Why Did Dostoevsky Consider the Epilogue of Crime and Punishment to be the Main Part of His Novel?

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The epilogue of Dostoevsky’s novel “Crime and Punishment” occupies a special place in the work. It is permeated with the light of spirituality and hope for a wonderful future. In the epilogue, Dostoevsky talks about how the lives of the heroes of the novel developed in the future, and at the same time gives hope for all people living on earth for the atonement of sins.

Option 2

Under the influence of the environment and Sonya’s quiet, unobtrusive love, enormous changes occur in Raskolnikov’s soul. He had a goal in life, he realized how wrong he was in trying to achieve justice by killing a worthless person, in his opinion. He realized that human life is priceless, and decided to “atone for the suffering” of the beautiful girl with “endless love.”

Essay Epilogue in the novel Crime and Punishment

The reader finds himself in the setting of a Siberian prison, where the investigation of the case is underway. We learn some important facts about the old woman's murder. In particular, that the main character hid a wallet and things from the pawnbroker’s apartment under a stone. But he didn’t take any of this, didn’t spend any money. Rodin described some episodes of the crime in detail, without missing the slightest detail, but could not remember anything about others. From this, the investigation concluded that Rodion was temporarily insanity. The combination of these facts became the basis for the judges to soften the final verdict - Raskolnikov was sentenced to 8 years of hard labor.

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Due to the state of detachment in which Raskolnikov was in prison, much passed by his attention. Over time, he clearly realized that the convicts, one of whom he himself was, did not consider him “one of their own” at all.

Epilogue of Crime and Punishment

The main character of the work is a poor student Rodion Raskolnikov. He comes up with a theory that people are divided into two categories: “trembling creatures” and “those with rights.” The latter, in his views, appear as strong personalities, makers of history, who can manage other people’s lives for the sake of high goals and the achievement of any ideals. The former are not capable of anything and must completely submit to those who “have the right.” However, this theory arose in the young man’s head only by coincidence: it was influenced by money problems that he had been experiencing for a long time, and his pride; The atmosphere of the part of the city where the main character lives also played a special role. Everything about her is imbued with the spirit of gloomy hopelessness; gray and yellow dusty buildings press on people, beggars, drunkards and fallen women are found everywhere. In fact, Rodion Raskolnikov’s character has more noble, good traits: he is capable of compassion and love for his neighbors. This is confirmed in many scenes of the novel: for example, Raskolnikov gave his money for the funeral of Marmeladov, whom he barely knew, and saved children in a fire. The hero's ability to show sympathy and pity is especially clearly demonstrated during the description of his dream with an episode from childhood, when it was unbearably painful for Rodion to see a horse stoned to death.

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In Fyodor Mikhailovich Dostoevsky’s novel “Crime and Punishment,” the epilogue contains a very big meaning, because it is in it that the further fate of the heroes of the work is revealed, and the main character of the work, Rodion Romanovich Raskolnikov, reveals to us a piece of his soul and his inner world. It is impossible to overestimate the importance of this part of the novel, in which Rodion Romanovich is revealed as a character from a completely new and pure side, showing by his example that every person has a chance for a new life.

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Petersburg with its stuffiness, dust and stench suffocates him like a bag thrown over his head. On the streets of the city, he encounters the social “bottom” of society: beggars, drunkards, mentally ill people, parents crushed by poverty, unfortunate disadvantaged children.

Convicts and Sonya

The epilogue of the work “Crime and Punishment” reveals the events that occurred after the trial and verdict. The author of the novel describes the internal state of the criminal, which changes throughout the narrative. Particular emphasis is placed on the gradual change in the relationship between Raskolnikov and Sonya Marmeladova. Spiritual degeneration or spiritual rebirth - what awaits a criminal in prison?

In other words, the preface and the epilogue (we already know that) are distinguished by their involvement in a work of art. The afterword talks about the reasons for the creation as a social artifact (when the idea to write a book arose, why, etc.). The epilogue directly continues the artistic narrative and crowns it. We think this is clear.

If the same author of human life is faced with the task of writing an afterword, and not an epilogue, then there will be a completely different story. The writer can launch into lengthy discussions about how he appeared, why and why. Moreover, all reasoning may not directly relate to the history of man as such.

Dostoevsky and the revival of Raskolnikov

Imagine that human destiny has an author (well, other than the individual himself, of course). And so life passed. And our author needs to write an epilogue (this is something that will not so much sum up the story as tell about further adventures after death).

Fully aware of what had happened to him, he no longer saw any hopes or prospects for the future in life. Therefore, he treated his own situation without emotion, observing himself from the outside, as if he were someone else.

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The hero's internal state

Crime and punishment is the meaning of the work. You can never have one without the other. And Dostoevsky wanted to convey to his readers the idea that no one will judge you for your crime more severely and mercilessly than your conscience. Even if you escape punishment from people, not even the most remote corner of the Universe will hide you from the punishment of your conscience.

Epilogue Analysis: Crime and Punishment

At the trial, circumstances mitigating Raskolnikov's guilt were taken into account. Such circumstances included a sincere confession and some episodes from his past, which indicated that he was not an inveterate villain.

Thus, “Crime and Punishment” is a novel about the pain and joy of a person’s growth to his given size, that is, about deification. “Christianity is proof that man can contain God. This is the greatest idea and the greatest glory of a person that he could achieve,” wrote F.M. Dostoevsky (25, 228). The most important call addressed to Raskolnikov will come from the lips of investigator Porfiry Petrovich: “Become the sun, everyone will see you. The sun first of all needs to be the sun” (6, 352).

The role of the epilogue in the novel F

The structure of the novel by F.M. Dostoevsky's "Crime and Punishment" is distinguished by the fact that the work has an epilogue. It is not directly related to the main action of the novel, but plays a very important role in the ideological concept of the work. The epilogue consists of two parts. In the first part of the epilogue, we learn about the further fate of the main characters. In the second part, Raskolnikov’s inner world appears before us when the hero is in prison. The first part of the epilogue begins with a description of the trial in the case of Rodion Raskolnikov. The process goes very smoothly, thanks to the fact that Raskolnikov honestly admits everything and does not hide from the court what really happened. The judge comes to the conclusion that at the time of the murder Raskolnikov was in a state of insanity and did not understand what he was doing, especially since at that time “the latest fashionable theory of temporary insanity arrived.” Thanks to this, Raskolnikov is given eight years of imprisonment in the Omsk prison, located on the banks of the Irtysh. Sonya also leaves for Siberia with Raskolnikov. The hero's mother, Pulcheria Alexandrovna, dies. Before her death, she was in a semi-crazy state for a long time. The woman probably guessed that some misfortune had happened to her son, of whom she was so proud. They are trying to hide from her what is really happening to Raskolnikov. But, as we know, it is impossible to deceive a mother’s heart, so, of course, she feels that something wrong is happening to her son. Pulcheria Alexandrovna has been delirious for a long time, thoughts about her son do not leave her even for a minute. Just before her death, she waits for him, cleans the room, supposedly cooking for her son, but dies the next day. We also learn that Dunya and Razumikhin got married. They dream of a wonderful future, think about how in five years they will leave for the North and live happily next to Rodion. Sonya is in the North with Raskolnikov. And in the first part of the epilogue, it is from her person that we learn about Raskolnikov, his condition and behavior. Unfortunately, what we see is very pessimistic. Raskolnikov has withdrawn into himself and does not communicate with anyone. Sonya is very worried about his condition and is trying to somehow help him. She makes various acquaintances in the city that can somehow help Raskolnikov. In the second part of the epilogue, the inner world of Rodion Raskolnikov appears before us. The following lines speak very well about his condition: “... his pride was greatly wounded; he fell ill from wounded pride.” Raskolnikov was very worried about the fact that he himself had so stupidly ruined his life, trying to prove something to someone by murder. Immediately after committing the crime, he realized the meaninglessness of his action. Later, the hero will understand that it is necessary to change the life around him for the better in a completely different way. At the beginning of his imprisonment, Raskolnikov does not develop relationships with other prisoners due to the fact that he is constantly immersed in his thoughts, does not communicate with anyone, and is alienated from everyone. With this behavior, Rodion turns everyone against himself and this leads to the fact that one day he was almost killed at a church service. After leaving the hospital, Raskolnikov changes. During one of his meetings with Sonya, “something seemed to pick him up and seem to throw him at her feet.” Great changes have occurred in the hero’s soul; he has a completely different attitude towards life. Raskolnikov is now thinking that seven years will fly by very quickly and he has a wonderful future ahead of him next to the woman he loves. His condition is very well characterized by the following epithets: “endless happiness”, “endless sources of life”, “endlessly loves”, “with endless love he will now atone for all her suffering.” Landscape plays a special role in the epilogue. From the gloomy, stuffy, oppressive Petersburg, the action is transferred to the banks of a wide and deserted river: “From the high bank a wide neighborhood opened up... There was freedom and other people lived there...”. Raskolnikov is depicted in harmony with the world and with himself in the epilogue, “he was resurrected, and he knew it, he felt it completely renewed with his whole being...”. Here you should pay attention to the Christian theme. On the pages of the epilogue, for the third time in the novel, the Gospel and the resurrection of Lazarus are mentioned. This returns the reader to the main, deep thought of Dostoevsky - to his hope for the “restoration of fallen man” through familiarization with the Christian ideal of “great, general harmony, fraternal final agreement of all ... according to Christ’s gospel law.” The significance of the epilogue in the novel is great. The epilogue sums up the entire work, and most importantly, shows us what global changes are taking place in the soul of the protagonist. And this is understandable, since Raskolnikov, even at the moment of plotting a crime, does not cause disgust; one can feel in him a kind and honest soul that is simply confused. A lot is said about Raskolnikov and his actions: he helped a sick fellow student, after his death he looked after his father and buried him with his own money, he saved children from a fire, he wanted to marry the mistress’s wretched daughter out of pity. Raskolnikov was pushed to commit a crime by the environment: poverty, squalor, humiliated and insulted people. In the epilogue we see how, after a moral fall, a gradual revival of the main character occurs, to which he comes thanks to faith in God, thanks to this he sees the goal of his future life. Raskolnikov gradually moves from one world to another, he gradually becomes acquainted with a new, hitherto completely unknown reality.

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How does the theme of “deification” develop in “Crime and Punishment” outside the image of Raskolnikov?

This is a novel about how a person finds Christ in himself, learns to choose Christ in himself and trust Christ in himself. For Dostoevsky, the highest development of a personality (see “Winter Notes on Summer Impressions”), having passed through and outgrown its egoistic state (a necessary stage of human development, however), lies in the ability and even its passionate desire to give oneself to everyone, to “voluntarily go for everyone.” to the cross, to the fire,” that is, to become Christ, to shine forth as Christ. For Dostoevsky, all social issues are resolved in one fundamental way: “if all are Christs...” (this phrase is repeated many times in the drafts of the novel “Demons”). For example, in this form: “If everyone is Christ, will there be poor?” You and I have outlined here the context of Dostoevsky’s texts that preceded and followed Crime and Punishment, in which his thought about the path of man and humanity as a movement towards Christ, towards the Kingdom of God “within you” and “among you” (“among you”) is developed. - as a consequence “inside you”; as Dostoevsky says: “if there were brothers, there would be brotherhood”). What's in the novel itself?

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To the 195th anniversary of the birth of Fyodor Mikhailovich Dostoevsky

After a dream about a horse, Raskolnikov wakes up with a vivid awareness of the impossibility of his plan, his soul becomes “light and peaceful” - and he says a prayer: “Lord, show me my path, and I renounce this damned... dream of mine” (6, 50) .

Sonya is in Siberia with Rodion. It is from her that we learn about Raskolnikov’s behavior and condition. The main character has completely withdrawn into himself, he avoids any communication with other people. Sonya is very worried and worried about Rodion’s condition. It is because of this that she is trying to find people in the city who could help the hero.

Analysis of the Epilogue of the Novel Crime and Punishment

He had been ill for a long time; but it was not the horrors of hard labor, not work, not food, not a shaved head, not a patchwork dress that broke him: oh! What did he care about all this torment and torture! On the contrary, he was even glad to work: having been physically exhausted from work, he at least got himself a few hours of restful sleep. And what did food mean to him - these empty cabbage soup with cockroaches? As a student, during his previous life, he often did not have even that. His dress was warm and adapted to his lifestyle. He didn't even feel the shackles on himself. Was he ashamed of his shaved head and half-length jacket? But before whom? Before Sonya? Sonya was afraid of him, and was he ashamed before her?

Pulcheria Alexandrovna, whom everyone assured that her son had gone somewhere abroad, nevertheless felt in her soul that something sinister had happened to him, and lived only in anticipation of a letter from Rodion. Every day her condition became more serious and she soon died. Dunya married Razumikhin. Among those invited to the modest wedding were Porfiry Petrovich and Zosimov. Razumikhin resumed his studies at the university and planned to move to Siberia in a few years, closer to Rodion. Dunya supported him in this.

Raskolnikov committed murder for the love of people (so he believed), but at the same time he despises people. He did not see his guilt, did not consider himself a criminal, but his conscience turned out to be stronger than logically invulnerable theories, which became a tragedy for Raskolnikov. Dostoevsky penetrates deeply into the soul of a criminal and behind the idea of delusions of a kind heart - “murder for the sake of love for people”, “power for the sake of good deeds” - he reveals the most terrible monstrous idea - the “idea of Napoleon”, the idea of power for the sake of power, dividing humanity into two unequal parts : the majority is a “trembling creature” and the minority is “lords”, called from birth to rule the majority, standing outside the law and having the right, like Napoleon, to step over the law and disrupt divine peace and order in the name of the goals he needs.

Suffering and languishing, Raskolnikov becomes close to Sonya, who also broke the law, like the hero. But the girl remained pure in her soul, she is more a martyr than a sinner. She sold her innocence for a symbolic 30 rubles, just as Judas sold Christ for 30 pieces of silver. At this price she saved her family, but betrayed herself. The vicious environment did not prevent her from remaining a deeply religious girl and perceiving what was happening as a necessary sacrifice. Therefore, the author notes that the vice did not touch her spirit. With her timid demeanor and her incessant shame, the girl contradicted the vulgarity and impudence of the representatives of her profession.

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Option 2

He suffers from social evil, rushes to a false way out of it, dooms himself to the torment of moral alienation and, finally, through the painful breaking of false beliefs, he gradually gains community with people.

Option 4

This is no longer the kneeling when Raskolnikov “wildly” said: “I didn’t bow to you, I bowed to all human suffering.” Correlating this phrase with the laws of Raskolnikov’s “arithmetic” may mean that Sonya, like Lizaveta or Mikolka, can be sacrificed to “all humanity.” It is not so difficult to exclaim “eternal Sonechka!”, but it is much more difficult to exclude her from the “lowest” category, and generally refuse all categories. The former genuflection is a symbol of pain clouded by “trichnines.” “Not for you, but for all suffering. “- these words were uttered by the tongue that was still “sinful”, “idle-talking” and “evil”. But in the silent final genuflection a completely different motive sounds. “On that day it even seemed to him that it was as if all the convicts, his former enemies, were already looking at him differently. answered kindly."

May 17, 2021 8uristgbk 449

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