Mayakovsky poet of the Silver Age. My favorite poet of the Silver Age (Mayakovsky)

Mayakovsky poet of the Silver Age. My favorite poet of the Silver Age (Mayakovsky)

The “Golden Age” of Russian poetry occurred in a fairly calm time, in the first third of the 19th century.
“Silver” differed from it not only in its ideological program, but also in its social conditions. The first third of the 20th century was characterized by social instability: crisis, World War I, revolutions. That is why conflicts also reigned in the spiritual sphere: the Symbolists were supplanted by the Acmeists, the Futurists opposed everyone. This era of cataclysms, the period of breaking the old and creating the new, is fully reflected in my work by my favorite poet, Vladimir Mayakovsky. His poems are of unconditional interest. They were criticized while they were being written. After the poet's death they were extolled. After the collapse of the USSR, they tried to forget them. But they are still alive today, since Mayakovsky is much more than just an agitator. The themes of the poet's lyrics are vast and varied.

The poem “Nate!” is dedicated to the theme of the poet and poetry, the confrontation between the crowd and the creator. The crowd here is a stupid and destructive mass, a “hundred-headed louse”, ready to trample the poet, “the priceless words of a spendthrift and spendthrift.” The main idea of ​​the poem is rejection of the surrounding reality, opposition to stupidity, vulgarity and narrow-mindedness in people. The Creator is not a slave to the gray masses, he is a rebel, so he “will laugh and spit joyfully.” Poems for a poet are a reflection of the soul, the best in it, so he wants, if not recognition, then at least respect for the innermost things in his heart. The lyrical hero, like the author himself, is forced to draw attention to his work with his shocking antics, so that the jaded reader will at least try to understand him.

Philosophical themes are also not alien to Mayakovsky. It would seem that the poem “A Good Treatment for Horses” describes an everyday incident: a horse fell, and this event amuses onlookers. But the horse here is likened to a man who also sometimes falls to the delight of his ill-wishers. This work, despite the acute pity for the ridiculed animal and the ridiculed personality hiding behind it, is not pessimistic: having met sympathy, she perked up and stood up with new strength. Likewise, people who have received friendly support from loved ones can overcome all difficulties (“it was worth living and it was worth working”). It’s only a pity that the poet himself did not have such close people nearby in difficult times.

In the life of Vladimir Mayakovsky, love played a dramatic role. Many years of feelings for Lilya Brik were destructive, she was comfortable with her husband and a crowd of young fans, and the poet did not want to share her with anyone. However, she did not want to let go, and the unfortunate admirer practically provided for her and her husband. But creatively, this love, full of suffering, was of great importance. One of the best poems about love, “Lilichka!”, was dedicated to precisely this relationship. It is sincere, confessional, and resonates in the soul of everyone who has at least once fallen in love with each other. Objects, places, details associated with the beloved are sacred to the lyrical hero. But not for the heroine. However, despite the pain and torment, it is simply impossible to live without this woman (“Except for your love, I have no sun”). He realizes the imminent end, but he can’t help himself. This impetuous and tender poem contains the whole soul of Mayakovsky, in love, in life, and in death, going to the end, to the maximum and not tolerating any compromises.

Why, out of many poets, do I single out Vladimir Mayakovsky as my favorite? It is he, with his ebullient energy and enormous inner strength, who helps me overcome the difficulties of life. He himself burned out, but continues to ignite with his lines to this day.

Essay on the topic: My favorite poet of the Silver Age, Mayakovsky

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Essay text:

The 20th century in art was marked by the beginning of the “Silver Age”. When this began, changes occurred in the social environment in Russia, and a deep crisis arose. The First World War had just ended, people came to their senses after the change of power and system in the country. All these events led to a change in the worldview of citizens. All this is reflected in the works of Vladimir Mayakovsky.

The creative life of Vladimir Mayakovsky began in 1908. He was a strong representative of the futurists, strived to create new art and did not rely on the heritage of the classics. The main techniques of the futurists were experiments in form and public outrage.

The rest of Mayakovsky's works constitute his legacy. He wrote a lot of poetry. His poems ignite a person and drive the plot. Poetry, philosophy and everyday themes are easily intertwined in Mayakovsky's works.

At the beginning of his work, he enters into polemical battles with opponents, trying to prove the self-respect of the art form. Mayakovsky is one of the brightest experimenters and summarizes the achievements of the futurists:

The main theme of Mayakovsky's poetry is his connection with poetry. He always stands out from the crowd. He is presented as a monster, not accepted, not understood, considered a rebel.

The poet himself lives a free life and does what he wants. With his poems, he tried to attract attention and convey his thoughts to people.

His relationship with Liliya Brik left a deep imprint on Mayakovsky’s work. He sent her many of his works, but could not be happy with his muse because she was married. She didn't return his feelings.

When the author himself read his poems, they sounded loudly and rhythmically.

In 1912-1914 he worked on the urban theme. In his works of those years, the real world is dying out.

In his early works one can understand his rejection of the modern world.

In 1915, the poet wrote one of his best works, “A Cloud in Pants.” Main topic. Love, of course. The poem consists of four parts: renunciation of money, art, power, faith. In each chapter the denial becomes stronger and stronger. He moves from personal motives to social ones.

There are two periods in his work, the first of which was before the October Revolution of 1918. In his early works he was not focused on glorifying the Soviet system. And after the revolution, his poems were filled with patriotism and glorification of the Soviet system.

My favorite poet of the "Silver Age"

Ivan Alekseevich Bunin made a tangible contribution to Russian literature, filling it with a description of the eternal problems of humanity: love for one’s neighbor and for the Motherland, the ability to perceive the beauty of nature and feel like a grain and part of a single world whole in time and space. In all the works of I. A. Bunin one can feel the personality of the author, his view of the world and the harmony to which the writer appeals with every word, continuing the humanistic traditions of Russian literature.

In Bunin’s artistic world one can see the “tragic foundations” of the national Russian character and the historical destinies of Russia. Bunin's understanding of the essence of the human personality, the role of nature in the life of modern man, the motives of love, death and the transformative power of art. One of the emotional dominants of Bunin’s artistic world is the feeling of loneliness, not even in the sense of a lonely existence, but the loneliness of the eternal, universal - as an inevitable and irresistible state of the human soul. This feeling of complete loneliness of a person in the world will always accompany him. The unknowable mystery of the world simultaneously gives rise to “sweet, sorrowful feelings” in the writer’s soul: the feeling of joy and intoxication with life is invariably mixed with a languishing feeling of melancholy. The joy of life for Bunin is not a blissful and serene state, but a feeling of tragedy, colored by melancholy and anxiety. That is why love and death always go hand in hand with him, unexpectedly connecting with creativity:

And the first verse and the first love

They came to me with the grave and in the spring.

Ivan Alekseevich Bunin was born in Voronezh on October 10, 1870. He came from an old family that gave Russia many literary figures, including Anna Bunina, V.A. Zhukovsky, A.F. Voeikov, the Kireevsky brothers, academician Y. K. Grot. And in those places of the fertile substeppe where the writer spent his childhood and youth, Lermontov, Turgenev, Leskov and Leo Tolstoy lived and worked. So Bunin had something to be proud of and someone to follow, and remain a faithful continuer of the traditions of Russian classics. Home education, the Yelets Gymnasium, wanderings, constant self-education, and collaboration in newspapers formed a widely educated person, involved in literature from a young age, which makes him similar to Pushkin. Bunin began to write poetry very early, first imitating Lermontov and Pushkin, as well as Zhukovsky and Polonsky, and it was emphasized that these were “noble poets”, from the same “kvass” with Bunin. In the small Yeletsk house other names were heard - Nikitin and Koltsov, about whom it was said: “Our brother is a tradesman, our fellow countryman!” These impressions affected the increased interest that Bunin showed in writers “of the people,” devoting more than one heartfelt article to them (from Nikitin to Yeletsky, the self-taught poet E. I. Nazarov). Bunin was also fond of Nadson's civic poetry, being influenced by Polonsky, A.A. Fet, F.I. Tyutchev. But gradually Bunin’s own voice began to clearly sound in landscape lyrics, it becomes life-affirming, conveys the subtlest changes in the natural world, its renewal, the poetic change of eras of her life, akin to a similar change in human existence. It is no coincidence that the poem “No birds are visible. He’s wasting away obediently...” drew L.N.’s attention. Tolstoy.

My favorite poet of the Silver Age. Vladimir Mayakovsky

The Silver Age is a special milestone in Russian poetry, which gave the world a large number of talented names and beautiful poetry. Undoubtedly, the name of Vladimir Mayakovsky is included in the host of “stars” of this time. In my opinion, in terms of the power of emotions, originality and non-standardity, this artist has no equal either among his contemporaries or among his followers. The beginning of the creative activity of Vladimir Vladimirovich Mayakovsky dates back to 1908. At that time, the poet belonged to the literary movement of futurists, striving to create new art without resorting to the heritage of the classics. The leading artistic techniques of the futurists were experiments in form, topical content, and shocking the public. In poems from 1912 to 1914 (“Night”, “Street”, “Heart of the City”, etc.) Mayakovsky develops an urban theme characteristic of Russian futurists. Based on the traditions of the Symbolists (the city is a “terrible world”), the poet creates the image of a city-“anti-world”, in which reality loses its real appearance. In this city, full of anger, despair, turmoil and anxiety, ore and iron are burning in the “holes of skyscrapers”, the eye of the “wounded sun” is bleeding out, “the street has sunk in like the nose of a syphilitic person”, “the coffins of public houses” rise on it. This world is initially tragic, it enslaves and corrupts man, there is nothing left of God in it: Scaring the prayers above with their hoofs, they caught God with a lasso in the sky and, plucking him with a rat-like smile, mockingly, dragged him through the crack of the threshold. Mayakovsky's lyrical hero comes into conflict with this cruel world. He, the “huge heart,” opposes himself to the indifferent and faceless crowd – the “hundred-headed louse” (“You!”, “Could you?”, “They don’t understand anything”). The hero denies bourgeois aesthetics and ethics, flaunts extravagant statements, and is ready to shock the average person with a stunning statement: “I love watching children die.” But all this is just for show, all this comes from great pain and loneliness. The lyrical hero wants to “reach out” to the crowd at all costs, to reveal the humanity in them, to “find” at least one emotion. But all his efforts are fruitless. Therefore, the main motive of Mayakovsky’s early lyrics is rejection of the modern world. In the grotesque and satirical “hymns” (“Hymn to the Judge”, “Hymn to Lunch”, “Hymn to the Bribe”, “Hymn to the Scientist”, etc.), the poet exposes the “masters of life” - the pillars of modern society, thinking only about their animal existence: Sleep , without being alarmed by the picture of blood and the fact that the world is surrounded by fire, the strength of cows is rich in milk, and the wealth of bovine meat is immense. It is important to note that Mayakovsky spent the first years of his creative activity in polemical battles with literary opponents, proving the intrinsic value of the artistic form and putting his theoretical postulates into practice. It is believed that Mayakovsky is one of the brightest experimenters in the field of artistic form, who summarized many of the creative achievements of the futurists: Maybe the old one didn’t need a nanny, maybe my thought seemed to suit her, only the horse rushed, got to its feet, she whinnied and walked away. In 1915, Mayakovsky created the poem “A Cloud in Pants,” which I consider one of the best love poems in Russian poetry. The leading theme here is love, “robbed by modern life.” Developing this theme, Mayakovsky talks about the owl’s attitude to the foundations of the “old world.” The poem consists of four parts, “four cries,” each of which contains a negation: “Down with your love” - it is based on money and calculation; “Down with your art!” - it is created by those who are far from it; “Down with your system!” - he disfigures human life, “Down with your religion!” - God cannot save humanity. The power of denial is given in increasing order - it intensifies with each chapter. The poet moves from personal motives to public ones: his personal tragedy develops into the tragedy of dispossessed humanity, languishing under the rule of the “fat”. The poet declares himself the thirteenth apostle, prophesying the imminent revolution: Where people's eyes break short, The head of the hungry hordes, In the crown of thorns of revolutions, the sixteenth year is coming. The work of V. Mayakovsky is usually divided into two periods, the border of which is the October Revolution of 1918. I much prefer the poet’s early work, which was not aimed at glorifying the Soviet system and combating its shortcomings. In my opinion, the distinctive features of Vladimir Mayakovsky’s poetry are its humanistic and democratic orientation, sincerity and great emotionality, original imagery and innovative form. All together, this makes the poet’s poems “the rarest pearl” of Russian and world poetry, a national treasure that one should and should be proud of.

Letter to the poet of the Silver Age. Letter to the Silver Age

The creators of our heritage are poets, Libra to our heroisms and sins. I recognize you all not by portraits, but by immortal, fiery poems. A whole galaxy of you grew up, When the country entered a new century Along the paths of nobility or poison, But no one crossed the tired centuries. There were many of you, which means there were many opinions and many proposed roads, and each one, full of happiness or doubt, spoke his holy truth. Today is also a turning point. What was it? What will happen next? Our hope smolders like straw, When it could burn furiously! But talented feathers do not creak. Where are the master's words? - Transferred. Only the words of the apprentice remain, Which lower the poetic slime. Where are Mayakovsky, Igor Severyanin, Sergei Yesenin, Alexander Blok? Before us is a path, majestic and strange, Before us is a path, winding and far! Paying people is a monstrous payment! – We’ve gotten used to mistakes from time immemorial. The country has always been rich in people, so have they really dried up? Poet, you too can do something, After all, if you express your bitter thoughts in harmony with a verse that touches the soul, then this will be your feasible contribution. Putting together the words of a banal, insipid song is as easy as rhyming “love” and “blood.” And you try using a verbal structure to light up your eyes and turn your cheeks purple! And I’m learning to grab souls with verse And find those necessary words, That the dead lay apart like carcasses, And together they knit a line that is alive. My poem is created by the work of feelings and thoughts, modeled after the poem “Good!” Even though my poems are surprisingly rude, But poems from the heart are not easy, Even though they are heavy, they are nevertheless truthful; This is my motto: “Without the truth, not a line!” My clumsy verse will fight against any lie, even a small one: It is experienced, it is grown by the soul, Whatever it is - bell or quiet. And if I was sung by someone else’s soul And did not touch the waxen hearts, Then I will be a misunderstood poet, Then in vain I am proud of my lines. Poets from the “Silver Age”, Any of you would hang your head: On Sunday the library is empty In the section of your yellowed books. Well, where are you, prophets and messiahs? Let it be brief, but blinding your trail! You were children of the terrible years of Russia, And we are the orphans of the new terrible years!