Analysis of Akhmatova's poem In the evening, compositions and text

Analysis of Akhmatova’s poem “In the Evening”

Anna Akhmatova is rightfully considered a “lady’s” poetess, who introduced completely new trends into Russian literature.
For the first time in her works she touched upon the theme of the feelings and thoughts of an ordinary woman, showing that representatives of the fairer sex have a very sensitive and vulnerable soul. Previously, discussing such things publicly and, even more so, devoting poetry to it, was considered a sign of bad taste. However, Anna Akhmatova crossed the forbidden line and was rewarded for this by the fact that today her name is inscribed in Russian literature in golden letters. However, at the initial stage of her work, the poetess had to show ingenuity in order to achieve at least a few positive reviews from critics. Only many years later, Akhmatova revealed her secret, admitting that the image of a man wandering from poem to poem is fictitious. This is how she would like to see her lover, but Gumilyov did not meet such ideals. As a result, the poetess transferred the fictional character into her works, each time acting out dramatic scenes with his participation in her imagination and on paper. Even in Akhmatova’s close circle, they began to say that she changed lovers like gloves, although the poetess experienced an acute sense of loneliness and suffered from the fact that no one needed her love.

The poem “In the Evening” was written in a similar vein. which was published in 1913. The poetess moved the scene of this work to the sea coast, where “the music in the garden rang with such inexpressible grief.” The heroine of the poem, with whom Akhmatova identified herself in most cases, had a fairly good reason for such dark associations. After all, the person she sincerely loves just said: “I am a true friend!” And, thereby, mercilessly crossed out her hopes for personal happiness.

The poetess with bitterness about. In every gesture and movement she feels the absence of love, and this only increases her suffering. For this person, in whose eyes laughter sparkles “under the light golden eyelashes,” the heroine of the poem remains just a good friend, a casual companion at this celebration of life. However, she prefers to be content with little and thanks fate for everything. This evening, the heroine of the poem is “alone for the first time with her beloved,” who may not even know about her feelings, but this no longer matters.

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Analysis of the poem in the evening by Akhmatova. Analysis of the poem “In the Evening” by A. A. Akhmatova

It was not customary to speak out loud about the feelings of women, both young and old. And if this kind of thing happened, it was considered by everyone to be very vulgar and not beautiful.

Anna Akhmatova talked about how a woman can feel in general, and it doesn’t matter what kind of family she is, whether she’s a representative of a noble family or the most common family, or whether she’s an ordinary peasant woman - it doesn’t matter, because all women are, to some extent, the same.

Everyone wants to love and be loved. And it was this theme that the poetess revealed in her poem entitled “Evening”. It was also revealed very well and accessible. I wasn’t afraid to do this, even though I lived in a time when such things were out loud, not formally of course, but it was prohibited.

But Anna Akhmatova is a strong woman, seemingly not subject to anyone. And therefore such prohibitions were nothing for her.

The poem was published in 1913. At first it stunned, but nevertheless crept into the souls of many people, and in most cases they were women. Since each of them, in their souls, cherished the hope that one day their rights, even such ones, would be increased in their accounts with men, at least in this way.

The work tells that the heroine confessed her feelings to a young man, to which he answered her that he was only her friend and nothing more. He had just destroyed her hopes for happiness, and this hurt unspeakably.

The surrounding environment is described in a very unusual and beautiful way. Sea. A shore that is flooded with sea water. It's cool because it's already evening. It would seem that everything was drooping, and even the wind spoke of the fact that someone’s heart, so loving and fragile, had just broken.

Anna Akhmatova is a person who can understand another very well, and has always understood. It’s not for nothing that critics dubbed her the “Lady’s” poetess, since she, it was she, who brought something genuinely new and interesting to that era. She was able to understand her readers, the common people, so well that her works became famous in their time.

Russian literature changed a little under her influence. At least her work called “Evening” is worth it, which she was able to win the hearts of many people.

After all, this work touches on a topic, and not even one, if we talk about it in detail, which women, and indeed all people in general, never thought to speak about out loud, much less write about in their works.

Previously, this could have been considered a very bad sign - a sign of bad taste.

Analysis 2

The work relates to the love lyrics of the poetess and has the main theme of revealing the tragic essence of the relationship between a man and a woman through the use of the image of the lyrical heroine, on whose behalf the story is told.
The structural composition of the poem, written in the form of iambic tetrameter, consists of sixteen lines, divided into four stanzas in the form of quatrains with the inclusion of paired and circular rhymes (ring principle) and alternation of female and male rhymes, betraying the shrillness, sensuality, painful confusion of the mental state of the lyrical heroines.
The storyline of the work tells about the feelings of a woman who confesses her love to a man who rejects her love and is ready only for friendship with a girl, while the poetess chooses the sea coast as the setting for the events on a twilight cool evening.
Artistic means of expression are presented in the form of sad epithets, parallelism of the spiritual with the physical, as well as direct speech, without overloading the poem with tropes and verbal figures, giving the work a stylistic acmeism, consisting of simplicity, simplicity and unpretentiousness.

Source: https://artviolin.ru/analiz-stihotvoreniya-vecherom-ahmatovoi-analiz-stihotvoreniya-vecherom/

Analysis of the poem “In the Evening” (Anna Akhmatova)

Text of the poem [hide/show]

The music in the garden rang with such inexpressible grief. The smell of the sea was fresh and sharp. There were oysters in ice on a platter.

He told me: “I am a true friend!” And he touched my dress. The touch of these hands is so different from hugs.

This is how they stroke cats or birds, This is how they look at slender riders... Only laughter in his calm eyes Under the light gold of his eyelashes.

And the voices of mournful violins Sing behind the creeping smoke: “Bless the heavens - You are alone with your loved one for the first time.”

Anna Akhmatova is rightfully considered a “lady’s” poetess, who introduced completely new trends into Russian literature. For the first time in her works she touched upon the theme of the feelings and thoughts of an ordinary woman, showing that representatives of the fairer sex have a very sensitive and vulnerable soul. Previously, discussing such things publicly and, even more so, devoting poetry to it, was considered a sign of bad taste. However, Anna Akhmatova crossed the forbidden line and was rewarded for this by the fact that today her name is inscribed in Russian literature in golden letters. However, at the initial stage of her work, the poetess had to show ingenuity in order to achieve at least a few positive reviews from critics.

Only many years later, Akhmatova revealed her secret, admitting that the image of a man wandering from poem to poem is fictitious. This is how she would like to see her lover, but Gumilyov did not meet such ideals. As a result, the poetess transferred the fictional character into her works, each time acting out dramatic scenes with his participation in her imagination and on paper. Even in Akhmatova’s close circle, they began to say that she changed lovers like gloves, although the poetess experienced an acute sense of loneliness and suffered from the fact that no one needed her love.

The poem “In the Evening,” which was published in 1913, was written in a similar vein. The poetess moved the scene of this work to the sea coast, where “the music in the garden rang with such inexpressible grief.” The heroine of the poem, with whom Akhmatova identified herself in most cases, had a fairly good reason for such dark associations. After all, the person she sincerely loves just said: “I am a true friend!” And, thereby, mercilessly crossed out her hopes for personal happiness.

Abstracts. Download abstract

This music could not be sad or mournful, but this is exactly what turned into such suffering for a loving heart, already knowing that there would be no answer: “The touch of these hands is so unlike an embrace.”

This understanding was aggravated by everything: the smell of the sea - thousands of miles away, and the polite look with which “slender women look at horsewomen. ”, and the facial expression with which “they stroke cats or birds” - and, especially, the laughter in the eyes of a lover, which he hid behind the “light gold of eyelashes”...

A less sensitive and perspicacious woman would have decided that flirting turned into a mysterious game, but the wise one knows that there will be no love.

But love is the essence, calling, meaning of a Woman’s life. Akhmatova was a woman with a capital W: amazing, wonderful, rebellious, proud and very beautiful. Always loving - and it doesn’t matter whether it’s mutual or not.

Anna Andreevna herself called love “the fifth season,” the only important one for a person.

The state of love is natural for a poet, and her feelings, poured into clear, beautiful lines, reveal the heart of the reader and listener, as if this is a story about the suffering of the soul of the best, closest friend.

The year 1913, when the poem “In the Evening” was written, was calm and happy for Akhmatova – outwardly. She has been married to the poet Nikolai Gumilyov for three years, she has a one-year-old son Lev, there seems to be no reason for such suffering.

But the relationship with her husband was always difficult; Akhmatova remembered the experiences of the first period and the anxious state of mind never went away, apparently. And I remember how “... the voices of mournful violins Sing behind the creeping smoke...”

But the nobility of the soul of the woman poet elevates her spirit so much that she finds the strength to thank the Almighty for this meeting: “Bless the heavens: This is the first time you are alone with your beloved.”

“In the evening”, analysis of Akhmatova’s poem

This music could not be sad or mournful, but this is precisely what turned into such suffering for a loving heart, already knowing that there would be no answer:

The touch of these hands is so different from hugs.

A less sensitive and perspicacious woman would have decided that flirting turned into a mysterious game, but the wise one knows that there will be no love.

Anna Andreevna herself called love “the fifth season,” the only important one for a person.

But the relationship with her husband was always difficult; Akhmatova remembered the experiences of the first period and the anxious state of mind never went away, apparently. And I remember how

...mournful violin voices sing behind the creeping smoke...

But the nobility of the soul of the woman poet elevates her spirit so much that she finds the strength to thank the Almighty for this meeting:

Bless the heavens: You are alone with your loved one for the first time.

Perhaps, in addition to the analysis of the poem “In the Evening,” you will need other essays:

Analysis 2

The work relates to the love lyrics of the poetess and has the main theme of revealing the tragic essence of the relationship between a man and a woman through the use of the image of the lyrical heroine, on whose behalf the story is told.

The structural composition of the poem, written in the form of iambic tetrameter, consists of sixteen lines, divided into four stanzas in the form of quatrains with the inclusion of paired and circular rhymes (ring principle) and alternation of female and male rhymes, betraying the shrillness, sensuality, painful confusion of the mental state of the lyrical heroines.

The storyline of the work tells about the feelings of a woman who confesses her love to a man who rejects her love and is ready only for friendship with a girl, while the poetess chooses the sea coast as the setting for the events on a twilight cool evening.

Artistic means of expression are presented in the form of sad epithets, parallelism of the spiritual with the physical, as well as direct speech, without overloading the poem with tropes and verbal figures, giving the work a stylistic acmeism, consisting of simplicity, simplicity and unpretentiousness.

The combination of sound and visual images reflect the melody of the inexpressible grief of the lyrical heroine, expressing her anxious state of mind, creating a general background for demonstrating real sensual emotional storms. At the same time, the lyrical heroine does not clearly express her own experiences, the poetic structure does not contain exclamation marks, since the poetess prefers to focus on personifications, endowing them with a humanized characteristic and vocal sound.

In the final quatrain of the poem, the author uses cross rhyme, which is presented in the form of a subtle, unobtrusive arrangement, focusing on the lyrical heroine’s lack of illusion regarding reciprocity in the feeling that gripped her, demonstrating a feeling of happiness from the mere presence of a loved one next to her and gratitude to fate for this her the opportunity for true pleasure.

The poem is a hymn to love as a high feeling that brings joy and happiness, despite irreciprocity and many years of mental suffering.

Analysis of the poem in the evening according to plan

This music could not be sad or mournful, but this is precisely what turned into such suffering for a loving heart, already knowing that there would be no answer:

The touch of these hands is so different from hugs.

This understanding was aggravated by everything: the smell of the sea - thousands of miles away, and the polite look with which “slender women look at horsewomen ...”, and the facial expression with which “they stroke cats or birds” - and, especially, laughter in the eyes of a lover, which he hid behind the “light gold of eyelashes”...

A less sensitive and perspicacious woman would have decided that flirting turned into a mysterious game, but the wise one knows that there will be no love.

Anna Andreevna herself called love “the fifth season,” the only important one for a person.

The year 1913, when the poem “In the Evening” was written, was calm and happy for Akhmatova – outwardly. She has been married to the poet Nikolai Gumilev for three years, she has a one-year-old son Lev, there seems to be no reason for such suffering.

But the relationship with her husband was always difficult; Akhmatova remembered the experiences of the first period and the anxious state of mind never went away, apparently. And I remember how

...mournful violin voices sing behind the creeping smoke...

But the nobility of the soul of the woman poet elevates her spirit so much that she finds the strength to thank the Almighty for this meeting:

Bless the heavens: You are alone with your loved one for the first time.

Perhaps, in addition to the analysis of the poem “In the Evening,” you will need other essays:

“Requiem”, analysis of Akhmatova’s poem
“Courage”, analysis of Akhmatova’s poem
“I clenched my hands under a dark veil...”, analysis of Akhmatova’s poem
“The Gray-Eyed King,” analysis of Akhmatova’s poem
"Twenty first. Night. Monday", analysis of Akhmatova’s poem
“The Garden”, analysis of the poem by Anna Akhmatova

The music in the garden rang with such inexpressible grief. The smell of the sea was fresh and sharp. There were oysters in ice on a platter.

He told me: “I am a true friend!” And he touched my dress. The touch of these hands is so different from hugs.

This is how they stroke cats or birds, This is how they look at slender riders... Only laughter in his calm eyes Under the light gold of his eyelashes.

Ideological and artistic analysis of Anna Akhmatova’s poem “In the Evening”

Love comes in different forms: some sincerely love until their voices tremble, they appreciate every moment alone with their loved one, while others allow themselves to be loved. Anna Akhmatova wrote about the moment when reciprocity could spark between two people. Her poem “In the Evening” is dedicated to this touching, joyfully timid feeling of closeness to what she wants.

The work was written in 1913 at the height of the poetess’s youth, when she was married to Nikolai Gumilev. Their relationship was not smooth and sincere. That is why, most likely, the feelings of the lyrical heroine are conveyed so accurately and delicately. Particular attention in the poem is devoted to creating an atmosphere of blinding love: sound, visual images, smells and allusions merge together, emphasizing the state of mind.

Here “the music rings with inexpressible grief”, the mournful voices of the violins, reflecting the pain of non-reciprocity, sea oysters are an attempt to escape from disturbing thoughts. This serves as the general background against which real sensual storms unfold. The exhibition, however, is quite impressive. But this does not prevent us from revealing the theme of the poem: showing the contradictory inner world of a girl in love, a happy time next to her beloved.

The idea of the lyrical work sounds like a hymn to love: a high feeling, albeit unrequited, brings joy, a moment alone is worth many years of suffering. And the heroine is ready for this. She knows that love is not mutual, but thanks for the generosity and fleeting happiness:

Bless the heavens -

This is your first time alone with your loved one.

Lyricism and soulfulness are reflected in artistic means: sad epithets (“unspeakable grief”, “sorrowful voices”), inclusions of direct speech, parallelism (spiritual and physical). However, the poem is not overloaded with excessive tropes and figures, because Anna Akhmatova represents Acmeism in literature - a simple, uncomplicated style that is close to everyone. She writes simply about the most important thing in a woman’s life – love.

Already the title of the poem prepares the reader or listener for sincerity and intimacy, which is easier to achieve in “In the Evening.”

The poem consists of 16 lines, divided into quatrains. Piercing, sensual lines combine timidity and joy, calm and passion, pain and joy. Circular rhyme and the alternation of male and female rhymes convey the confusion and change of feelings of the lyrical heroine.

The rhyme, as it were, completes every thought expressed in the quatrain. This is also evidenced by the location of the image system and the development of the plot. The internal state and the accompanying picture can be described as follows:

thoughts are confused, embarrassment