodion, but we can conclude that a new life awaits them.

The structure of the novel, the role of the epilogue

Dostoevsky's novel "Crime and Punishment" has a six-part structure. A summary of the epilogue has been presented to you. An epilogue, as you know, is the final chapter of a work, which introduces readers to the further fate of the heroes. This part of the novel is one of the strongest in the work. It would seem that the climax has long passed, the main events have already occurred (the crime is committed, the confession is made, the punishment is carried out), but only in the epilogue does the novel actually reach a true, spiritual peak.

The role of the epilogue in the novel F

The structure of the novel by F.M. Dostoevsky's "Crime and Punishment" is distinguished by the fact that the work has an epilogue. It is not directly related to the main action of the novel, but plays a very important role in the ideological concept of the work. The epilogue consists of two parts. In the first part of the epilogue, we learn about the further fate of the main characters. In the second part, Raskolnikov’s inner world appears before us when the hero is in prison. The first part of the epilogue begins with a description of the trial in the case of Rodion Raskolnikov. The process goes very smoothly, thanks to the fact that Raskolnikov honestly admits everything and does not hide from the court what really happened. The judge comes to the conclusion that at the time of the murder Raskolnikov was in a state of insanity and did not understand what he was doing, especially since at that time “the latest fashionable theory of temporary insanity arrived.” Thanks to this, Raskolnikov is given eight years of imprisonment in the Omsk prison, located on the banks of the Irtysh. Sonya also leaves for Siberia with Raskolnikov. The hero's mother, Pulcheria Alexandrovna, dies. Before her death, she was in a semi-crazy state for a long time. The woman probably guessed that some misfortune had happened to her son, of whom she was so proud. They are trying to hide from her what is really happening to Raskolnikov. But, as we know, it is impossible to deceive a mother’s heart, so, of course, she feels that something wrong is happening to her son. Pulcheria Alexandrovna has been delirious for a long time, thoughts about her son do not leave her even for a minute. Just before her death, she waits for him, cleans the room, supposedly cooking for her son, but dies the next day. We also learn that Dunya and Razumikhin got married. They dream of a wonderful future, think about how in five years they will leave for the North and live happily next to Rodion. Sonya is in the North with Raskolnikov. And in the first part of the epilogue, it is from her person that we learn about Raskolnikov, his condition and behavior. Unfortunately, what we see is very pessimistic. Raskolnikov has withdrawn into himself and does not communicate with anyone. Sonya is very worried about his condition and is trying to somehow help him. She makes various acquaintances in the city that can somehow help Raskolnikov. In the second part of the epilogue, the inner world of Rodion Raskolnikov appears before us. The following lines speak very well about his condition: “... his pride was greatly wounded; he fell ill from wounded pride.” Raskolnikov was very worried about the fact that he himself had so stupidly ruined his life, trying to prove something to someone by murder. Immediately after committing the crime, he realized the meaninglessness of his action. Later, the hero will understand that it is necessary to change the life around him for the better in a completely different way. At the beginning of his imprisonment, Raskolnikov does not develop relationships with other prisoners due to the fact that he is constantly immersed in his thoughts, does not communicate with anyone, and is alienated from everyone. With this behavior, Rodion turns everyone against himself and this leads to the fact that one day he was almost killed at a church service. After leaving the hospital, Raskolnikov changes. During one of his meetings with Sonya, “something seemed to pick him up and seem to throw him at her feet.” Great changes have occurred in the hero’s soul; he has a completely different attitude towards life. Raskolnikov is now thinking that seven years will fly by very quickly and he has a wonderful future ahead of him next to the woman he loves. His condition is very well characterized by the following epithets: “endless happiness”, “endless sources of life”, “endlessly loves”, “with endless love he will now atone for all her suffering.” Landscape plays a special role in the epilogue. From the gloomy, stuffy, oppressive Petersburg, the action is transferred to the banks of a wide and deserted river: “From the high bank a wide neighborhood opened up... There was freedom and other people lived there...”. Raskolnikov is depicted in harmony with the world and with himself in the epilogue, “he was resurrected, and he knew it, he felt it completely renewed with his whole being...”. Here you should pay attention to the Christian theme. On the pages of the epilogue, for the third time in the novel, the Gospel and the resurrection of Lazarus are mentioned. This returns the reader to the main, deep thought of Dostoevsky - to his hope for the “restoration of fallen man” through familiarization with the Christian ideal of “great, general harmony, fraternal final agreement of all ... according to Christ’s gospel law.” The significance of the epilogue in the novel is great. The epilogue sums up the entire work, and most importantly, shows us what global changes are taking place in the soul of the protagonist. And this is understandable, since Raskolnikov, even at the moment of plotting a crime, does not cause disgust; one can feel in him a kind and honest soul that is simply confused. A lot is said about Raskolnikov and his actions: he helped a sick fellow student, after his death he looked after his father and buried him with his own money, he saved children from a fire, he wanted to marry the mistress’s wretched daughter out of pity. Raskolnikov was pushed to commit a crime by the environment: poverty, squalor, humiliated and insulted people. In the epilogue we see how, after a moral fall, a gradual revival of the main character occurs, to which he comes thanks to faith in God, thanks to this he sees the goal of his future life. Raskolnikov gradually moves from one world to another, he gradually becomes acquainted with a new, hitherto completely unknown reality.

The worldwide recognition of “Crime and Punishment” is determined, first of all, by the moral essence of Raskolnikov. He transgresses existing moral laws only because he has convinced himself of their falsity. And he constantly waits for confirmation of his rightness precisely in the moral consciousness of any other person (primarily Sonya) and at the same time the whole world: after all, Sonya for him, as he himself says, is the embodiment of “all human suffering”, before which he bows.

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Part II of the epilogue. R. could not get along with anyone even in hard labor. He was ashamed of everyone, even Sonya. The convicts also shunned Raskolnikov: “ It seemed that he and they were of different nations. He and they looked at each other with distrust and hostility. He knew and understood the general reasons for such disunity; but he had never before admitted that these reasons were in fact so deep and strong. He himself was not loved and avoided by everyone. In the end they even began to hate him. They despised him, laughed at him, laughed at his crime, those who were much more criminal than him.” “You are a master! - they told him. - Did you have to walk with an axe? not a lordly matter at all.”

Epilogue structure

The chapter-by-chapter summary of the epilogue “Crime and Punishment” is divided into two parts. It consists of two chapters, small in volume. If the first is more formal, covering mainly the “external life” of the characters, then the second is dedicated to the inner life of Sonya and Rodion.

This part (for a summary of the epilogue “Crime and Punishment”, see above) highlights a very significant stage that marked the spiritual development of the main character. We learn at the beginning that he, having confessed everything in court and spent a lot of time in hard labor, did not repent of his crime, did not reconsider his attitude towards him.

The only thing that Rodion complained about, that upset him, was disappointment in himself for the fact that he could not bear his act and confessed. The author tells us about the sharp turn in the hero’s inner world only at the end of the work (epilogue of the novel “Crime and Punishment”). And its importance is difficult to overestimate.

Essay-reasoning What is the role of the epilogue in the novel F

In this work, the epilogue is not just a part that completes the composition, but a key episode in the work. In the epilogue of Crime and Punishment, firstly, the further fate of the heroes of the novel is revealed, and secondly, the path that leads to the rebirth of the soul of the protagonist is shown. The first part of the epilogue describes the fate of the heroes. So, Raskolnikov’s mother dies, Razumikhin marries Dunechka, and Sonechka follows Rodion to hard labor, where he is exiled for eight years for committing the murder of an old pawnbroker, Alena Ivanovna and her sister Lizaveta. Much more important is the second part of the epilogue, which reveals the subtleties of the protagonist’s state of mind. Are you enrolling in 2021? Our team will help you save your time and nerves: we will select directions and universities (according to your preferences and expert recommendations); we will fill out applications (all you have to do is sign); we will submit applications to Russian universities (online, by e-mail, by courier); we will monitor competition lists ( we will automate the tracking and analysis of your positions); we will tell you when and where to submit the original (we will evaluate the chances and determine the best option). Entrust the routine to professionals - more details.

The socio-psychological novel “Crime and Punishment” is the greatest work of F. M. Dostoevsky. At the center of the work lies the internal conflict of the main character, Rodion Raskolnikov, a poor law student. During the course of the plot, Rodion strives to test the effectiveness of his own theory, in which he divides all people into “trembling creatures”, which, in his opinion, constitute the “material” of society, and “those with the right” - those who are allowed more than others, who make history and move progress.

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Luzhin and Svidrigailov in F. M. Dostoevsky’s novel “Crime and Punishment” Dostoevsky, by contrasting the characters of Marmeladov and Luzhin, Raskolnikov and Razumikhin, Svidrigailov and Dunechka Raskolnikova, emphasizes the contrasts of contemporary reality with its social inequality, oppression of some and wealth, permissiveness of others. Dostoevsky saw the main task of his work as looking for man in man. The works of the humanist writer are permeated with pain and compassion for the “humiliated and insulted.” The novel “Crime and Punishment” […].

“Doubles” of Raskolnikov (about the novel “Crime and Punishment” by F. M. Dostoevsky) The system of images in “Crime and Punishment” is constructed in such a way as to show and prove the flawedness of Raskolnikov’s theory, in order to lead him to the consciousness of its falsity. The hero of the novel seems to be responsible only to his own conscience. He fundamentally rejects the judgment of others. And yet, with all his isolation and self-centeredness, he cannot break the objectively existing connections with the outside world. […].

How did Raskolnikov feel after committing the crime?

As we see, the main character of the work “Crime and Punishment” evaluates his action only from a worldly point of view. A summary of the epilogue shows how his inner world has changed. At first, Raskolnikov only cares about what people think or say about him.

Rodion, reasoning from such positions, is perplexed. He cannot understand why his crime is so terrible if everyone else allows themselves the same thing, and the law is only the result of the desire or whim of individual people. From this he concludes that his fault lies only in weakness, in the fact that he failed to overcome moral torment.

The hero does not think about the very essence of the issue, does not believe that murder is a terrible act that is disgusting to human nature. That's why he began to suffer. But the hero is still very far from this discovery.

Epilogue in the novel “Crime and Punishment”

(360 words) In his famous novel “Crime and Punishment” F.M. Dostoevsky reflected the deep social crisis of his time. Using the example of an ordinary young man, Rodion Raskolnikov, the writer reflected the new views that prevailed among young people. An important role in the story is played by the epilogue, in which the author finally debunks the ideals of his hero, showing people another path, the correct one, in his opinion.

In the epilogue, Rodion appears before us after he voluntarily confessed to his crime. The hero did this to ease his conscience. Having committed murder for a good cause, he realized that he was not able to bear this burden alone. The punishment was supposed to remove the guilt from him and help him be reborn for a new life, but we see that this did not happen. Even in Siberian exile, Raskolnikov does not abandon his theory about the superiority of some people over others. Disappointed in himself, he continues to desperately cling to his delusions, continuing to divide people into “trembling creatures” and “those with the right”, the only difference is that now he considers himself to be in the first group. As a result, frozen in contempt for those around him and himself, he arouses hatred from other convicts, but, most importantly, he pushes away Sofya Marmeladova, who went to Siberia after him, hoping to save him and return him to God. Dostoevsky shows us how destructive human pride can be, how, afraid to admit his mistakes, a person destroys himself. However, the author could not allow his hero to be mistaken throughout his life. Raskolnikov falls ill and has a feverish dream, which fully demonstrates to him the flawed nature of his theory. Humanity was struck by microscopic trichinae, everyone they touched believed in their own genius and exclusivity. The world plunged into chaos when people, filled with hatred towards others, without even trying to find a common language, began to kill each other. According to Dostoevsky, a person who blindly considers himself superior to others sows only destruction and death around himself. We must strive for equality, not personal aggrandizement, otherwise civilization will disappear. Having recovered from his illness, Raskolnikov finally renounces his past views. He looks at the world around him in a new way and is reborn. By opening up to Sonya and all of humanity, the hero takes the first step on his path of redemption.

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The role of Raskolnikov’s dream, which he saw during his illness

In the dream that Raskolnikov sees, through a fantastic plot, Dostoevsky conveys his own point of view regarding the spread of godless, nihilistic ideas like the one Rodion had. It is no coincidence that this dream is described in the work (the epilogue of the novel “Crime and Punishment”).

It can be analyzed as follows. Theories like Raskolnikov’s make people possessed, insane, and infect them. But, what is most terrible, this is not noticed by the infected, who imagine themselves to be missionaries, chosen ones. The craze for such ideas is degenerating the human race. Only a few fragile souls who have retained moral purity are able to save people from destruction.

It was the dream that changed something in Raskolnikov’s mind. He helped him understand what Rodion had long felt. He finally realized that he loved Sonya, that she was his support, support and salvation. Having woken up, the main character does not yet realize that a change has occurred in him, however, he feels in his soul what the rest of the prisoners unconsciously did not like about him: that he is sick with this very infection. Its name is contempt for people, pride, dislike, unbelief!

The true climax of the novel

When Rodion sees Sonya once again, his soul finally awakens, and his eyes, opened again, fill with tears. Severe pain, but already giving light, and not hopeless, throws him at Sonya’s feet in sobs. This is how the rebellious heart of the protagonist is cleansed.

Raskolnikov, having opened himself to love for one person, gradually began to love everyone. After all, it was not without reason that other convicts changed their attitude towards him, as Dostoevsky mentions (epilogue of the novel “Crime and Punishment”). Analysis of the composition allows us to judge that it is in the epilogue that the real climax of the novel is located! This is a triumph of faith and love. Raskolnikov finally opened the Gospel for the first time, which ends the epilogue.

“Crime and Punishment,” a brief summary of which we examined, without this ending would have lost a significant part of the ideas that Dostoevsky wanted to convey to us. It is in it that we understand that a new moment is coming in Raskolnikov’s life - the moment of rebirth. And although the writer does not tell us about Rodion’s further fate, it becomes clear that this life will be completely different. Between the lines in the epilogue there are life-affirming, bright chords that mark Raskolnikov’s spiritual rebirth. Dostoevsky's deep conviction that every person has a Divine spark in his heart is fully revealed here.

In many ways, the work “Crime and Punishment” was written precisely for the sake of this epilogue. Dostoevsky argues in it that rebirth and forgiveness are possible for any person, even if he is a terrible criminal. The epilogue of the novel “Crime and Punishment,” a summary of which you have just read, gives everyone hope for spiritual rebirth. All that is needed for this is repentance and a “turn” towards people, towards love, towards peace, towards God. That's what the epilogue was for. “Crime and Punishment,” the summary of which, of course, does not convey the full greatness of this work, is a novel about spiritual revival, in which the writer never ceases to believe.

The meaning of the epilogue in Yevsky's novel Crime and Punishment

— A mysterious ghost of extraordinaryness is leaving Raskolnikov’s life, but how painful it is to come to terms with this, how you want to find at least some kind of support. And the moment comes when what was once the most intimate appears in a new light. A reflection of Raskolnikov’s intense thoughts is his dream in the epilogue.

They decided to wait and be patient. They still had seven years left; and until then there is so much unbearable torment and so much endless happiness! But he was resurrected, and he knew it, he felt it with his entire being completely renewed, and she - after all, she lived only his life!”

Among other things, in the life of Rodion Raskolnikov there is also a place for religion - having turned to Christianity, Raskolnikov understands that his soul also has a chance of salvation, despite the crime that he committed in a moment of mental confusion. He is attracted by the idea of living in harmony with himself, the world around him and God, and this is what helps the main character of the novel to finally restore order in his own soul, and the Gospel becomes Rodion Romanovich’s faithful friend and eternal companion throughout his entire life’s journey.

It tells briefly how the whole process took place - the trial of Rodion. On the one hand, they were ready to recognize him as practically sick. That is, everything indicated that he committed his crime in a “fever.” He didn’t remember much, for example, he didn’t even look at the wallet that he hid under a stone in the yard. By the way, because of the rains, paper money became wet and spoiled. That is, theft was not his goal. Everyone testified that after that Rodion was sick all the time. In addition, they learned that he had done many good deeds. For example, he helped a sick student, and after his death, his infirm father. And once he pulled children out of a fire, while he himself was injured. It is said that at that time the theory of “temporary insanity” came into fashion. And Rodion, who also confessed to his crime when the investigation almost reached a dead end, could, in general, get off easily.

One of the strongest moments of the novel Crime and Punishment is its epilogue. Although, it would seem, the climax of the novel has long passed, and the events of the visible “physical” plane have already occurred (a terrible crime was conceived and committed, a confession was made, a punishment was carried out), in fact, only in the epilogue does the novel reach its true, spiritual peak. After all, as it turns out, having made a confession, Raskolnikov did not repent. “This is one thing he admitted to his crime: only that he could not bear it and turned himself in,” writes Dostoevsky about Rodion’s mood in prison. The sense of his own rightness did not shake in him, he only hated his weakness. But then things that are inexplicable from a human point of view begin to happen: fellow convicts for some reason become imbued with an unreasonable hostility towards Rodion, although their crimes are sometimes more terrible; and they don’t really know Raskolnikov enough to dislike him so much! At the same time, they almost cry with admiration, looking reverently at Sonya coming to visit Raskolnikov; although, again, they don’t know her at all! In the end, the convicts shouted “Atheist!” They rush at Rodion, beat him, and only the guard prevents bloodshed... What is happening? Why? The answer comes to Rodion in a dream about an incomprehensible epidemic that destroyed humanity. Allegedly, some new microscopic trichinae appeared, and “people who took them into themselves immediately became possessed and crazy. But never, never have people considered themselves as smart and unshakable in the truth as the infected believed.” Having woken up, Raskolnikov does not yet realize, but already in his soul he feels what the prisoners also unconsciously hated in him: he is sick with that very infection! And its name is unbelief, dislike, pride, contempt for people! And when Raskolnikov sees Sonya once again, his soul finally awakens, and his newly opened eyes are filled with tears, and inexplicable pain, but no longer hopeless, but giving light, throws him at Sonya’s feet in sobs, and these sobs purify his rebelliousness. heart!

This is the true climax of the novel! Here it is - the triumph of holy love and faith! This is real repentance, giving confidence in the salvation of every sinner! Here, in the epilogue, between the lines the brightest, life-affirming chords sound, marking the spiritual rebirth of the hero; here the deep conviction of the great philanthropist Dostoevsky that a Divine spark glimmers in every human heart is fully revealed.

“He himself knew how it happened, but suddenly something seemed to pick him up and seem to throw him at her feet. He cried and hugged her knees. At first she was terribly scared. But immediately, in that very moment, she understood everything. Infinite happiness shone in her eyes.

“Almost all the heroes of Crime and Punishment are involved in the issue of suffering” [11, p. 165], primarily Sonya and Raskolnikov. What happens to the hero at the end of the novel is prepared by the school of suffering that he goes through throughout the entire action, and is the result of a painful struggle between pro and contra in his soul. This is evidenced, among other things, by the words of investigator Porfiry Petrovich about Raskolnikov: “After all, I also understand what it’s like to drag everything on yourself” [1, 6, p. 344] and Svidrigailova: “And a scoundrel, however, this Raskolnikov! I carried a lot on myself” [1, vol. 6, p. 390].

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