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Tatyana Larina in the magnificent work of all eras “Eugene Onegin” is one of the most striking images of a woman described in Russian literature. For A.S. Pushkina Tatyana is the true embodiment of beauty, femininity and intelligence.
Tatyana is a young village girl who was born and raised in a family of poor nobles. Tatyana has a sister named Olga. These two dear people are completely different from each other, neither externally nor internally. Olga is a laugher, loves to have fun and is bursting with health. Tatyana, on the contrary, is silent, thin and pale in face. Tatyana is fluent not only in Russian, but also in French. She loves her homeland and her old nanny very much. The girl is interested in fortune telling and believes in omens.
Tatyana is passionate about romance novels, from them she learned about great love. She really wants to experience this feeling, but young people rarely come to visit them, since they have a rather closed family from society.
One day Lensky and his friend Evgeny Onegin came to visit the girls. Just one glance at the young man was enough, and Tatyana immediately realized that she was in love with Onegin. She thought that Evgeny was her destiny. Being completely inexperienced in love relationships, Tatyana, in the simplicity of her soul, reveals her feelings to Onegin in a love letter.
But Evgeny did not appreciate the girl’s brave act. At the next meeting, the young man said that she had behaved unworthily. In an instant, castles in the air and love were destroyed. Another incident contributed to this. Lensky was Olga's fiancé, and one day Onegin kills him. To forget the pain and resentment, Tatyana marries the prince. He is a respected person in high society.
A lot of time has passed and suddenly fate pits them against each other again. Seeing Tatiana, Onegin was amazed at how much she had changed not only externally, but also internally. It was difficult for Evgenia to recognize in this woman, self-confident and not deprived of male attention, Tatyana, a meek and submissive village simpleton.
Now Eugene fell in love and began to pursue the young princess. He writes her love letters again and again. From the outside it may seem that Tatyana is completely indifferent to Onegin. In fact, while no one is looking, she reads his letters and cries bitterly. One day, Evgeny found Tatyana in tears reading his letter. But the girl, although she admitted that she is still in love with the young man, will never give in to her husband. No matter what, she will remain faithful to him for the rest of her life.
The main idea of the work is to show that a person can change due to circumstances. You cannot make hasty conclusions, tearing apart something that has not yet had time to grow together. A hastily made decision can ultimately lead to irreversible consequences.
Essay 2
The poem “Eugene Onegin” is extremely important in the general understanding of the creative path of our greatest poet, Alexander Sergeevich Pushkin. The author himself preferred to call his famous creation a novel in verse. Whether this is a reasonable decision is up to everyone to decide for themselves, but as a tribute to the memory of the great writer, this work is often called this way, rather than a poem.
One of the key characters of the novel is the future princess N - Tatyana Larina. It is she who is destined for the role of the one who will change Eugene’s attitude towards life. In her appearance, Alexander Sergeevich captured the ideals of not only his era. Later, Tatyana’s reflections will begin to appear in other heroines of Russian writers.
In Olga’s sister, in contrast to her appearance, ideas about which have changed significantly over time, her multifaceted inner world is exposed, which has not lost its value over the centuries.
Every guiding star for the reader in Tatiana’s character can be easily traced in relation to both life and love.
After marriage, during a meeting with her old love, Tatyana showed all her courage. Despite Eugene’s reciprocal feelings, their close social status and the intrigues widespread almost at all times, Princess N responds with a categorical refusal. She cares about the good name of her husband and is not going to cheat on the person she was married to in church. She voluntarily deprives herself of the opportunity to receive love from a person for whom she has nurtured feelings for all these years, so that the words from an old letter about a faithful wife to a dear friend do not turn out to be empty. Larina is a brave and strong girl. Even now, the stereotype continues that the guy should write first, and the girl should humbly wait for news. What can we say about the nineteenth century in this case? The young lady found the strength to be the first to tell Eugene about her feelings, about whom she could think “And day and night until we meet again.” Not everyone can take this desperate step. Tatyana is a brave girl and strong. She was able, without losing her dignity, to accept the refusal and continue to live, without reducing all her thoughts to how the person dear to her heart lectured her.
In Tatyana the reader will not find any pretense or cloying, which were cultivated in girls from a very early age. She is much closer to the people, whose beliefs Tatyana so loved to listen to as retold by her nanny, than to the secular society in which she had to find herself after her marriage to the general. This again contrasts her with her sister. Alexander Sergeevich bestows a certain charm on her, giving the girl traits that are not typical for persons of such origin. But this only makes the reader sympathize more with the heroine of the novel in verse.
Pushkin was able to do the impossible! With penumbra and enchanting writing, a heroine emerged from his pen who became a standard and has survived more than one generation of readers. She is an example of not only honor and loyalty, but also devotion to her ideals.
Tatyana Larina in the novel “Eugene Onegin”
In the work “ Eugene Onegin ” the main female character is Tatyana Larina . A.S. Pushkin treats his heroine with great love and describes her image very colorfully. He calls her with the simple name “Tatyana,” which was not fashionable at that time, and to some extent endows her with qualities opposite to those of the dandy Onegin. The author does not hide his admiration for Tatyana Larina; he presents her as an ideal woman who embodies the best human traits. Pushkin brings Tatyana Larina to the pages of the novel at a young age, about seventeen years old. Her parents - village nobles with average income - had a small estate and two hundred serfs. The father died, and the heroine’s mother began to manage the entire household. Tatiana's sister, Olga, is a beautiful, healthy, cheerful girl who is not tormented by thoughts about the vicissitudes of life. She takes everything easily and simply. Tatyana, on the contrary, is reserved by nature, outwardly pretty, but thin, pale, mentally soaring in her fantasies. She, as a tribute to that time, speaks excellent French and is interested in foreign novels. But at the same time, Tatyana, “Russian in soul,” is selflessly devoted to her old peasant nanny, trusts folk predictions, omens, and fortune telling. Having read romantic stories, Tatiana eagerly awaits her “prince.” But the Larin family lives in a rural area, and new young people appear in the area infrequently. When Lensky brings his friend Onegin to them, the girl feels great sympathy for him and assumes that he is her other half. Out of naivety, she decides to open up to her chosen one in a letter. However, the young man did not want to appreciate the bold impulse of our heroine. During a meeting, he shames Tatyana for her inappropriate and, in his opinion, immodest behavior. Tatyana's first pure feeling and pride are trampled into the dirt. Added to all the misfortunes is a duel in which Olga’s fiancé, Lensky, dies. The unfortunate girl, in order to forget everything that happened, agrees to marry a general, a man known and respected in secular circles. Some time passes, and fate again pits Onegin against Tatyana . He meets her at a social reception and is amazed by the change that has happened to the heroine. There is no resemblance to a shy village girl - before him is a majestic conqueror of hearts, a princess, accustomed to universal worship. And Evgeny passionately falls in love with this unattainable woman and begins to “drag” after her - looking for meetings with her, bombarding her with messages. She does not respond to his letters and behaves inaccessibly when meeting. Onegin is not used to such treatment, he “ gets sick ” with his feelings, withers, yearns, and does not find a place for himself. And only by chance, having caught the princess reading his letters and shedding tears, Onegin realizes that he is still loved. But Tatyana doesn’t deny it, she’s honest with Evgeniy. However, marriage is untouchable for her: “But I was given to someone else...”. Tatyana is not going to cheat on her husband. Onegin finally understands how morally pure and decent this woman is. But this is a death sentence for him - she will never be with him. By creating the extraordinary image of Tatyana A.S. Pushkin proved to the reader that a simple, unremarkable girl, thanks to her integral nature, can turn into a morally formed strong personality. Tatyana Larina personifies the example of a real, self-sufficient Russian woman in world classical literature.
Tatyana Larina
Tatyana Larina in the novel “Eugene Onegin” symbolizes the image of a real Russian woman, a perfect heroine who is looking for deep meaning in life. In contrast to the main character, Eugene, whose aspirations and interest in life were killed by the idle life of the capital.
Tatyana's childhood takes place on an estate, where her dreamy nature was already evident then. To everyone's surprise, she preferred to sit quietly by the window and dream, or to walk alone in the forest, to communicating with friends and playing children's games. Outwardly, she seemed sleepy and detached, but inside her life was raging with many thoughts and questions, the answers to which she soon found in books. Having matured a little, I became interested in novels, read them with rapture, dreamed of experiencing the same thing as the heroes and meeting my love.
Childhood passes, and Tanya becomes a girl of marriageable age. She did not have a striking appearance, unlike her beautiful sister, but she had a special attractiveness that made her unlike others. Pale skin, lack of blush, melancholy gaze, shyness - these were not the girls that young aristocrats usually fell in love with. But Tatyana did not suffer from this, although she thirsted for love, like everyone else at her age. She understood that she was born for a special feeling, for a special love, and she had to wait for her hero.
Tatiana's attention is attracted by their new neighbor, Evgeny Onegin. After the first meeting, she falls in love with him, and her former timidity suddenly gives way to determination. Longing and tormented, Tatyana writes him a letter, where she naively confesses her feelings. Such an act on the part of the girl at that time was equated with shame, but she did not want to hide and entrusted Onegin to decide her fate. He, in turn, was inspired by the letter, but seeing such an inexperienced and dreamy young lady in front of him, he does not dare to play with her and politely rejects her. This hurts her and makes her suffer more than ever, but she does not stop loving Onegin, and understands that the young man still behaved very nobly.
In the last chapter, a different, matured and proud Tatyana appears before us. Having received a refusal from Onegin, she seems to descend from heaven to earth and ceases to be languid and romantic. She has not lost only her silence and thoughtfulness, although now these qualities only add royalty to her image. This inaccessibility and coldness conquer Eugene, and he understands that he made a mistake then, not understanding her sincere love. In turn, Tatyana has not forgotten and still loves Onegin, but now it does not matter, because she is married to someone else, and loyalty to her husband is above all. She makes this clear to Onegin at their last meeting.
Throughout the entire novel, Pushkin is very careful and attentive to the description of Tatyana, highlighting her from others, endowing her with all the best qualities that, in his opinion, an ideal woman should have.
My attitude towards Tatyana Larina
The image of Tatyana, created by Pushkin in Eugene Onegin, is no less important than the image of Onegin. Pushkin tried to show the type of a seemingly ordinary Russian girl, a provincial lady, who at the same time was surprisingly attractive and poetic
Tatyana is not at all handsome, as Pushkina directly says:
Not your sister's beauty,
Nor the freshness of her ruddy
Wouldn't she catch my eye?
This is also emphasized in the last chapter, where we see Tatyana already as a St. Petersburg noble lady, “an indifferent princess, an unapproachable goddess of the luxurious majestic Neva,” “a legislator of the halls.” However, Pushkina does not forget to remind: “No one could call her beautiful.”
But at the same time, sitting at the table next to the “brilliant Nina Voronskaya,” the famous St. Petersburg beauty, she was in no way inferior to her. Obviously, this attractiveness was not in her external beauty, but in her spiritual nobility, intelligence, simplicity, and richness of spiritual content. Pushkin deliberately called his heroine the common name Tatyana and thereby introduced her into literature
Tatyana grows up in a family as a wild, lonely, unkind girl who doesn’t like to play with her friends, and for the most part is deep in herself and her experiences. Inquisitive, she tries to understand her surroundings and her own soul and, not finding the answer to her questions in her elders - mother, father, nanny, she looks for them in books for which she had a passion from childhood and which she was accustomed to believe unquestioningly. She is used to learning about life and love from the novels she reads. In them she looked for a reflection of her own experiences.
The life around her, the environment of rural landowners, their wives and children, did little to satisfy her demanding soul, her inquisitive mind. In books she saw another life, more significant and eventful, other people, more interesting; she believed that such a life and such people were not invented by the author, but actually existed, and she was confident that she, too, might someday meet such people and live such a life.
It is not surprising that, seeing Onegin for the first time, so strikingly different from all the young people she knew, Tatyana mistook him for the hero of the novel and fell in love with him.
She loves passionately and decides to write to Onegin her touching, touching, touching, naively touching declaration of love. Onegin’s harsh, sharp refusal opens her eyes to the real pledge of things, but the further she goes, the less she understands Onegin and his actions. And her favorite novels no longer help her
By chance, Tatyana comes across Onegin’s office and sees his books, which she greedily pounces on. This literature is completely different from her sentimental novels. Reading these works, Tatyana discovered a different world in them, they helped to understand Onegin’s soul, but she makes a hasty conclusion about Onegin’s similarity with the unsociable, cold, disappointed in everything heroes of the books she read. She believes that he is simply copying fashionable heroes. This is not so, of course, but Tatyana is firmly convinced of the correctness of her conclusion, and this makes her situation hopeless: she cannot stop loving Onegin, but at the same time she knows that this man is not the guardian of her love. This is one of the reasons for her refusals to Onegin
But, seeing him, exhausted by illness, Tatyana understands the fallacy of her hasty conclusions and begins to believe in the sincerity of Onegin’s feelings. Tatyana still loves Onegin and believes in the possibility of happiness with him, but she resolutely refuses him. Tatyana deliberately, of her own free will, married a man who does not love, and gave him her word to be a faithful wife. Let her now understand that it was a mistake on her part, that she acted imprudently and that she herself should suffer through this mistake, but the feeling of duty takes precedence in her over all her feelings
My attitude towards Tatyana can be expressed in the words of Pushkin: “Please forgive me: I love Tatyana so much, I caress mine!” Her integrity, ability to subordinate all her actions to a sense of responsibility, inability to deceive, to come to agreements with her conscience make her image so attractive. Perhaps she does not always correctly understand her moral obligation, perhaps in this case, deciding her fate and the fate of Onegin, she was mistaken - but she herself saw this as her duty and, so, that’s the only way she could act
Essay Tatiana in the novel Eugene Onegin
Tatyana Larina is the eldest of the two Larin sisters. We have the opportunity to observe her at first as a young naive girl, and after some time as a married woman. Pushkin considers her the ideal woman. In his opinion, this is what a Russian woman should be like.
Tatyana lives in the village. She is looked after by her old nanny Filipyevna. Tatyana has a Russian soul, she loves harsh snowy winters. On Christmastide, she tells fortunes, like all the other girls, she wants to know her fate, her betrothed. Believes in omens. He deciphers dreams according to the dream book. In her family she is left to her own devices.
She reads what she considers necessary. Having read romance novels, she comes up with the image of her beloved. The first time she sees Onegin, she immediately falls in love with him. The nanny tells her that she was married to an unloved person. Tatyana's mother also marries the unloved man. The girl decides that she will marry only for love.
Purely outwardly, she loses to her sister Olga. Tatyana is a pale, thin, dark-haired girl. For some reason she is always sad and silent. Speaks and reads French perfectly. Onegin is not going to marry and live in the village. Therefore, he does not seek to continue to develop relations with Tatyana.
Hoping to change the situation, Tatyana decides to take a desperate step. At that time, this was inappropriate behavior for a girl. She writes a letter to Onegin and confesses her love to him. Frightened by such a strong feeling, he tells the girl how to behave. And after the duel and murder of Lensky, he leaves the village.
Tatiana is forced to marry an old general, a participant in the Patriotic War of 1812. He loves Tatiana. Tatyana does not love him, but she respects him and cannot hurt him. The general is proud of his virtuous wife. His posture even changes and his shoulders straighten. This means that Tatyana does not give him the slightest reason to doubt her integrity.
She transformed from a thin, naive girl into a beautiful young woman with self-esteem and an understanding of her role in society. And then Onegin saw the light and fell in love with Tatyana. But she's a decent woman. Even if she doesn’t love her husband, she is sincerely devoted to him and respects him. Can't hurt him.
Tatyana is a typical Russian woman. The battle-wounded general can be sure that she will not betray him even for the sake of her maiden love. Let her continue to love Onegin. As Tatyana herself says, she was given to the general and will be faithful to him. The family bonds of marriage are sacred to her, and nothing can break them.
Essay on the theme of the image of Tatyana in the novel Eugene Onegin
In the novel “Eugene Onegin,” Pushkin managed to present all the diversity of life in contemporary Russia, portray Russian society “in one of the most interesting moments of its development,” create typical images of Onegin and Lensky, in whose person the “main, that is, male side” was represented. this society. “But perhaps the greater feat of our poet is that he was the first to reproduce, in the person of Tatyana, a Russian woman,” wrote Belinsky. Tatyana Larina is the first realistic female character in Russian literature. The heroine's worldview, her character, her mental makeup - this is revealed in the novel in great detail, her behavior is psychologically motivated. But at the same time, Tatyana is the poet’s “sweet ideal”, the “novel” embodiment of his dream of a certain type of woman. And the poet himself often speaks about this on the pages of the novel: “Tatiana’s letter is in front of me; I cherish him sacredly...”, “Forgive me: I love my dear Tatyana so much!” Moreover, the personality of the heroine, to a certain extent, embodied the poet’s own worldview. Readers immediately felt these author's accents. Dostoevsky, for example, considered Tatiana, and not Onegin, to be the main character of the novel. And the writer’s opinion is quite reasonable. This is an integral, extraordinary, exceptional nature, with a truly Russian soul, with a strong character and spirit. Her character remains unchanged throughout the novel. In various life circumstances, Tatiana’s spiritual and intellectual horizons expand, she gains experience, knowledge of human nature, new habits and manners characteristic of a different age, but her inner world does not change. “The portrait of her as a child, so skillfully written by the poet, is only developed, but not changed,” wrote V. G. Belinsky: Wild, sad, silent, Like a forest deer timid, She seemed like a stranger in her own family... A child herself , in a crowd of children I didn’t want to play and jump and often sat alone all day silently by the window. Tatyana grew up as a thoughtful and impressionable girl, she did not like noisy children's games, fun entertainment, she was not interested in dolls and needlework. She loved to dream alone or listen to her nanny's stories. Tatyana's only friends were fields and forests, meadows and groves. It is characteristic that, when describing village life, Pushkin does not depict any of the “provincial heroes” against the backdrop of nature. Habit, the “prose of life”, preoccupation with household concerns, low spiritual needs - all this left its mark on their perception: local landowners simply do not notice the surrounding beauty, just as Olga or old lady Larina do not notice it. But Tatyana is not like that, her nature is deep and poetic - she is given the ability to see the beauty of the world around her, given the ability to understand the “secret language of nature,” given the ability to love God’s light. She loves to greet the “sunrise of dawn”, to be carried away by her thoughts to the twinkling moon, to walk alone among the fields and hills. But Tatiana especially loves winter: Tatiana (Russian in soul. Without knowing why) With its cold beauty She loved the Russian winter, In the sun the frost on a frosty day, And the sleigh, and the late dawn The glow of pink snows, And the darkness of Epiphany evenings. The heroine thus introduces the motif of winter, cold, and ice into the narrative. And winter landscapes then often accompany Tatyana. Here she is, telling fortunes on a clear, frosty night at baptism. In a dream, she walks “through a snowy meadow”, sees “motionless pines” covered with tufts of snow, bushes, rapids covered in a blizzard. Before leaving for Moscow, Tatyana “is afraid of the winter journey.” V. M. Markovich notes that the “winter” motif here is “directly close to that harsh and mysterious sense of proportion, law, fate, which forced Tatiana to reject Onegin’s love.” The heroine's deep connection with nature remains throughout the entire narrative. Tatyana lives according to the laws of nature, in full harmony with her natural ri. And her communication with the nanny, belief in the “legends of the common people of old times,” dreams, fortune telling, signs and superstitions - all this only strengthens this mysterious connection. Tatyana’s attitude towards nature is akin to ancient paganism; in the heroine, the memory of her distant ancestors, the memory of her family, seems to come to life. “Tatiana is all native, all from the Russian land, from Russian nature, mysterious, dark and deep, like a Russian fairy tale... Her soul is simple, like the soul of the Russian people. Tatyana is from that twilight, ancient world where the Firebird, Ivan Tsarevich, Baba Yaga were born...” wrote D. Merezhkovsky. And this “call of the past” is expressed, among other things, in the heroine’s inextricable connection with her family, despite the fact that there she “seemed like a stranger’s girl.” Pushkin portrays Tatyana against the backdrop of her family’s life story, which takes on an extremely important meaning in the context of understanding the heroine’s fate. In her life story, Tatyana, without wanting this, repeats the fate of her mother, who was taken to the crown, “without asking her advice,” while she “sighed for another, Whom She liked much more with her heart and mind...”. Here Pushkin seems to anticipate Tatiana’s fate with a philosophical remark: “A habit has been given to us from above: It is a substitute for happiness.” It may be objected to us that Tatyana is deprived of a spiritual connection with her family (“She seemed like a stranger in her own family”). However, this does not mean that there is no connection here, an internal, deep one, that very natural connection that constitutes the very essence of the heroine’s nature. In addition, Tatyana was raised by a nanny from childhood, and here we can no longer talk about the lack of a spiritual connection. It is to the nanny that the heroine confides her heartfelt secret, handing over a letter for Onegin. She remembers her nanny with sadness in St. Petersburg. But what is Filipyevna’s fate? The same marriage without love: “How did you get married, nanny?” - So, apparently, God ordered. My Vanya was younger than me, my light, And I was thirteen years old. The matchmaker visited my relatives for two weeks, and finally my father blessed me. I cried bitterly out of fear, They unraveled my braid while crying, and led me to church singing. Of course, the peasant girl here is deprived of freedom of choice, unlike Tatyana. But the situation of marriage itself, its perception is repeated in Tatyana’s fate. Nyanino “So, apparently, God ordered” becomes Tatyanin “But I was given to someone else; I will be faithful to him forever.” The fashionable passion for sentimental and romantic novels also played a big role in shaping the heroine’s inner world. Her very love for Onegin manifests itself “in a bookish way,” she appropriates to herself “someone else’s delight, someone else’s sadness.” The men she knew were uninteresting to Tatyana: they “provided so little food for her exalted... imagination.” Onegin was a new man in the “village wilderness”. His mystery, secular manners, aristocracy, indifferent, bored appearance - all this could not leave Tatyana indifferent. “There are creatures whose fantasy has much more influence on the heart than how they think about it,” wrote Belinsky. Not knowing Onegin, Tatiana imagines him in the images of literary heroes well known to her: Malek-Adel, de Dinard and Werther. In essence, the heroine does not love a living person, but an image created by her “rebellious imagination.” However, gradually she begins to discover Onegin's inner world. After his stern sermon, Tatyana remains confused, offended and bewildered. She probably interprets everything she hears in her own way, understanding only that her love was rejected. And only after visiting the hero’s “fashionable cell”, looking into his books, which contain the “sharp mark of nails,” Tatyana begins to comprehend Onegin’s perception of life, people, and fate. However, its discovery does not speak in favor of the chosen one: What about him? Is it really an imitation, an insignificant ghost, or even a Muscovite in Harold’s cloak, an interpretation of other people’s whims, a complete vocabulary of fashionable words?.. Isn’t he a parody? Here the difference in the worldviews of the heroes is especially clearly exposed. If Tatyana thinks and feels in line with the Russian Orthodox tradition, Russian patriarchy, and patriotism, then Onegin’s inner world was formed under the influence of Western European culture. As V. Nepomnyashchy notes, Eugene’s office is a fashionable cell, where instead of icons there is a portrait of Lord Byron, on the table there is a small statue of Napoleon, the invader, the conqueror of Russia, Onegin’s books undermine the basis of the foundations - faith in the Divine principle in man. Of course, Tatyana was amazed to discover not only the unfamiliar world of someone else’s consciousness, but also a world that was deeply alien to her, hostile at its core. Probably, the ill-fated duel, the outcome of which was the death of Lensky, did not leave her indifferent. A completely different, non-book image of Onegin formed in her mind. This is confirmed by the second explanation of the heroes in St. Petersburg. Tatyana does not believe in the sincerity of Evgeniy’s feelings; his persecution offends her dignity. Onegin's love does not leave her indifferent, but now she cannot respond to his feelings. She got married and devoted herself entirely to her husband and family. And an affair with Onegin in this new situation is impossible for her: I love you (why lie?), But I am given to another; I will be faithful to him forever... This choice of the heroine reflected a lot. This is the integrity of her nature, which does not allow lies and deception; and clarity of moral ideas, which excludes the very possibility of causing grief to an innocent person (husband), or frivolously disgracing him; and bookish and romantic ideals; and faith in Fate, in the Providence of God, implying Christian humility; and the laws of folk morality, with its unambiguous decisions; and an unconscious repetition of the fate of the mother and nanny. However, in the impossibility of unity of Pushkin’s heroes there is also a deep, symbolic subtext. Onegin is the hero of “culture”, civilization (moreover, Western European culture, alien to Russian people at its very core). Tatiana is a child of nature, embodying the very essence of the Russian soul. Nature and culture in the novel are incompatible - they are tragically separated. Dostoevsky believed that Onegin now loves in Tatyana “only his new fantasy. ...Loves fantasy, but he is a fantasy himself. After all, if she follows him, then tomorrow he will be disappointed and look at his hobby mockingly. It has no soil, it is a blade of grass carried by the wind. She [Tatyana] is not like that at all: even in despair and in the suffering consciousness that her life has been lost, she still has something solid and unshakable on which her soul rests. These are her childhood memories, memories of her homeland, the rural wilderness in which her humble, pure life began...” Thus, in the novel “Eugene Onegin” Pushkin presents us with “the apotheosis of the Russian woman.” Tatyana amazes us with her depth of nature, originality, “rebellious imagination,” “living mind and will.” This is an integral, strong personality, capable of rising above the stereotypical thinking of any social circle, intuitively feeling the moral truth.
Option 5
When you read the poem “Eugene Onegin,” you see that the poet wanted to show not only a contemporary of that time, but himself. And therefore, through the images of the heroes of the work, Alexander Sergeevich tried to show moral beauty. This was especially clearly shown in the example of Tatyana Larina. For Pushkin, Tatyana was a sweet ideal.
When you read the lines of the work, you forget that our heroine is just Alexander Sergeevich’s dream about the ideal image of a Russian woman. Pushkin singles out Tatyana from other representatives of women's society only because she was smarter than them. Beautiful nature, constant solitude and reflection in silence, a natural mind formed the girl’s inner world, which was incomprehensible to Onegin, since he was developmentally inferior to her. She was alone in the family and had virtually no contact with anyone. And therefore, when she met Onegin, she sincerely fell in love with him. Her written letter expresses all the feelings filled with modesty and openness. However, Onegin did not see the most important thing in her - a girl could only fall in love once. The young man said that he could not respond to her feelings the way she did.
We see how Tatyana, having found herself in secular society, did not become like the local aristocrats, but remained the same simple Russian woman, still striving for solitude. She was tired of the empty talk of prim ladies. Truthfulness is the main character trait of Tatyana. She is shown in everything: in the letter to Onegin, and in explaining her feelings to the young man, and even at the moment when she was alone in thought. In society, the girl stood out for her knowledge and unique behavior. Tatyana, both in her youth and in her older years, is tormented by how meager and simple the interests of those around her are. It is clearly visible how Pushkin admires Tatyana. We, the readers, also admire the girl’s nobility. Having given her word of fidelity to an unloved person, she cannot break it. Having become a high society lady whom everyone respects, Larina remains just as noble, faithful and modest. Her husband's wealth and success in society did not make her happy. She is ready to return to the wilderness, sacrificing her well-being. But she cannot leave this life, the morality that has been established since childhood does not allow her.
The image of Tatyana is the deepest and most serious in the novel. It was Tatyana who became the prototype of the Russian woman shown by Turgenev, Nekrasov, Tolstoy.
The heroine is one of the most important characters in Russian literature.
9th grade
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