What is the significance of a house for a person?
Not a single person in the world can exist without their own shelter, where they will always be warm, cozy and happy. And we are talking not only about the presence of a home, but also about the very comfort inside it, as well as about those who live side by side with us. It is conceived by nature in such a way that each of us is born and grows up within the same home and family, and as an adult he looks for and creates his own cozy place and builds his new family. A person cannot live otherwise. Yes, he can get his own house and farm, but this is not enough. After all, home is not just a place to live, it is your family, friends and loved ones.
Home is of great importance in a person's life. After a hard day at work, everyone returns to the confines of their home, hoping to find peace in their souls. All the hardships of life: rudeness on the city streets, being late for an important meeting, long traffic jams and the frantic pace of life - all this is forgotten as soon as you cross the threshold of the house and exchange smiles with your loved ones.
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In the artistic works of Russian writers we can often encounter the theme of home and family. For example, in the novel by M.A. Sholokhov's "Quiet Don" the plot is based on this very theme. The author builds the work in such a way that all the most important events revolve around the Melekhovs’ house. This includes the First World War and the Civil War, revolutions, famine and countless sufferings and deaths of people. In difficult times for the country, the Melekhov family bravely confronts difficulties. And they succeed only thanks to the great power of love and devotion to each other.
Each member of the Melekhov family lives by the principle “home and family above all.” For each of the heroes, family is the most important attribute in life. Melekhov men bravely endure difficulties in the field of war in order to meet loved ones again. Women wait for their beloved men and miss them while they are not at home. A huge connection can be seen between adults and children. The elder Melekhov sees the meaning of his life in children and procreation. Natalya, Gregory's wife, gives herself entirely to the children, putting all her strength into their upbringing.
For the Melekhovs, a house is not just a place where you can sleep, eat and relax. Home is their family, their dear and cozy nest. Each member of the Melekhov family is ready to give his life to save the other. This is the great importance of a home for a person.
The problem of the role of the father's house in a person's life
Unified State Examination essay:
There is a place where your age, social status, career successes do not matter, a place with which the most intimate, vivid, joyful memories are associated. Yes, this is our home, thoughts about it warm us for many years, and, probably, each of us feels lonely without it. The problem of the role of the father's house in a person's life is understood in his text by the famous Russian writer V. Zheleznikov.
To analyze this issue, the author turns to the life situation of his hero - Nikolai Nikolaevich - and draws a man who returned to his home after 30 years of separation. Showing how strong the hero’s desire is to “be surrounded by old walls,” the writer notes that the elderly man is not so much afraid of death as he is afraid of not getting to his father’s house. It is no coincidence that the central place of the text is occupied by Nikolai Nikolaevich’s childhood memories of a house that “seemed to him large, spacious, smelling of warm oven air, hot bread” and filled with family and friends. Reading these lines, you understand that it is these early impressions that turn out to be the warmest, warming even “in the death throes, in the hard, bloody work of war.” The final paragraph of the text draws us to the hope and secret dream of Nikolai Nikolaevich that “his son and his family will settle here” - perhaps in this way V. Zheleznyakov draws our attention to the fact that the house is not only the past, but also the future , it is on this that the connection between generations “rests.”
V. Zheleznyakov’s position is not spelled out, but it can be understood from the description of the main character’s feelings and thoughts. The author’s confidence that the house really plays an important role in the lives of many generations is emphasized by Nikolai Nikolaevich’s actions to restore the Bessoltsev family nest, and by the thoughts that “invisible particles of the past will pierce and warm” his son, who “will never be able to forget home,” which means that everything in life “will return to normal.”
The author’s position is clear and close to me, in addition, I am sure that one’s home is not only bright memories: a person’s future largely depends on the place and environment in which he spent his childhood.
To argue my point of view, I would like to turn to one of my favorite works - I. A. Goncharov’s novel “Oblomov”. The author talks about the life of young Ilya Ilyich, about laziness, boredom and apathy, which he is unable to cope with. Before us is a man who, for several years in a row, lying on the sofa, has been “working” on a plan for organizing the estate. It is striking that most of all in life he rejoices in the opportunity not to go to work, meet with friends, but spend time indulging in fruitless dreams. What started this lifelong inactivity? Of course, this is the hero’s childhood, a time when Ilyusha himself would like to run “to the mountain, to see where the horse went,” but he was no longer allowed to, when his mother’s forbidding voice was heard from the window at his every “living” movement. The life in Oblomovka described in detail leaves no doubt: the existence of Ilya Ilyich was predetermined by his childhood.
You can be convinced of how much a person draws from his home and childhood impressions by reading B. Vasiliev’s journalistic work “My Horses Are Flying...” A famous writer, analyzing his childhood: conversations with his father, a reverent attitude towards books in the house, a memorable memory the life story of Dr. Jansen, the first excursion to the oldest resident of Smolensk - the sacred oak of the Krivichi - I am sure that it was these life lessons that allowed him to succeed as a citizen, a patriot.
“Parental home is the beginning of the beginning,” as it is sung in a famous song. It turns out that it is very important what your beginning will be, because your future life will be reflected in it, like in a mirror.
Text by V. Zheleznikov
(1) Nikolai Nikolaevich has not been in the town for more than thirty years. (2) He had only recently buried his wife and after that he himself became seriously ill.
(3) Nikolai Nikolaevich was not afraid of death and treated it naturally and simply, but he definitely wanted to get to his home. (4) He dreamed of being surrounded by old walls, where on long sleepless nights strings of long-forgotten and eternally memorable faces would flash before him.
(5) For a whole year before his arrival, the house stood boarded up. (6) It was rained on, there was snow on the roof, and no one cleared it off, so the roof, which had not been painted for a long time, became leaky and rusty in many places. (7) And the steps of the main porch are completely rotten.
(8) When Nikolai Nikolaevich saw his street and his house, his heart began to beat so hard that he was afraid that he would not make it. (9) He stood for a few minutes, caught his breath, crossed the street with a firm military step, resolutely tore the cross from the gate, entered the yard, found an ax in the barn and began to use it to tear off the boards from the boarded up windows.
(10) Furiously working with an axe, forgetting for the first time about his aching heart, he thought: the main thing is to chop off the boards, open the doors, open the windows, so that the house can live its permanent life.
(11) From memory, the house always seemed to him large, spacious, smelling of the warm air of the stoves, hot bread, fresh milk and freshly washed floors. (12) And even when Nikolai Nikolaevich was a little boy, he always thought that not only “living people” lived in their house, not only grandmother, grandfather, father, mother, brothers and sisters, countless uncles and aunts who came and went , and also those that were in the paintings hanging on the walls in all five rooms.
(13) And this feeling that the “people from the pictures” actually live in their house never left him, even when he became an adult, although perhaps this is strange.
(14) It is difficult to explain why this happened, but, being in the most difficult troubles, in the death throes, in the hard bloody work of war, he, remembering the house, thought not only about his relatives who inhabited it, but also about “people with paintings” that he had never known.
(15) Nikolai Nikolaevich opened the door with some apprehension.
(16) The house smelled damp and musty. (17) There were cobwebs on the ceiling and in the corners. (18) Numerous spiders and little spiders, not paying attention to him, continued their painstaking, skillful work. (19) A field mouse, having found shelter in an abandoned house, like a circus tightrope walker, merrily ran several times along the wire that remained on the window from the curtains.
(20) The furniture was moved from its usual places and covered with old covers. (21) The paintings, carefully wrapped by the sister in burlap, lay on the mezzanine in the driest room.
(22) First of all, Nikolai Nikolaevich flooded the stoves, and when the glass of the windows fogged up, he opened them wide so that the dampness could come out of the house. (23) And he himself kept adding more and more firewood to the stove, mesmerized by the flame and the roar of the fire. (24) Then he washed the walls, brought a stepladder, got to the ceilings and, finally, changing the water several times, carefully scraped the floors, floorboard by floorboard.
(25) Gradually, with his whole being, Nikolai Nikolaevich felt the warmth of his native stoves and the familiar smell of his home - it joyfully made his head spin.
(26) For the first time in recent years, Nikolai Nikolaevich sighed with relief and bliss. (27) That’s when he took off the covers from the furniture and arranged it. (28) And finally, he hung the pictures... (29) Each one in its place.
(Z0) Nikolai Nikolaevich looked around, thought about what else to do, and suddenly realized that he most of all wanted to sit in his father’s old chair, which was called by the magic word “Voltaire”. (31) As a child, he was not allowed to do this, but how he wanted to climb on it with his legs!..
(32) Nikolai Nikolaevich slowly sank into the chair, leaned back on the soft back, leaned on the armrests and sat like that for an unknown amount of time. (33) Maybe an hour, or maybe three, or maybe the rest of the day and all night...
(34) The house came to life, spoke, sang, sobbed... (35) Many people entered the room and surrounded Nikolai Nikolaevich with a ring.
(Z6) Nikolai Nikolaevich thought about different things, but every time he returned to his secret dream. (37) He thought that when he died, his son and his family would settle here. (38) And I saw with my own eyes how the son entered the house. (39) and of course, invisible particles of the past will pierce and warm his body, pulsate with blood, and he will never be able to forget his home.
(According to V. Zheleznikov *)
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