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- The image of Sofia Famusova in the comedy Woe from Wit
It’s difficult to say for sure what kind of Sofya Pavlovna she is. Her image is complex and multifaceted. Nature did not deprive her of positive qualities. Sophia is quite smart, her character is strong and independent. Her warm heart doesn't let her stop dreaming. Sophia has long been accustomed to the fact that she is the mistress of the house, and everyone should feel this, which means obey. Perhaps this is because she has been raised without maternal love for a long time.
Sophia has independence and an authoritative tone, despite her young, seventeen-year-old age. Her speech even has a certain imprint of serfs, because she often communicates with them, but French books also left their mark. Sophia is concerned about people's emotional experiences. The girl was raised by French governesses.
Despite its positive features, in the Famusovs’ society, all this does not find development. Thanks to her upbringing, she has generally accepted views, thinks the same way as other representatives of this society, which instilled in her lies and hypocrisy. Sophia imagines people only from her observations of people from books and French novels. Probably, it was this literature that influenced the development of sentimentality and sensuality in her. From books, she emphasized all the traits that the hero of her novel should have. Thanks to all this, she turned her attention to Molchalin, who vaguely resembled the heroes from her favorite works. No other ideal could be found in this environment. Sophia lives with real feelings. Even if the object of her love is in fact pitiful and wretched, all this does not give the situation a comedic overtone. Rather, on the contrary, it adds more drama and sadness.
Sophia divided her world into two parts: the object of her adoration, Molchalin, and everything else. All her thoughts are occupied only with him, especially when he is not around. Despite everything, this love does not bring joy. Because the girl understands perfectly well that her father will never accept such a person. This thought makes her life unbearable. It is so difficult for Sophia to live with these feelings that she is ready to tell complete strangers about her love. For example, Liza, the servant of their house, and then Chatsky. For her love, she chose a resigned man. This is exactly how she imagines Molchalin. But the final scene is where Sofya Pavlovna witnesses Molchalin’s attention to Elizabeth. It breaks her heart, it hurts all her feelings. It becomes clear that although Sophia is breaking up with the unworthy Molchalin, the type of this man remains a priority for her.
Briefly for 9th grade
Essay Characteristics of Sophia in the comedy Woe from Wit
After the Patriotic War of 1812, when Russian troops reached Paris and “swallowed” freedom, Russian society split into two camps. Some wanted to continue living as before. This is Famusov, Skalozub. Others, in particular the younger generation represented by Chatsky, wanted to live in a new way.
Sophia found herself like a knight at a crossroads, not knowing who to choose. She was raised by Papa Famusov himself and a French madam in the best traditions of Moscow society. Dancing, singing, reading French sentimental novels - these are all the joys of her life. Having read books, she confused her girlish fantasies and the harsh reality of life. Sophia has her head in pink clouds and doesn’t understand people at all. She doesn’t like the stupid, albeit rich Skalozub, but she also likes the sarcastic Chatsky. She herself is sharp-tongued. Sophia wants a husband-boy, a husband-servant. Here Molchalin is the very hero of her fantasies. He is constantly silent, like a girl, shy, without conflict. The fact that Molchalin is not really like that eludes Sophia. Love, as usual, is blind and deaf.
But you can’t say about her that she’s stupid. She accurately notices the characteristics of the people around her. So Skalozub is a stupid soldier who knows nothing except the army. She doesn't want such a husband. The father is a grumpy old bore who tyrannizes his subordinates and servants. To take revenge on Chatsky for his caustic remarks towards Molchalin, she tells everyone that he is crazy.
Sophia is overwhelmed with real feelings for Molchalin. She does not notice or does not want to notice how pathetic her chosen one is. His father will definitely never accept him. I want to share with someone, pour out my soul. She shares her innermost thoughts with the maid, then with Chatsky. It seems to Sophia that she has chosen a gentle, quiet, non-conflict man as her husband. She is sure that she did the right thing. Imagine her surprise when she saw her chosen one wooing the maid Lisa. She is morally crushed and destroyed. But the vengeful nature takes its toll. She decides to tell the truth to her father.
This comedy is still relevant today. Many girls and women, having read smart books, horoscopes, and fortune telling, live in anticipation of their imaginary prince. They endow it with different qualities. But real people who do not fit these patterns are simply ignored or rejected. But the trouble is, the desired prince does not want to be what the woman imagined him to be. He is a living person with his own shortcomings, sometimes very dubious - a womanizer, a drunkard, a gambler, a gigolo.
The moral of the comedy is this: you need to be more attentive to the people around you, accept them as they are, and not “drive” them into your framework and standards. Then there will be no grief from excess of mind.
The image of Sophia in the comedy “Woe from Wit” (A. S. Griboyedov)
An essay on literature on the topic “The image of Sophia in A. S. Griboedov’s comedy “Woe from Wit”” reveals the character traits of the main character and her role in the work.
The comedy “Woe from Wit” by A. S. Griboyedov reflects the Russian reality of the early 19th century. The work is an example of the relationship between literature and social life. On its pages, Griboedov reflects on Russia, the ways of its renewal and development. From this point of view, the moral, political, and cultural problems of the era are illuminated. All characters, one way or another, reflect the era and work to reveal the ideological content of the work. The author put his thoughts into the mouth of the main character Alexander Andreevich Chatsky.
The main female image of Sofia Famusova is closely connected with the image of Chatsky. The main conflict is revealed in the collision of the “present century” and the “past century.” Between the Famusov and Chatsky camps is Sophia. Her image is full of contradictions. Griboyedov characterizes her as a smart girl, but he doesn’t call her smart either. In terms of origin, lifestyle, and thoughts, she is closer to the Moscow high society, which corresponds to the definition of “a bygone century.”
At the same time, just three years ago she had a lot in common with the leading man of her time, Chatsky. He was in love with her then, and he still is. They spent a lot of time together. He hopes to find a congenial person in her, but the mores of society have already left their mark on her. I. A. Goncharov in the article “A Million Torments”, speaking about Sophia, Fr. She has a lively mind, but lacks principles and beliefs.
Sophia is seventeen years old, she is beautiful and educated. In a conversation with Chatsky, the heroine shows wit and independence of opinion. It is difficult to imagine what could have attracted her to Molchalin, who believes that “at his age he should not dare to have his own opinion.” Even Famusov depends on the opinions of others. Sophia boldly declares: “What is rumor to me? Whoever wants to judges.” Molchalin reproaches her for being too frank, worrying about his career. Sophia answers him: “...What do I care about? Before them? to the whole universe?" It is difficult for her to live according to the laws of the society around her. She doesn't like to pretend or lie. Suffice it to recall the scene when the heroine loses consciousness, worrying about Molchalin, who fell from his horse.
When communicating with Chatsky, Sophia behaves extremely sincerely. She does not pretend to be polite and surprises her childhood friend with her coldness. She does not hide from him her sympathy for Molchalin. The heroine openly says that she loves her father's secretary. She explains that she likes his modesty and compliance. “He doesn’t cut strangers at random,” she says about Molchalin, hinting at Chatsky’s witticisms. He understands her words in his own way. He apparently decided that Sophia was teasing him, wanting to make him jealous. He comes to the exact opposite conclusion, which is that it was not Molchalin who became his rival.
There are three candidates vying for Sophia's hand, who are identified at the beginning of the comedy in the heroine's conversation with the maid. She gives an accurate, concise assessment to everyone. Skalozub “has never uttered a smart word.” Lisa really likes Chatsky, but Sophia says that “he knows how to make everyone laugh.” The heroine chooses the third, he is not like the previous two, “the enemy of insolence.”
The play begins with Sophia's date with Molchalin. It ended early in the morning and was almost revealed by Famusov. Sophia's dream, invented for her father, shows her character traits, her dreams. She essentially confesses to her father her secret love for the poor secretary. Sophia is trying to find out what his reaction will be if her relationship with Molchalin becomes known. The father noticed that the poor man was not a match for her. It becomes clear that it will not be easy for Sophia to persuade her father to marry her to Molchalin.
The comedy ends with a night date. The characters are the same, but their arrangement is now different. Love secret revealed. Sophia’s eyes open to Molchalin. She realizes that her lover is not as quiet and modest as she thought. Molchalin is building a career and is not particularly scrupulous when choosing funds. At the beginning of the play, Famusov hovers around Lisa, now Molchalin follows his example. Sophia, who has become an involuntary witness, learns a lot of interesting things about herself. The heroine is offended to the core. The image of Molchalin, created on the basis of French novels, crumbled to dust. Sophia’s dreams of an independent life are also crumbling. Molchalin was very suitable for the role of a husband, under whom she could play the role of first violin. It is no coincidence that Griboyedov talks about the family life of the Gorichs. Sophia, brought up in the spirit of the times, thought about family life in the same way. “Husband-boy, husband-servant” - examples of such relationships were before her eyes. Molchalin diligently played along with her.
The image of Sophia fits into the general problematic of the play, designated as grief from the mind. The mind, which is the distinctive quality of the heroine, played a cruel joke on her. She wanted to stand out among her peers, to show independence from social stereotypes, but she was cruelly deceived.
In his work, Griboyedov creates a female character that is new to Russian literature. The heroine is educated and tries to defend her opinion. She chooses her betrothed herself, and is not guided by rank or wealth.
The image of Sophia in the comedy Woe from Wit
Sophia is the heroine of Griboyedov’s story “Woe from Wit.” This girl is a very unusual character in Griboedov's story. She is both the product of lies and benevolence and strength, albeit only external.
Sophia is a girl who is the one from whom all the threads came, both the mood and the grief of many people. She, like a puppeteer, skillfully took advantage of their weaknesses and strengths. She is a manipulator, in modern terms. But at the same time, with these qualities and such a character, Sophia is a beautiful girl who also knows how to use her appearance. She has many fans, and for good reason, because she is strong in this.
This girl is a strong personality who will not miss her goal. In addition, by nature, she is also very mocking, her sarcasm reaches many ears, she loves to make fun of her and tell some jokes. But she is not too cheerful, one can more accurately say that she knows how to speak sarcastically, her irony can both offend someone and make her an enemy.
Sophia grew up in a good family, rich, well-off in everything, which did not know the costs of the strong in anything. That is why this girl is young and grew up to be a wealthy, bright and courageous person. She was not afraid of anything, and knew how to skillfully be a hypocrite and lie when necessary. And, to justify her, we can say that she is not entirely to blame for this, since such actions and character traits were not new at that time. That is precisely why she was like that, because she was brought up that way, raised in such an environment where it was impossible to be and act differently. Otherwise, it caused gossip and rumors, as well as contempt and ill will.
The comedy “Woe from Wit” gives examples of a person who is also the main character.
Essay: The image of Sophia in the comedy “Woe from Wit” (A.S. Griboyedov)
(372 words) In his comedy “Woe from Wit” A.S. Griboyedov deviates from some principles of classicism. Thus, the author does not make the traditional division of characters into negative and positive. Therefore, Sofya Famusova is an ambiguous heroine.
The girl is different from the society in which she was destined to be born. She is interested in art: she plays the flute and piano, and can spend hours reading novels. On the one hand, the heroine refuses to accept many of the principles of the environment that surrounds her. So, Sofya Pavlovna falls in love not with a person who holds a high position and has many souls (which was dictated by Famus society), but with her father’s secretary, Molchalin. Sofya Pavlovna, despite her adolescence (seventeen years), has already become a decisive, powerful mistress in her house. So she chose someone who was easy to command. The girl was attracted by Molchalin’s timidity, his modesty and humility. However, Sofya Pavlovna did not know her chosen one at all. In Molchalin she saw only romantic traits (she can be compared with Tatyana Larina, who fell in love with an image inspired by French novels). Having learned his true face, the heroine was primarily worried that she had allowed herself to be deceived.
On the other hand, we must not forget that Sophia is Famusov’s daughter. Her entire childhood was spent in this social circle, in these ossified life guidelines. She is surrounded by people who see only harm and danger in education, and the groom is chosen according to his financial situation. In this environment there is no place for sincere feelings or high spiritual aspirations. Sophia, despite her determination, could not help but adopt some of her father’s traits. So, her surname means “rumour” in translation. At the end of the work, it was precisely because of her gossip that Chatsky was known as crazy. Sophia could not forgive the hero for his unflattering expressions that he expressed towards Molchalin. Wanting to take revenge on Chatsky, she spread the rumor that he had gone crazy. It was because of this that the hero found himself in an awkward position, and was subsequently forced to flee Moscow.
Thus, the Image of Sophia in the play “Woe from Wit” cannot be classified as either positive or negative. She differs from Famus society in her selflessness, moral values, and ability to defend her own opinion. However, the heroine spent her entire life in this environment and could not help but inherit some of its traits: cunning, power and vindictiveness. And yet we cannot classify her as a member of Famus’s society, because Sophia acted badly, but not for the sake of profit, but because of love. A far-fetched and blind, but sincere and ardent attachment to Molchalin forced her to sacrifice her childhood friend.
Author: Anastasia Smetanova
Option 4
A.S. Griboedov was a multifaceted personality. He had a unique talent as a diplomat and theatergoer. Alexander Sergeevich wrote poetry, poems, and played several instruments. He even composed music. Two waltzes by him have survived to this day. But Griboyedov entered the history of world literature as the author of one work. It was the comedy “Woe from Wit,” recognized by critics as immortal.
The play included three artistic movements: realism, classicism, and romanticism. The traditions of the genre are combined with more modern trends. Social comedy, in its classical interpretation, involves one-sided images of characters. Each of which exposes one particular vice. But “Woe from Wit” reveals to the reader the multifaceted personalities of the characters. Stupidity, ridiculous imitation of foreigners, martineting, servility, sycophancy, commercialism, lack of one’s own opinion, persecution of culture and education - the author reflected everything in his “living” characters.
The main conflict of the play is the confrontation between the “present century” and the “past century”. Only Alexander Andreevich Chatsky ends up in the first camp. Then, as in the second headquarters - almost everyone else.
A love triangle unfolds against the backdrop of social conflict. It doesn't look like the plot of a romance novel. There are two men, but neither one claims to be ideal. Chatsky, despite his intelligence and education, is harsh, not restrained in his speeches, and is not always tactful. Molchalin is low, mean, and unpleasant. But the heroine’s sympathies are on his side.
The young lady herself also does not look like the classic image. Sophia is the daughter of a major official. Pavel Afanasyevich is a manager in a state house, rich. She wants a bright future for her only child. The groom is necessary “in rank, and in the stars.” Neither Chatsky nor Molchalin meet these criteria. The father exclaims: “Whoever is poor is not a match for you!”
A.S. Pushkin wrote about Sophia that she is an unclear image, a poorly written character. But this is only at first glance. The young lady, throughout the text, plays the role of a buffer between the two worlds. She does not belong to the “Famus society”, although she was raised in it. But it cannot be counted among the “present century.” This is her key role. After all, in the end education wins.
Most of the guests at the Famusov ball have meaningful surnames. But Sophia has an expressive name, meaning “wise.” This is the author's irony.
The girl is not stupid. She has a good upbringing. My father hired a “regiment of teachers.” But she lost her mother early, so no one was involved in the formation of her soul. Now the young lady is seventeen, she has “bloomed” and has become an enviable bride.
Sonya is brave and decisive. She finds it difficult to keep her love a secret. He is not afraid of parental anger and public opinion. The young lady exclaims: “What do I care about rumors!”
She allows herself caustic, sarcastic, witty statements with Chatsky. But he tenderly worries about Molchalin. He faints when he falls from his horse.
The young lady grew up reading French novels. Therefore, he attributes all the virtues to his chosen one, drawing an ideal. Perhaps that is why the choice fell on a poor young man. After all, in sentimental books the lover is always no match.
The girl does not have any special spiritual beauty or virtues. But something about her attracts Chatsky, arousing love. Perhaps a strong character.
At the end of the story, Sophia realizes that her chosen one is a scoundrel. Blames himself for everything. But Chatsky is probably right. Another “sycophant and businessman” will appear, whom Sonya will marry.
Essay 5
In the comedy A.S. Griboyedov's love conflict: Sophia - Chatsky - Molchalin seems to be the main one. However, the main thing is the social conflict, which is based on the confrontation of views: the present century and the past century will come together in an irreconcilable battle. And if Sofya Famusova is the main character in a love affair, then what place does she take in social debates? Which camp should she belong to? That question is not so easy to answer.
Sofya Pavlovna Famusova. The name Sophia means “wise.” The girl is really smart and developed beyond her years and does not follow the views and judgments of her circle in everything, she has her own point of view.
The beginning of the play is morning in Famusov’s house. Molchalin, with whom she spent the night playing music, comes out of Sophia’s room. The priest, who has just been courting the maid Liza, teaches his daughter: there is no need for another example when in the eyes of the example of the father, the monastic is known for behavior that makes the girls laugh. Sophia's attitude towards Lisa is friendly, there is no arrogance, she is her confidant in affairs.
For Famusov, the rootless Molchalin is definitely not a match for his daughter, but Sophia prefers feelings rather than an advantageous marriage, she likes the modesty and shyness of Alexei Ivanovich - he does not have a spirit that is lively for everyone, he has no pretensions to success...
Sophia greets Chatsky rather coolly, with whom she grew up and whose views she shared. But he was absent for a long time and cannot understand that much has changed in 3 years; he sees only one thing: “How Sofya Pavlovna has become prettier for you...” Sophia does not give any reciprocity to Chatsky. However, to intrigue, she tells the dream to Famusov, making him suffer - which of the 2? If Chatsky at least gives birth, but is not rich, then Molchalin is her father’s rootless secretary. But Sophia fell in love with the second one - a bold step for a Moscow young lady! “Whoever is poor is not a match for you!” - Pavel Afanasyevich inspires his daughter.
And the girl doesn’t even want to think about the real groom Skalozub (“he has a golden bag and aims to become a general”). Together with Lisa, he makes fun of his stupidity.
Molchalin's fall from his horse and Sophia's unfeigned fainting speak of the sincerity of her feelings. Chatsky begins to doubt whether Sofya has fallen in love with Molchalin? “He was so stupid before,” says Chatsky, not wanting to believe in the changed circumstances.
During the ball, Sophia accidentally starts a gossip about the madness of Alexander Andreevich Chatsky, which all the guests eagerly pick up. Chatsky touched Molchalin in his conversations; she is ready to take revenge for her beloved, without fear of giving herself away.
So, on the one hand, Sophia goes against everyone, falling in love with Molchalin and practically not hiding her feelings. But she understands perfectly well that the one who is ready to please everyone will reach the well-known levels - he will occupy an important rank and turn into a husband - a boy, a husband - a servant from his wife's pages, unlike Chatsky, who “would be glad to serve, it’s sickening to be served...”. Having witnessed Molchalin’s meeting with Liza, Sophia soon takes revenge: so that the dawn does not find you in the house! Thus, she acts in the same way as representatives of the past century: she dresses Chatsky as a jester.
On the other hand, the girl is educated, in childhood and adolescence she laughed with Chatsky at the ugly manifestations of inert ideology, she is friends with Lisa, her love for Molchalin and her reluctance to please Skalozub, which is what her father would have wanted, is well characterized.
Chatsky is wrong when he accuses her of giving him hope. Throughout the play, Sophia spoke almost openly about her love - Chatsky could not believe that Sophia could love such a vile person.
So what is Sophia’s place in the social conflict? It seems that Sophia is from the flesh of Famus society, she will go crazy, marry favorably and become one of the aunties to whom they take bows in order to get a warm place. With Chatsky, their paths will finally diverge.
Other works: ← Molchalin in the comedy Woe from Wit↑ GriboyedovThe main characters of the comedy Woe from Wit →
