- Essays
- On literature
- Mayakovsky
- Mayakovsky's lyrical hero
V. Mayakovsky, one of the most prominent representatives of futurism of the 20th century. It is believed that thanks to him futurism gained fame. Mayakovsky was also known as the author of Soviet posters and slogans. He was recognized as one of the best poets of Soviet times. Vladimir Vladimirovich was a very extraordinary person; he concealed several personalities within himself. Despite his rebellious character, Mayakovsky dreamed of finding his place in life. He knew how to infect everyone who was near him with his energy.
The poet's child is his lyrical hero, who tells about his father from year to year. The hero carries the character traits of his creator, he is as unique as the poet himself. Mayakovsky's lyrical hero was tormented by a great feeling of love. For example, in the poem “Lilichka” the hero experiences the pangs of love. The author compares his emotions and feelings with an uncontrollable storm.
Mayakovsky puts his feelings on paper, saying that a loving heart cannot be humbled by shackles. The poet always remained true to his strengths, his passion and devotion.
The theme of the tragedy of loneliness is one of the most striking themes of Vladimir Vladimirovich’s lyrics. For him, the topic of loneliness and misunderstanding was very difficult for the poet. He tried to find a way out of his suffering from loneliness. But all his efforts were in vain. Like Lermontov, Mayakovsky describes his feeling of loneliness in poetic form.
Considering himself alone in this world, he expressed his negative attitude towards the world and those who considered themselves the masters of this world. That is why Vladimir Mayakovsky considered himself a prophet of the revolution, and with great enthusiasm he calls himself the 13th apostle.
After the death of the Poet, Tsvetaeva wrote that Despite all the honor and respect, Russia never understood who Mayakovsky was and who he was. She was one of the few who understood the essence of his work "Home". Where the author wrote that he wants to be understood by his country.
Pain and suffering were one of the most important emotional components of Mayakovsky’s state of mind. These emotions arise in him after a collision with surrounding fibroids. Mayakovsky's lyrical hero is driven into despair by his imperfection. Based on the poet’s works, it is clear that his nerves can’t stand it. And literally every love work of his is colored with pain and suffering. Mayakovsky was one of the few poets who did not depict happy love in his works. If the poem “A Cloud in Pants” had been a harbinger of the revolution and a protest against the existing system, then it would have long ago ceased to interest the reader. This poem, like many other works of the writer, was about tragic love. It was these tragic feelings of the poet that created the lyrical hero.
Reasoning
Vladimir Vladimirovich Mayakovsky (1893-1930) is a significant poet of the twentieth century. He is the most popular representative of the literary movement - futurism. It can also be noted that the poet put forward slogans in support of the power of the Soviet Union.
Vladimir Mayakovsky, in his time, proved himself to be a perfect poet, a figure of his art. First of all, he was distinguished by his rough temperament. Mayakovsky hid his true feelings and was considered, so to speak, an extraordinary person. The person next to him could be charged with his enthusiasm.
Speaking about Vladimir, one can understand that his lyrical hero was opposed to people who did not perceive and did not want to perceive the work of this poet. Resentment and ridicule characterize society's attitude towards the lyrical hero of Mayakovsky's work. His art was different from the rest, he had his own unique sense of beauty, different from others. It is from this protest that Mayakovsky began. The lyrical hero is presented to us as a brave and unique person who wants to achieve something new. Before the reader he exalts the impression of a rude giant who is trying to defend himself from a stream of people who do not understand him. Here again the theme of loneliness opens up. The main emotions of the hero were pain and suffering even from the smallest influence from society. From the beginning to the end of his work, the lyrical hero changes and acquires new qualities. He has two completely different sides. The first has the qualities of a person waiting for big changes, but the other side was sad and sentimental. It was under his rudeness that he hid his vulnerable side.
Expanding the theme of love in the poet’s works, it can be noted that he was different from other writers. When others wrote about happy, beautiful love, he wrote about love traumas, with sadness and suffering. It is possible that it was precisely because of these feelings that Mayakovsky created his lyrical hero.
Important artistic features of the lyrical hero are based on the innovation of the poet, such as the use of deep metaphors, a unique type of rhyme, and interesting graphics of the work - a ladder.
We can conclude that the lyrical hero strives to move from a tragic impact to a happy life. This path holds the unknown secret of the formation of a new consciousness.
The lyrical hero of Mayakovsky's early work
The work of Vladimir Mayakovsky is one gigantic contradiction. This is masterfully crafted poetry, demonic, proud and at the same time doomed, dying, almost calling for help. This is how B. Pasternak spoke about Mayakovsky’s poetry. The lyrical hero of V. Mayakovsky's poetry is multifaceted, multidimensional, he has many masks and many of them. Mayakovsky’s work combines the struggle against God and the search for God, suffering from chaos and the call for destruction, pure tender love and hymns to violence and cruelty. This is connected with the poet’s two diametrically opposed “I”: the “I” asking for help, and the demonic “I”. These are like two poles around which the themes developed by the poet are grouped, and they are the same for both poles, but with different signs. This determines the inconsistency of V. Mayakovsky's lyrics.
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Note 1
The main theme of the poet's early work is the tragic loneliness of the human poet.
However, this tragedy is multifaceted. This, on the one hand, is the loneliness of a super-man, a titan, towering above the crowd and despising it. The poem “From Fatigue” is precisely one of those where one can observe such a duality in the image of Mayakovsky’s lyrical hero. Its unconditional greatness is manifested in its equalization and comparison with the large-scale image of the Earth. However, the motive of loneliness is still present, but takes on a slightly different meaning. Everything becomes very complicated, and the main motive of this poem becomes salvation from the world and a search through time.
Note 2
The main emotions of the lyrical hero Vladimir Mayakovsky are suffering and pain that arise from the slightest interaction with the outside world.
Finished works on a similar topic
Course work The lyrical hero of Mayakovsky 410 ₽ Abstract The lyrical hero of Mayakovsky 250 ₽ Test work The lyrical hero of Mayakovsky 240 ₽
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The lyrical hero also perceives the world in a special way. The depiction of the perceived often leads to discussions about hyperbole in the early poetry of V. Mayakovsky. to some extent, this is not entirely justified, since the poet does not exaggerate anything; rather, the poet perceives the world around him in exactly this way. And therefore he resorts to such a lexical device as litotes. In Mayakovsky's poems, the poet is like a spender of priceless words. On the other hand, he doesn’t have words, but it’s like convulsions stuck together in a lump.
This is the result of discord in the poet’s inner world. Mayakovsky intentionally develops very little of the theme of love, which is important for any poet. And certain passages and poems are written in the same spirit of incongruity. Mayakovsky does not write about happy love. This feeling, as a rule, turns out to be just a fiction. The hero of V. Mayakovsky's love lyrics complains, cries, reproaches, or threatens to take revenge on the other. There is no titan here, there is not even just a man, there is only a cynic.
The theme of love in Mayakovsky develops as the ability to mock a saint and at the same time worship him. However, this does not apply to the poem “Lilychka”. Here love is so sincere and pure that it is completely impossible to connect these lines with it.
“The lyrical hero of V. V. Mayakovsky’s early lyrics.”
The lyrical hero of V. V. Mayakovsky’s early poetry is a romantic revolutionary who seeks in his work not just self-expression, but a weapon in the fight against the bourgeois society that he hates, which is the enemy of the revolution that he predicts and believes in. The poet's early work already contains motives of social sound, formed in his still young consciousness, and this distinguishes Mayakovsky from among many literary artists of that time.
Before moving on to the characterization of the image of the lyrical hero, it should be said how Mayakovsky sees the world and what is the object of his observations at the early stage of his work. In poems such as “Port”, “Night”, “Morning”, one can sense the search for an unusual, deeply individual reflection of reality, and also defines the main theme of the pre-October period of his poetry - man and the capitalist city. The city is likened to hell, its “noises, noises and noises” bring suffering to people. Man in this world is “lonely, like the last eye of a man going to the blind.” Here there is a “creepy joke croaking laughter”, the poet’s poems are likened to a “horn bloodied with songs”:
I shout to the brick
words of frenzy I thrust a dagger into
swollen flesh into the sky... -
These lines of one of Mayakovsky’s poems from 1913 convey the mood of most of the poet’s early works, including his tragedy “Vladimir Mayakovsky”, created in the same 1913. The characters in this first dramatic work by Mayakovsky are people crippled by the modern bourgeois city. They embody human misfortunes. “A huge grief and hundreds of tiny sorrows fell on the city,” says one of the characters in the tragedy. The task of poetry for Mayakovsky is to express the suffering of these crippled people, to absorb the tears and pain of millions of humiliated and insulted people.
Thus, we can draw a conclusion about the artistic space and time in which Mayakovsky places his lyrical hero. This is the pre-revolutionary period, in which the bourgeois city with its crippling orders, forcing them to suffer, acts as a triumphant force. The lyrical hero also suffers under the conditions of a capitalist society.
In “The Cloud in Pants,” the image of a hero emerged with great force, whose character was formed under the influence of anti-bourgeois activity, high humanism, and romantic-revolutionary aspirations for a better future. The four chapters of the poem are united by a common slogan, proclaimed by a suffering rebel man who wants to rid himself and others of the four main bourgeois evils: “down with your love,” “down with your art,” “down with your system,” “down with your religion.”
Mayakovsky's lyrical hero suffers from unrequited love for Maria, a woman who left for another, a person from a world controlled by capital. The originality of the disclosure of the love theme in this poem, however, lies not in a simple statement of emotional experiences, but in an explanation of the tragedy of unrequited love in bourgeois society. The lyrical hero acts here as a defender of normal human relationships, which are not controlled by money, passion, vulgarly glorified by “tweeting” art and covered up by imaginary religiosity. We see already in this early work how the hero moves from personal troubles and experiences to worries about the fate of the “naked, sweaty, stunted, soured in flea-filled dirt,” that is, those who were bent under a pound of “fat” of the “fat” ruling class. The hero is not an egoist, he is a humane member of society, feeling like the thirteenth apostle, in whose hands is a “shoe knife” capable of cutting “the one who smells of incense from here to Alaska!” He is also a poet-visionary, predicting the approach of revolution, which will certainly lead, he believes, to the “communist distance” of all sufferers.
The motive of the hero’s struggle for personal happiness, which is impossible unless the knot is tightened around the neck of the snickering system, art and religion, runs through all of Mayakovsky’s early work. After “Clouds in Pants”, it will be reflected in a number of works of 1915-1917, such as the poems “Flute - Spine”, “War and Peace”, “Man”. In these works, Mayakovsky’s humanistic ideal, embodied in the lyrical hero, undergoes evolution. In “The Cloud in the Pants,” the thirteenth apostle called on the oppressed to overthrow their oppressors, descending from heaven, that is, as if standing above people. When in the first and third parts of the poem the hero lost his apostolic aura, he turned into the same oppressed one, thrown into the “dirty hand of Presnya.” In the works written after “The Cloud...”, Mayakovsky moves on to glorifying not the apostle, but just an ordinary person, who is all “an extraordinary miracle of the twentieth century.” It is in a simple person that there is great power that can eliminate any cause of human suffering.
This is the lyrical hero of Mayakovsky’s early lyrics.
The lyrical hero of the early
“A spendthrift and a spendthrift of priceless words” (Lyrical hero of early Mayakovsky)
Vladimir Vladimirovich Mayakovsky is one of the brightest poets of the Silver Age of Russian poetry. His nature is contradictory and polysemantic, his lyrical hero changes and grows throughout the poet’s work. This will shock some, others will make them think, others will see themselves in the poems and be imbued with them, but one thing is certain, Mayakovsky’s work will not leave anyone indifferent.
One has only to look once at his lines, full of freedom, fire of feelings, struggle, you will never forget these emotions.
Mayakovsky's early work fell during the years of difficult events for Russia. The poet not only accepts the Revolution, he sees in it something grandiose, a unique chance to renew the country, destroy the old and outdated world. Mayakovsky plays an exceptional role; he was the first of the poets of the twentieth century to devote his powerful talent to the revolutionary renewal of life begun by the Great October Revolution. The lyrical hero of early Mayakovsky has two hypostases: on the one hand, a hero of a great era, optimistically awaiting change (the poem “Good!”), on the other hand, a vulnerable, tragic personality, suffering from the outside world. Are you enrolling in 2019? Our team will help you save your time and nerves: we will select directions and universities (according to your preferences and expert recommendations); we will fill out applications (all you have to do is sign); we will submit applications to Russian universities (online, by e-mail, by courier); we will monitor competition lists ( we will automate the tracking and analysis of your positions); we will tell you when and where to submit the original (we will evaluate the chances and determine the best option). Entrust the routine to professionals - more details.
Despite the complete denial of everything: love, order, religion, art, in his work one can find echoes of the most important themes of the classics. Thus, the main theme of Vladimir Mayakovsky’s poetry is the conflict between the poet and the crowd. In the poem “Here!” The protest to society is especially pronounced. He hates ordinary people who cannot rightly appreciate his talent. He calls them the crowd, “the hundred-headed louse.” With their attitude they only trample and dirtyly insult the poet’s heart. He calls himself a spendthrift and a spender of priceless words, who naively opened the precious boxes of his poems. The ability to see the world differently, the poet’s exceptional isolation from the crowd, can also be seen in the poem “Could You?” Where a simple person sees gray everyday life, the poet paints them with colors; in heavy water pipes, the lyrical hero looks at a delicate musical instrument on which you can even play a nocturne. But behind the poet’s external rudeness hides a vulnerable soul. In the poem “The Violin and a Little Nervous,” the lyrical hero, noticing the unfair attitude of the orchestra towards the violin, worries and sympathizes with it. They don’t understand her, they treat her like a stranger. In her crying, interrupted by the playing of other instruments, he saw himself: “I’m screaming too, but I can’t prove anything!” Unable to tolerate such a rude attitude towards the violin, the hero cannot stand it, gets up from his seat and runs towards it, throwing himself on her neck. The lyrical hero, like no one else, recognizes her tears; he also constantly proves something, and in return receives misunderstanding and ridicule.
All this speaks of the versatility of the poet’s soul. Mayakovsky cannot be called exclusively a revolutionary poet, since there are many philosophical motives in his early work. His lines show how difficult it is for a poet to find his place in life. He does not want to live as a separate “I”; he is worried about mutual misunderstandings with the people around him. Mayakovsky strives to prove that he is part of a huge whole. Therefore, his lyrical hero proves his involvement in the general universe, trying to find harmony and peace of mind.
Useful material on the topic:
- Priceless words: spendthrift and spender, lyrical hero of early poetry
- Hero and Crowd in Early Lyrics
- What does the hero of early poetry V.V. protest against? Mayakovsky?
- What does the hero of V. Mayakovsky’s early lyrics protest against?
