To describe the internal state of the main character in the novel “Crime and Punishment,” F. M. Dostoevsky uses psychological techniques. That is why the author talks a lot about the surrounding environment. The description of Raskolnikov's room emphasizes the general depressing nature of the work and helps to understand the reasons for the actions and some personality traits of the occupant of the room.
Forced vegetation
Both in literature and in everyday life, his home can tell about the owner. In Dostoevsky, most of the characters must inevitably exist in an environment that destroys people, oppresses, and destroys. It was the circumstances that drove the heroes into such houses, and they did not choose them for themselves. This concept is typical for virtually every character.
Possessing other opportunities, the hero could afford more favorable housing than the one in which he is now vegetating. The description of Raskolnikov’s closet was as follows : “it looked more like a closet than an apartment.” This quote from the work shows how tiny his habitat was. The author placed a young man of handsome appearance in a pitiful, dull room reminiscent of a sea cabin or, which better suits the description, a cell.
Among other things, Raskolnikov, in order to get into his home, had to walk through the master’s kitchen every day. This humiliated him even more, since he owes a considerable amount of money for renting an apartment.
For comparison, the author shows the house of a disgusting old money-lender: comfortable, pleasant and well-appointed, everything in it sparkles with cleanliness. The antithesis between the soul of the hero and the place in which he lives is a vivid visual means used by M. F. Dostoevsky in his work.
The interior of the rooms of the characters in the novel Crime and Punishment
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- Interiors in the novel Crime and Punishment
The interior of each character from the novel “Crime and Punishment” personifies their life and state of mind. Throughout the novel, the interior is an integral part of the hero of the work. Thus, the room of the pleasant character Raskolnikov is presented in the form of a small closet with very low ceilings.
Attention
Describing the history of his family to Raskolnikov, he notes that when Sonya first brought home thirty rubles, she “didn’t utter a word, but, covering herself with a scarf, silently lay down on the sofa and cried for a long time.” The world of St. Petersburg is a cruel, soulless world in which there is no place for kindness and mercy, which, according to Dostoevsky, constitute the basis of life, its inviolability. Marmeladov’s home also presents a picture of appalling poverty.
In his room, children's rags are scattered everywhere, a holey sheet is stretched across the back corner, the only furniture is a tattered sofa, two chairs and an old kitchen table, unpainted and uncovered. It is characteristic that Marmeladov’s room is illuminated by a small candle stub.
Important
This detail symbolizes the gradual fading of life in this family. And indeed, first Marmeladov dies, crushed by the rich crew, then Katerina Ivanovna.
Interiors in the novel Crime and Punishment (the role of describing the interior) essay
The wallpaper on the walls is yellow, which in itself should mean joy and a sunny mood, but not in this case. The wallpaper has long since faded and become faded in color, and in some places it has even become tattered. The walls are wooden and nailed together, so it looks more like a box than a home.
This whole sad picture is complemented by a huge layer of dust on notebooks and books. Raskolnikov's furniture includes an old sofa and chairs, as well as a small table. The pawnbroker's room is the exact opposite. Everything in it is neat, the furniture is good and everything shines from cleanliness.
Dostoevsky wanted to highlight her room, because she was an old, harmful and evil woman.
Fyodor Mikhailovich singled it out as special, because the rest of the heroes’ homes were very poor and dirty. The poverty of the owners of the rooms is reflected in the interior, everything is gloomy and shabby.
Description of the interiors in the novel “Crime and Punishment” The work was carried out by: Pechenkin Georgy, Muginova Regina, Shiryaev Egor, Bogatenkova Elizaveta, Ugarin Artem, Tsygankova Anastasia, Bobojonov Sasha. In the novel “Crime and Punishment,” the description of interiors plays an important role.
By describing the interiors, the author conveys the atmosphere of the work and helps to understand the character of the hero even better. What surrounds a person influences not only his views and worldview, but also his state of mind.3.
Description of Raskolnikov's closet Raskolnikov's home plays a vital role in the formation of his state of mind. Closet, sea cabin, wardrobe, chest, coffin, etc.
Chirkov, Dostoevsky’s interior does not merge with the image of the hero: his environment is often contrasting in relation to the person. Thus, the writer places Raskolnikov, who is “remarkably handsome,” “with beautiful dark eyes,” “thin and slender,” in a terrible, beggarly closet.
His closet looks more like a closet than a room. This is a tiny cell, “six steps long,” “with yellow, dusty wallpaper that has fallen off the wall.”
The furniture in it is old and ugly - three old, not entirely serviceable chairs, a painted table in the corner, an awkward, tattered sofa, a small table. In the description of Raskolnikov’s room, the motif of desolation, lifelessness, and deadness is clearly felt.
The ceilings in this closet are so low that a tall person feels terrified in it. A large table with books and notebooks is covered with a thick layer of dust. To Pulcheria Alexandrovna, her son's room seems like a coffin.
A small room, walls made of boards - all this reminds us of a coffin. Thus, in this case, Dostoevsky’s interior anticipates future events - the death of Svidrigailov. It is worth noting that in all descriptions of the situation in the novel, the yellow tone predominates.
Yellow, dusty wallpaper in Raskolnikov’s closet, in Sonya’s room, in Alena Ivanovna’s apartment, in the hotel where Svidrigailov was staying.
In addition, in the house of the old pawnbroker there is furniture made of yellow wood, pictures in yellow frames. The color yellow itself is the color of the sun, life, communication and openness.
However, in Dostoevsky the symbolic meaning of color is inverted: in the novel he emphasizes not the fullness of life, but lifelessness. It is characteristic that in descriptions of the situation we never see a bright, pure yellow color. In Dostoevsky's interiors there is always a dirty yellow, a dull yellow.
The interior of the rooms in the novel Crime and Punishment
The furnishings of almost all dwellings in “Crime and Punishment” speak not only of extreme poverty and misery of their inhabitants, but also of their unsettled life and homelessness. The house is not a fortress for the heroes; it does not shelter them from life’s adversities. Small, ugly rooms are uncomfortable and unfriendly to their inhabitants, as if they are trying to drive the heroes out into the street.
Pulcheria Alexandrovna sighs with relief as she leaves Rodion’s closet. Sonya's room is very ugly, gloomy, and looks like a barn. There is almost no furniture in it, “the yellowish, shabby and worn-out wallpaper has turned black in all corners,” there is visible poverty everywhere. In this description by N.M.
Chirkov notes a sharp contrast: Sonya’s room is huge - but she herself is small and thin (Raskolnikov notes this while in Sonya’s room).
Source: //yuristrb-ufa.ru/interer-komnat-geroev-romana-prestuplenie-i-nakazanie/
Raskolnikov's attitude towards his room
Rodion hated the place where he lived. He felt how it was destroying his soul and body. The description of Raskolnikov’s home shows how inconsistent it is with the person living in it:
- There is no vital atmosphere here.
- There are no simple things for hygiene and everyday life.
The greasy tiny sofa was just as unsuitable for the hero as his depressing, dull existence. The student's refined appearance did not fit into the ugly surroundings. It goes out, he wants more space, freedom, boundaries affect the psyche.
In such houses there is not even a basic kitchen; the owners themselves provided food for the residents. But since Raskolnikov owed money, he had to eat in taverns.
The windows of the apartment look out onto the courtyard, from where drunken screams are constantly heard. The hero was already pretty tired of the landscape that he had to observe every day: it was as inhospitable as the place where Raskolnikov lived. The author depicts the external environment surrounding the hero in dirty yellow shades, which gives the image an even more gloomy look and emphasizes a situation from which there is no way out. The text of the apartment has a fairly large number of synonyms:
- closet;
- closet;
- box;
- cabin;
- coffin;
- corner.
None of these definitions are suitable for a normal life. It is noteworthy that neither the author nor the hero calls this housing home.
The interior of the rooms of the characters in the novel Crime and Punishment – Vershina Law Office
Turning onto an avenue that he had not yet walked along, he stumbles upon a tavern, in which he quite by chance sees Svidrigailov. In this chapter, Dostoevsky pays attention to the description of the interior of the tavern. The fact that all the windows in the tavern are open shows that it is stuffy due to the large number of people.
And, indeed, Raskolnikov sees many figures in the window. The noise from the tavern can be heard even on the street, and in order for us to better understand the whole situation, the author uses the words: “packed,” “ringing,” “rattled.” Inside the tavern itself there is no crowd.
Due to the large number of guests, the tavern was dirty, as the author says, “the tavern was not even average.” The decor of the tavern did not bother Svidrigailov at all; on the contrary, he was here every day. Raskolnikov was extremely uncomfortable in this room.
The unpleasant conversation with Svidrigailov put even more pressure on him. Raskolnikov wanted to leave this terrible place.
The violation of solidity and strength is emphasized. There is no place for stability and harmony here. But Sonya’s life has really already been ruined.
Important
She is forced to sell herself to save her family. In Marmeladov's house, through the eyes of Raskolnikov, the reader sees appalling poverty.
The lighting is provided by a candle stub, which symbolizes death and the breakup of a family. The stairs in the novel have the same unsightly appearance, they are cramped and dirty. Researcher M. M. Bakhtin notes that the whole life of the characters in the novel passes on the stairs, in plain sight.
Attention
Raskolnikov talks to Sonya at the door, so Svidrigailov hears the entire conversation.
Cage in six steps
This room is, to some extent, a refuge in which there is no comfort, warmth, life and movement have disappeared. Raskolnikov lies on a dirty and tattered sofa all day long and does not go to university. Due to the neglect, lack of real emotions and bright colors, the apartment resembles a coffin . Rodion spends a large amount of time in it without moving, he cannot breathe, there is not enough space, he is sick of realizing the thought that he cannot truly live.
The poor student's dust-covered manuscripts and broken furniture highlight his dead existence. The entire environment does not just describe Raskolnikov’s life - it is a cry that is destined for a man who is forced to drag out his miserable existence in a room that resembles a cage. Even the hero’s mother notices how his place of residence influences her son.
Description of other characters' homes
There are no absolutely positive characters in the novel. A depressing atmosphere of hopelessness enveloped almost everything. Dostoevsky describes a different Petersburg: one where people live in “cells” and spend time in small workshops where there is practically no air, or in stinking taverns. The author uses many adjectives that create this most disgusting world that you want to leave immediately.
An important role is played by the description of the interiors in the rooms where other characters in the novel live. The Marmeladovs' home makes an even more vile impression than Raskolnikov's kennel. It looked terrible and ugly. The whole family vegetated in a cold corner separated by a curtain. There was a bed, 2 chairs, a sofa and a pine table. There was a constant stench.
Sonya Marmeladova’s room looked no better: the yellow, worn wallpaper was overcome by black mold underneath. It was damp, so it also gave the impression of a wretched place.
The old woman’s apartment also had yellow wallpaper on the walls, the windows were covered with curtains, and geranium flowers were placed on the window sills.
The apartment of Porfiry Petrovich, the man who was investigating the murder of the old woman, was much larger. Compared to everyone else, he still lived normally. The room had a small table and a fairly comfortable sofa. The office was medium in size. This room immediately revealed what exactly the hero was doing.
Thus, Dostoevsky placed all the characters in conditions corresponding to their characters . The depressing appearance of the premises highlights the characters themselves more clearly and helps to understand the reasons for their actions.
Crime and punishment write down descriptions of the hero of the room
They emphasize the circumstances, the state of mind of the characters, and sometimes, on the contrary, they contrast with the characters.
An example of this is the attractive portrait of Raskolnikov and the room in which he lives: miserable, reminiscent of a coffin or closet, with a low ceiling, with faded yellow wallpaper.
Description of the rooms crime and punishment Svishcheva Irina Rafailievna, teacher of Russian language and literature of the 1st qualification category of the Shemordan Lyceum of the Sabinsky Municipal District of the Republic of Tatarstan.
Description of the rooms: crime and punishment
Attention In Dostoevsky’s novel “Crime is Punishment,” the interiors are depicted in ugly, gloomy, oppressive colors. They emphasize the circumstances, the state of mind of the characters, and sometimes, on the contrary, they contrast with the characters.
An example of this is the attractive portrait of Raskolnikov and the room in which he lives: miserable, reminiscent of a coffin or closet, with a low ceiling, with faded yellow wallpaper.
The interior is complemented by tattered old chairs, a sofa and a small painted table.
Describing the main character's room, the writer emphasizes the desolation and lifelessness of the home, causing fear and oppression. The deadness of the room is complemented by a large layer of dust on the books and notebooks lying on the table. There is no life in this yellow room. Its owner voluntarily renounced action and society; he lies motionless in it and thinks about the hopelessness of his situation.
The interior and its meaning in the novel by f.m. Dostoevsky's "Crime and Punishment"
As M. M. Bakhtin wrote, the whole life of the heroes actually passes on the stairs, in full view of others. On the threshold, at the door, a conversation takes place between Raskolnikov and Sonya, who is overheard by Svidrigailov.
Important Marmeladov's neighbors, gathered on the stairs, watch his dying confession with curiosity. The arrival of the doctor and the priest, the agony of the dying Marmeladov, the despair of Katerina Ivanovna - for those around him, all this is nothing more than an interesting performance.
On the stairs, on the way from the Marmeladovs, Rodion meets a priest. This last scene is deeply symbolic. Raskolnikov brings home the dying Marmeladov and helps his unfortunate family, leaving Katerina Ivanovna money for her husband’s funeral.
Description of interiors in the novel Crime and Punishment
Passage corner" of the Marmeladovs. The home of the Marmeladov family is a typical dwelling of poor people who barely make ends meet."...and we live in a cold corner, and this winter she caught a cold and started coughing, already blood..." It is characteristic that Marmeladov’s room is illuminated by a small candle stub. This detail symbolizes the gradual fading of life in this family.
“...The cinder illuminated the poorest room, ten steps long; its entirety could be seen from the entryway. A visit to the Marmeladovs’ corner leaves an unpleasant aftertaste, a feeling of melancholy and sadness, especially against the backdrop of the events taking place in it. After Raskolnikov saw all this, he even decided to involuntarily leave a few coins to the family.7.
Description of Sonya's room Dostoevsky describes Sonya's room so that we understand even better how tragic her life is.
One more step
Young heroes are in a critical life situation when they need to make a decision on how to live further. From the very beginning of the story, Raskolnikov behaves strangely: he is suspicious and anxious.
In the sinister plan of Rodion Romanovich, the reader […]
- Raskolnikov's doubles and their role in the novel "Crime and Punishment" Dostoevsky's novel "Crime and Punishment" can be read and reread several times and always find something new in it. Reading it for the first time, we follow the development of the plot and ask questions about the correctness of Raskolnikov’s theory, about Saint Sonechka Marmeladova and about the “cunning” of Porfiry Petrovich. However, if we open the novel a second time, other questions arise. For example, why the author introduces certain characters and not others into the narrative, and what role they play in this whole story.
Interior in the novel “Crime and Punishment”
A small room, walls made of boards - all this reminds us of a coffin. Thus, in this case, Dostoevsky’s interior anticipates future events - the death of Svidrigailov. It is worth noting that in all descriptions of the situation in the novel, the yellow tone predominates.
Yellow, dusty wallpaper in Raskolnikov’s closet, in Sonya’s room, in Alena Ivanovna’s apartment, in the hotel where Svidrigailov was staying. In addition, in the house of the old pawnbroker there is furniture made of yellow wood, pictures in yellow frames. The color yellow itself is the color of the sun, life, communication and openness.
However, in Dostoevsky the symbolic meaning of color is inverted: in the novel he emphasizes not the fullness of life, but lifelessness. It is characteristic that in descriptions of the situation we never see a bright, pure yellow color.
In Dostoevsky's interiors there is always a dirty yellow, a dull yellow.
“the meaning of details and symbols in F. M. Dostoevsky’s novel “Crime and Punishment”
And indeed, life seemed to have stopped in this “yellow closet”. Raskolnikov is crushed by poverty, the thought of his own hopeless situation depresses him, and he avoids people, ceasing to deal with his daily affairs.
Having left his studies at the university, Raskolnikov is inactive; he lies motionless all day long, secluded in his closet. Thus, already in the descriptions of the situation, the motive of death can be traced, which is then repeatedly implemented in the plot. Dostoevsky's descriptions of the situation are marked by a subtle touch of psychologism.
So, in the room of the old pawnbroker “it was very clean,” “both the furniture and the floors were polished.” “Not a speck of dust could be found in the entire apartment.” Raskolnikov notes that such purity occurs “only among evil and old widows.”
Dostoevsky pays special attention not only to describing the squalid interiors of furnished rooms, but also draws our attention to smells and symbolic colors. Thus, yellow is a symbol of illness, poverty, and squalor of life.
Yellow wallpaper and yellow furniture in the room of the old pawnbroker, Marmeladov’s face was yellow from constant drunkenness, yellow “similar Description of Sonya Marmeladova’s room “Sonya’s room looked like a barn, had the appearance of a very irregular quadrangle, and this gave it something ugly.
A wall with three windows, overlooking a ditch, cut the room somehow at an angle, causing one corner, terribly sharp, to run away somewhere deeper, so that, in the dim light, it was impossible to even see it well; the other angle was already too outrageously obtuse. There was almost no furniture in this entire large room. Description of the room In Dostoevsky's St. Petersburg 300.
Raskolnikov.• ...it was there, in the corner, in that terrible closet, that all this had been ripening for more than a month...• ...a bad apartment...like a coffin...I’m sure that halfway through the apartment you became so melancholic...• ...he felt stuffy and cramped in this yellow closet, similar to a closet or a chest.
The gaze and thought asked for space... The tiny room in which the student Raskolnikov lived could not help but affect his psychological state. Life in a tiny room certainly “narrowed” his consciousness. Obviously, living in a closet room could give Raskolnikov plenty of space for thoughts and ideas. As Raskolnikov’s mother correctly noted, such a room can only intensify melancholy.5.
Description of the tavern Raskolnikov wandered into the tavern, wandering “like a drunk” along the sidewalks from a “feeling of endless disgust” immediately after visiting Alena Ivanovna.
Source: //jurzpp.ru/prestuplenie-i-nakazanie-vypisat-opisaniya-geroya-komnaty/
