Marya Antonovna Skvoznik-Dmukhanovskaya is one of the primary characters in the work of N.V. Gogol "The Inspector General". Marya Antonovna has a noble position. She is the daughter of the mayor himself.
This young lady is endowed with some character traits similar to her mother: she is sweet, charismatic, charming, but, unlike her mother, she is more lazy and childish. She is just an apple, while her mother is a mature and experienced apple tree.
If you watch how Marya Antonovna behaves in a comedy, you can immediately guess that fun and beautiful dresses are more important to her than anything else. This is confirmed, for example, by the scene where she first notices Khlestakov. She doesn’t see his face, not his manners, she sees only his beautiful “metropolitan” suit. Marya Antonovna Skvoznik-Dmukhanovskaya can easily be called a collective character. It contains views on life, namely worldview, worldview, priorities, principles inherent in all young people of the county town.
Gogol pushes readers to the idea that if young people are only interested in outfits and the outer shell, then the world will come to an end. Revealing the image of Marya, the author shows the unsightly side of Russian society of that time.
The role of the heroine cannot be defined in detail and clearly, since she remains taciturn throughout the entire plot. However, despite this, the heroine was given a good upbringing, she reads a lot, and has a certain taste for art. In one scene, she didn’t even allow herself to be fooled by Khlestakov when he lied that “Yuri Miloslavsky” was his work. She retorted, answering that it was Zagoskin’s work.
In the scene where her mother persuades her to go out in a blue dress, she makes a reservation with her mother and refuses to wear it in every possible way, explaining that all the girls in the city wear blue dresses. Of course, Marya also has some good character traits. But, most likely, Gogol introduced this image in order to depict to the reader, using a clear example, how matchmaking and nepotism easily helped (and help) to make an impeccable career.
She considers Khlestakov handsome and charming, but when he says that he is madly in love with her, she seems to sag, becoming distrustful and frightened. Instead of tender conversations, she preferred poetry.
Essay about Marya Antonovna
Nikolai Vasilyevich Gogol's talent for revealing the depth of characters still surprises us. This brightness and determination makes you change along with the characters in the story. Many of his works are the foundation of Russian literature. The genius and uniqueness of his works makes you re-read his works many times.
In this work, written in 1835, we see two typical female images: the daughter Maria and the mayor’s wife Anna Andreevna. They are feminine and flirty. Their main goal in life is fashionable clothes and cosmetics. At the first meeting with the false auditor Khlestakov and Maria, we see that her gaze first falls on the young man’s suit, and then on his face. Marya Antonovna is laconic in this work. Her image and the image of her mother Anna Andreevna helps us understand how, with the help of flattery and nepotism, you can make a career and get rich.
When communicating with Khlestakov, Maria appears to us in a slightly new light. Her speeches are stupid and her words are incoherent and illogical. She is dependent and inexperienced, unlike her mother Anna Andreevna, who is a kind of opposite of Maria. Although she is not stupid in general, although her insecurities lead us to think otherwise. She is well read. Marya Antonovna has her own point of view and her own vision of the world, over which she often argues with her mother.
For Marya, when meeting the handsome Khlestakov, the main thing was to impress him, so she chooses her appearance and outfits the best. As we see, there are no close family ties between mother and daughter. Anna Andreevna worries only about her happiness and benefit; she lacks maternal love. She is not particularly interested in Maria's wishes, since personal interests come first. When she sees a good match in the person of auditor Khlestakov, a plan flashes in her head on how she can become a higher rank. At that time, the choice of a groom greatly influenced not only the well-being of the girl, but also the entire family. It’s very funny and absurd to watch Maria’s mother when she agrees to the marriage without even really finding out Khlestakov’s rank.
For Maria, this engagement is a very reverent and important event, unlike her fiancé, a false auditor. She is still somewhat similar to her mother, but less active and reckless. With his work, Nikolai Vasilyevich Gogol showed how greedy people can be and do not notice the lies around them, always hoping for the best, namely how bad and funny the life of officials is.
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Female types in The Inspector General occupy a very insignificant corner, being completely episodic figures. But as a great artist, Gogol was able to casually, with one or two brush strokes, give a complete portrait of these random characters in his comedy. All women of comedy are spiritually no different from their husbands and fathers. They only complete the picture of vulgarity painted by Gogol, being a worthy addition to the male half of society.
«Anna Andreevna
- a provincial coquette, not yet quite old, brought up half on novels and albums, half on the troubles in her pantry and maiden room.” This is a very frivolous woman. Having learned about the arrival of the auditor, she runs after her husband: “What, he’s arrived? Auditor? with a mustache? with what mustache? The excited mayor has no time for her: “After, after, mother!” And she, not understanding what a critical moment has come for her husband, gets angry: “After? Here's the news after! I don’t want after... I have only one word: what is he, colonel? A? (with disdain) left! I’ll remember this for you!” A new person has arrived, male - there is something to be excited about. For the district Cleopatra, this is the anticipation of a new flirtation... Her husband left. “In two hours we will know everything,” says the daughter, but for the mother this is an eternity; "In two hours! I humbly thank you. Here she lent me an answer.’” Anna Andreevna sends her Avdotya: “Run away and ask where we went; Yes, ask carefully: what kind of visitor is he, what is he like - do you hear? Look through the crack and find out everything, including whether the eyes are black or not! .. Hurry up, hurry up, hurry up, hurry up...” Khlestakov writes to Tryapichkin: “I haven’t decided where to start; I think first with my mother, because it seems that she is now ready for all services.” And he has every reason to believe so.
Marya Antonovna
He still allows himself to doubt the veracity of Khlestakov’s words when he pretends to be the author of “Yuri Miloslavsky,” and Anna Andreevna herself slips this lie to him with her question: “So, is it true that Yuri Miloslavsky is your work?” And when the drunken Khlestakov explains that there are two novels under this title, she, without the slightest doubt, remarks: “Well, that’s probably yours, I read it. How well written! “Oh, how nice! - she exclaims when Khlestakov is taken to bed. - But what a subtle appeal! Techniques and all that... Oh, how good! I absolutely love such young people! I’m just out of memory...” And all this is about a drunken and empty-headed St. Petersburg boy. Then there is an argument between mother and daughter about who he looked at more and who he liked more... “Listen, Osip, which eyes does your master like best?” - they ask the footman. After a short time, Anna Andreevna herself comes to Khlestakov’s room. The latter asks for her hand. Anna Andreevna weakly objects: “But let me note: in a way... I’m married.” This “in a way” is great.
Flirting is what fills Anna Andreevna’s spiritual life. It’s not for nothing that she tells fortunes with cards: all her thoughts lie in the area of jacks of all stripes. Flirting, and, of course, toilets. “She changes into different dresses four times during the play,” says Gogol. And the action lasts a day and a half... These main character traits of Anna Andreevna determine her entire life, all facets of her life.
Anna Andreevna is also frivolous as a wife. She is not at all interested in her husband's affairs. She lives only for her small interests. She is the same as a mother. She does not at all hide all her weaknesses from her daughter. She challenges Marya Antonovna's suitors, and even her groom. She would like her daughter to dress inappropriately, so that none of the men would look at her daughter. Typical in this regard is the scene of a mother and daughter consulting about the toilet so that they are not ridiculed by some “capital thing.”
“This scene and this argument,” says Belinsky, “finally and sharply outline the essence, characters and mutual relations of mother and daughter... In this short, as if slightly and carelessly sketched scene, you see the past, present and future, the whole history of two women , and yet it all consists of a dispute about a dress, and all, as if in passing and accidentally, escaped from the poet’s pen.” Like all coquettes, and middle-aged ones at that, Anna Andreevna has a very high opinion of herself, considers herself an aristocrat, and looks down on all the ladies. The mayor, in anticipation of the coming generalship, good-naturedly promises to provide protection to Korobkin’s son in St. Petersburg: “I am ready for my part, I am ready to try.” But Anna Andreevna stops him: “After all, you can’t give protection to every small fry”...
The provincial town in which the action of Gogol’s comedy “The Inspector General” unfolds is, in the full sense of the word, a “dark kingdom.” Only Gogol’s “laughter” cuts through the darkness in which the heroes of the comedy crawl with a bright ray. All these people are petty, vulgar, insignificant; Not a single one even has a “spark of God” glimmering in their soul; they all live an unconscious, animal life. Gogol described the heroes of “The Inspector General” both as figures in the local administration and as private people, in their family life, in their circle of friends and acquaintances. These are not major criminals, not villains, but petty rogues, cowardly predators who live in eternal anxiety that the day of reckoning will come...
Gogol. Inspector. Performance 1982 Episode 1
The mayor in Gogol's The Inspector General
In the person of the mayor Anton Antonovich Skvoznik-Dmukhanovsky, Gogol brought out an official living by extortion and embezzlement. Of all his fellow officials, who also live on bribes and extortion, he is the most arrogant extortionist. “Such a mayor,” the merchants complain to Khlestakov, has never existed before, sir.” Demanding gifts for himself and his family, he even celebrates his name day twice a year. This hero of “The Inspector General” not only takes advantage of ordinary people, abusing the traditional “orders” of life, he also robs the treasury, entering into fraudulent transactions with contractors, appropriating money allocated for the construction of the church. The circumstance mitigating the mayor’s guilt is that he vaguely understands the ugliness of his extortion and embezzlement. Skvoznik-Dmukhanovsky justifies himself 1) with a naive exclamation: “if I took anything, it was without any malice,” 2) with a very common argument: “everyone does it.” “There is no person,” he says, who does not have sins behind him. This is how God himself arranged it, and the Voltairians are in vain speaking against it!”
In relation to the townsfolk, the mayor shows unlimited autocracy and arbitrariness: he gives soldiers the wrong person, flogs innocent people.
Uneducated and rude in his manners (conversation with merchants), this hero of The Inspector General is distinguished, however, by his great practical acumen, and this is his pride. The mayor himself says that not a single swindler could deceive him, that he himself “fooled them.” He understands the state of affairs more clearly than all other officials, and when they, explaining the reasons for sending an auditor to them, go God knows where, he, as a practical person, speaks not about the reasons, but about the future consequences. The mayor knows how to handle his affairs better than all other city officials, because he perfectly understands the human soul, because he is resourceful, knows how to play on human weaknesses, which is why he maneuvers among various virtuous governors and auditors for a long time and with impunity.
Mayor Anton Antonovich Skvoznik-Dmukhanovsky. Artist Yu. Korovin
The lack of education of this comedy hero is reflected not only in the lack of polish in his manners, but is expressed even more clearly in his superstition; he very naively, in a pagan way, understands his relationship with God, considering himself a true Christian and a person of exemplary piety (“I am firm in the faith.” he says). By religion, the mayor understands only ritual, expressed in visiting church on holidays and observing fasts. He takes a “two-faith” point of view, which allows for the possibility of “bribing” one’s God with sacrifices, like a pound candle.
The brightest feature of the mayor must be his good nature. Considering himself, thanks to the matchmaking of the “auditor” Khlestakov, infinitely superior to everyone in the city, he does not become as proud as his empty wife, he remains the same simple person, rudely cordial and simply hospitable.
Place in comedy
Marya Antonovna is the daughter of mayor Anton Antonovich Skvoznik-Dmukhanovsky and Anna Andreevna. This is a minor character, one of the few female characters presented in the comedy “The Inspector General”. In many ways, she is a reflection of her own parents. The heroine’s behavior depends on the upbringing that Marya received from a society lady - her mother. Thus, the role of the heroine is to show how parental education affects children, as well as to reveal the secular side of public life.
When describing the characters, the author did not give a detailed description of the heroine. This is due to the fact that as a person she is not of great interest.
The mayor's wife and daughter in The Inspector General
The mayor's wife Anna Andreevna, a stupid and insignificant woman, who until old age retained the manners of a young coquette-dandy, amazes with the endless emptiness of her soul. This heroine of “The Inspector General” is obsessed with “social life”, with clothes, she imagines what else men might like, and competes with her daughter in acquiring fans and suitors. She lives on the gossip and intrigues of the county town. A frivolous woman, Anna Andreevna easily believes everything. When the mayor's wife decided that she would move to St. Petersburg and play the role of a socialite there, she did not hide her contempt for all her recent friends and acquaintances. This trait, testifying to her spiritual baseness, places her even lower than her husband.
The heroes of Gogol's The Inspector General are the mayor's wife and daughter, Anna Andreevna and Maria Antonovna. Artist K. Boklevsky
The mayor's daughter, Maria Antonovna, follows in her mother's footsteps, she also loves to dress up, she also loves to flirt, but she has not yet been spoiled like her mother by the lies and emptiness of this provincial life and has not yet learned to break down like her mother.
Place in comedy
Marya Antonovna is the daughter of mayor Anton Antonovich Skvoznik-Dmukhanovsky and Anna Andreevna. This is a minor character, one of the few female characters presented in the comedy “The Inspector General”. In many ways, she is a reflection of her own parents. The heroine’s behavior depends on the upbringing that Marya received from a society lady - her mother. Thus, the role of the heroine is to show how parental education affects children, as well as to reveal the secular side of public life.
When describing the characters, the author did not give a detailed description of the heroine. This is due to the fact that as a person she is not of great interest.
Khlestakov - the main character of "The Inspector General"
More complex is the image of the main character of The Inspector General, Khlestakov. This is an empty loafer, an insignificant little official, whose whole meaning of life is to “throw dust in someone’s eyes” with his manners, cigars, fashionable suit, individual words... He constantly brags to everyone and even to himself. His insignificant, meaningless life is pitiful, but Khlestakov himself does not notice this, he is always pleased with himself, always happy. Fantasy, which easily takes him away from reality, especially helps him forget failures. In Khlestakov there is no bitterness of oppressed pride, like the hero of “Notes of a Madman” Poprishchin. He has vanity, and he lies with passion, because this lying helps him forget his insignificance. Sick pride drove Poprishchin crazy, but the vanity of the empty, frivolous Khlestakov will not bring him to this. The main character of The Government Inspector is not able to imagine himself as a “Spanish king”, and therefore he will not end up in a madhouse - at best, he will be beaten for lying, or put in a debt ward for debts.
In Khlestakov, Gogol brought out a useless, unnecessary person who cannot even control his thoughts and language: a submissive slave of his imagination, richly endowed with “extraordinary lightness in thoughts,” he lives day after day, without realizing what he is doing and why. That is why Khlestakov can equally easily do evil and good, and will never be a conscious rogue: he does not invent any plans, but says and does what his frivolous imagination tells him at the moment. That’s why he can propose to both the mayor’s wife and his daughter at once, with full readiness to marry both, he can borrow money from officials, convinced that he will give it back to them, he can rant so stupidly that he immediately blurts out and talks to the point of nonsense .
Khlestakov. Artist L. Konstantinovsky
The frightened imagination of the frightened officials, who were waiting for the auditor, created from the “icicle” Khlestakov the one they were waiting for. Psychologically, the mistake of officials is quite understandable; it is expressed in proverbs: “a frightened crow is afraid of a bush,” “fear has big eyes.” This “fear” and “anxiety of conscience” carried away even the clever and intelligent rogue mayor into a fatal mistake.
Judge Lyapkin-Tyapkin in “The Inspector General”
Other city officials are small varieties of the mayor type. Judge Lyapkin-Tyapkin is also a dishonest person, which he quite sincerely does not notice, does not do anything, is absurdly stupid and, at the same time, full of conceit only because he has the courage to speak about religious issues with such freedom that believers “make their hair stand on end.” But in practical matters he amazes with his naivety.
Gogol. Inspector. Performance 1982 Episode 2
The image and characteristics of Marya Antonovna in the comedy The Inspector General
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