The image and characteristics of Olga Ilyinskaya from the novel “Oblomov”

Appearance

Olga's appearance is described in detail by the author, but he seems not to be satisfied with the completeness of the image of this girl and returns to her appearance again and again, constantly adding some new details.

Olga is quite tall, slim, everything is harmonious in her appearance and figure. A special detail is that she walked with her head slightly bowed on her thin, proud neck, which gave her figure a special elegance. Her gait was light and gliding.

The girl's gray-blue eyes looked openly and expressed intelligence, attention to the interlocutor and some special depth. Fluffy eyebrows gave unusual beauty to the eyes.

She laughed openly, loudly and contagiously.

A sign of constant mental activity were thin, always compressed lips.

Olga dressed according to the fashion of the time, but did not wrap herself up and was not afraid of drafts, which spoke of her good health. She also had an excellent appetite, and she knew how to cook herself.

And Oblomov, in love, spoke about her like this: “...She is a deity, with this sweet babble, with this graceful, white face, thin delicate neck...”

Character and abilities

Olga Ilyinskaya’s character was distinguished by naturalness and simplicity. She was not like the secular young ladies of that time: there was no coquetry or affectation in her, and her behavior was attractive with freedom in communication and a complete lack of desire to appear better and smarter. Stolz appreciated these qualities in her and immediately after meeting them, Oblomov appreciated them. But not all secular young men were ready to communicate with a girl who was so different from the young ladies of their circle, so they did not know how to talk to her, especially since she was taciturn.

Olga was very musical, played the piano and sang beautifully. Her voice was mesmerizing and evoked the most sublime feelings among listeners. Stolz loved Olga’s singing and advised Oblomov to listen to her. After Olga performed the aria “Casta diva” from Bellini’s opera “Norma,” his “heart was beating, his nerves were trembling, his eyes were sparkling and swimming with tears...”

Olga and Aunt often visited the theater and had their own box there. Another hobby of Olga Ilyinskaya is embroidery. She also loved to read, and not only books, but also newspapers, and was interested in all events in Russia and in the world. She seemed to be in a hurry to live, trying to find out everything, see everything - this both surprised and frightened Oblomov about her, he understood that he would not be able to keep up with her rhythm of life.

After her failed love for Oblomov, Olga married Stolz. They were similar in temperament and thirst for life, and this like-mindedness made their marriage harmonious. The family had their own children, and after Oblomov’s death they took in his son Andryusha.

Characteristics of Olga Ilyinskaya from Goncharov’s novel “Oblomov”

author: Ekaterina 02/07/2020 8 Comments

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In the article we will analyze the image of Olga Iinskaya, the central female character from Goncharov’s novel “Oblomov”.

Olga Ilyinskaya is the main character of the famous novel by I.A. Goncharov "Oblomov". She is a noblewoman, a young girl of twenty years old, she has her own small estate with a garden. Olga is an orphan, she lives with her aunt and is essentially left to her own devices. She was not a stunning beauty, but her appearance immediately attracted the attention of men. She had an intelligent, spiritual face and a graceful figure. A characteristic feature of her appearance was the amazing harmony of her facial features and posture. Everything about her was combined: her waist with the set of her head, the oval of her face with a thin, proud neck. The author calls his heroine an “artistically created creature”: her figure and face bore the imprint of nobility and peace. Olga looked very fresh: she was a healthy, strong girl, she moved a lot, loved nature and long walks.

These features of Olga's appearance reflected her rich inner world. She was sincere and straightforward, without a shadow of cunning or coquetry. For this, many acquaintances considered her a girl of narrow mind. However, Stolz immediately appreciated her noble character: in his eyes, Olga showed great hopes of becoming an intelligent, spiritually developed woman in her time. The writer emphasizes that Olga was very different from her peers. Undoubtedly, she was more sensitive, thoughtful, observant than the young ladies of her circle.

Olga is silent beyond her age and withdraws into herself. She speaks little and always speaks to the point. At the same time, she has a proud, mocking character. The girl is ready to make fun of Oblomov’s laziness and slowness, but her jokes are always sparkling, and you can always feel kindness and affection in them. Therefore, Oblomov admires her against his will, although the girl’s caustic remarks often offended him.

Olga is a persistent and stubborn girl, she strives to achieve her goal. She has a clear outlook on life, she, like Stolz, is constantly on the move. At the same time, she is unusually feminine: her soul is full of compassion and love. That is why Stolz, setting off on his next trip, entrusted his friend to Olga’s sensitive supervision. He hoped that her presence would revive Oblomov, make him more energetic and vital. This calculation was partly justified: close communication with the girl changed Oblomov: he began to move a lot, read, and began to monitor his appearance. Gradually their friendship grew into love.

The author emphasizes that Olga was constant and faithful in her feelings. By nature, the girl is a monogamist: she declares that she is not able to fall in love several times. But even her tender affection and deep self-sacrifice did not change Oblomov’s character. For some time he led a new way of life for himself, and then again succumbed to laziness, to which he had been accustomed since childhood. At the end of the novel, Olga married Stolz, who, unlike Oblomov, was active and energetic. However, this marriage was not happy. Olga remained true to herself: once she fell in love with Oblomov, even in her marriage she yearned for his kind heart and simple-minded gullibility.

The image of Olga Ilyinskaya was analyzed by Lyudmila Pashkova.

Olga and Oblomov

Olga Ilyinskaya and Ilya Oblomov were introduced by Stolz - he brought him to their house. When she sang one evening, Oblomov, who was sensitive to music, was delighted and almost confessed his love to Olga. After some time, she made it clear to him that she was experiencing a similar feeling.

They begin to meet regularly, their relationship develops. Love transforms him: he revives, becomes active; gets up early, reads books; his robe has been abandoned - instead he is wearing white shirts and a frock coat. Oblomov even took up the affairs of the estate. There is a complete transformation of Ilya Ilyich, but... He is transformed not for himself, but for her. When the active Olga began to impose her rhythm of life on him, Oblomov gets tired and begins to internally resist, although outwardly he tries to please her. He is happy, but still sometimes he is tormented by doubts: can Olga love a person like him? Is she laughing at him?

This is how the realization comes to him that they need to separate.

He writes her a letter in which he assures her: “... you do not love me and cannot love me.” But even after this, their relationship continues, and Oblomov proposes to Olga. They do not tell anyone about their plans for marriage, but Olga insists that her future husband improve matters on his estate. But time passes, and Oblomov does nothing; all her efforts to revive this soul, which had fallen into slumber again, turn out to be in vain, and she realized that she loved the “future Oblomov” in him, but the future did not take place in him. They break up and will never meet again. The reason for this is Oblomovism. While she believed in his resurrection, she loved; If I stopped believing, I stopped loving.

Both took the break very hard. For Oblomov, the time of their love forever remained the happiest time of his life, as well as for Olga. But for her, their separation was also a disappointment in her inability to turn the situation around, to remake Oblomov. She still loves him, but with a different love, which she admits to Stoltz.

Essay: The image of Olga Ilyinskaya in the novel “Oblomov” (I. A. Goncharov)

(370 words) Olga Ilyinskaya is the heroine of the novel “Oblomov”, written by Ivan Aleksandrovich Goncharov. Her image is important; it is thanks to this woman that one of the key themes of the novel is revealed - the theme of love.

If we talk about her portrait, the author himself describes it quite succinctly:

“Olga in the strict sense was not a beauty, that is, there was no whiteness in her, no bright coloring of her cheeks and lips, and her eyes did not burn with rays of inner fire... But if she were turned into a statue, she would be a statue of grace and harmony.”

She was not distinguished by physical beauty, but she attracted attention precisely with her intelligence, pride, stateliness and femininity.

Olga's feelings for Ilya Oblomov were sincere, and their relationship served as a good life lesson for both heroes. Olga is capable of true love, which she is ready to carry throughout her life, but love is also a kind of engine for her that allows her to move forward and develop. She expects this from her lover, but Oblomov does not want to change his usual way of life for the sake of their joint happiness. That is why their romance turned out to be stormy, but short-lived.

Both characters are to blame for this breakup. On the one hand, Oblomov’s passivity - he had sincere feelings for Olga, but realized that he was unable to make her truly happy. Olga perceived his desire for peace and constancy as laziness, apathy and lack of interest in life, and such a position not of life, but of existence was unacceptable for her.

On the other hand, Olga Ilyinskaya tried with all her might to change Oblomov, to make him want to live the way she was used to and wanted. As a result, her feelings for Oblomov turned into a kind of idea, a mission - she considered it her duty to “save” him, comparing herself to a doctor who is obliged to help a seriously ill person. And Oblomov, in turn, did not see in her the ideal woman that he wanted to find in Olga - she did not have the “motherly love” and tenderness that he needed.

To summarize, we can say that for smart Olga it is important to constantly move forward and develop, and her ideal partner should match her in this. She married the active Stolz, but she was still not happy, because she yearned for the feelings that she experienced at the beginning of her relationship with Oblomov - these feelings reminded her that she, smart, strong and active, had another The side is tender, capable of simple human feelings.

Author: Anastasia Burmistrova

Olga and Stolz

Stolz was older than Olga and at first perceived her as a child. Seeing her after breaking up with Oblomov abroad, Stolz gradually discovered her soul, which he filled, but she did not fill, it seemed so deep to him.

Olga was happily married and sometimes thought: “Why did this happen to me?” And sometimes she was even afraid that this happiness might end. They had a lot in common with Stolz: a thirst for life, varied interests, a love of travel, art, and nature. Even in their general silence there was a happiness that they both felt. “They were awakened by the eternal movement of thought, the eternal irritation of the soul and the need to think together, feel, speak!..” Stolz even initiated her into his affairs.

Social life did not interest Olga in her youth, and even more so now, when family worries, worries about children, and immersion in her husband’s activities completely took over her life.

But she remembered Oblomov and “was afraid to fall into something similar to Oblomov’s apathy.” In the happiness of family life, something sometimes worried her, but she could not understand what exactly. She understood that she had nothing more to wish for, but at the same time she was afraid that nothing else would happen in her life, and this frightened her: “...have you really completed the circle of life? Is everything really here... everything...” She was afraid to admit these thoughts to her husband, so as not to disappoint him - she knew that he considered her an ideal.

But one day he challenged her to be frank, and Olga admitted that sometimes she was sad. They both tried to understand her feelings, this sadness, and Andrei was afraid of only one thing - illness. Everything else can be survived, corrected, burned out.

The ideal of male perfection was embodied for Olga in her husband.

When Andrei started talking about Oblomov, Olga wanted to find out about his fate, take him with her to the village, revive him, but Stolz was sure that all this was useless. He suggested why Olga still loves him: for his heart of gold. Both agreed that, having recognized Oblomov, it was impossible to forget him.

Olga Ilyinskaya - image and characteristics of the heroine of I. A. Goncharov’s novel “Oblomov”