The theme of love in the novel The Master and Margarita Bulgakova essay

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The famous novel “The Master and Margarita” is rightfully considered the most iconic work of the twentieth century. This novel is quite truthful, because it raises the problems of good and evil, one can say that one is opposed to the other, human greed and love are presented quite truthfully - this is always relevant for any time. After all, writers of all times constantly raised these problems, they always worried society.

At the very center of the novel, the great love of the Master and Margarita is illuminated. This female creature was a real example of those feelings that all lovers simply dream of seeing in each other.

It is possible to say about the Master that he is an ordinary romantic and is a writer. And Margarita is the true embodiment of femininity. The hearts of a man and a woman connected completely by accident. No one can interfere with the love between a woman and a man, it is so strong and sublime. It was quite difficult for them to find each other, but despite all the difficulties, the lord of the dark forces, Woland, still helps them find each other.

Great love is visible in every thread of the story. This can not only be seen in the woman’s great love for her master, for example, the master loves his book very much. Love is quite sad and sacrificial, present everywhere, for example, Pilate is very attached to his dog and loves it.

Margarita’s love for the master is represented as a rather powerful force, the book is literally saturated with this. The heroes lose each other when they die, but thanks to Woland's power they find each other again. The master in this work is presented as a soft nature, who cannot live without all-conquering feminine power. After their reunion, they become invincible.

The heroes of this novel are lonely, they recognize each other from thousands of other people. Subsequently, they cannot live without each other, only after Margarita appears in the master’s basement, he is charged with new colors of life, which are then embodied in his novel. Margarita is a wealthy woman, but she doesn’t need it at all; her husband’s love is not like that at all. And only when she meets the master, her life flows differently. Even though she is wealthy, she is alone in her world. And only a lonely master changes everything in her world. A woman is ready to do anything for her beloved, she even makes a deal with the devil.

Many critics are simply convinced that the most important theme in the novel is the manifestation of evil and good. In my opinion, love works wonders; even Woland cannot remain indifferent to this feeling. This feeling is strong enough and therefore capable of conquering everything, even death.

People who do not understand the depth of power and creativity gain a great feeling that connects their hearts. He has absolutely no place among the people of Soviet reality; they appear as unspiritual and immoral. As a result, lovers are given death as a relief from all fears and torments.

Love has always been an eternal feeling, the Master and Margarita find eternal peace.

The author expresses pain - the brightest thing leaves earthly life.

Essay Love in the Master and Margarita

At all times, the theme of love, one way or another, has been touched upon by authors of all literary genres, and the work of M.A. Bulgakov was no exception. In his novel “The Master and Margarita” Bulgakov shows that there are no boundaries for love, it overtakes us suddenly, it does not know the difference in the material situation of the heroes, nor the social statuses.

The master is poor both materially and in terms of family, friends and relatives. He has no one, he is completely alone. He once worked as a historian at a museum. One day, luck smiled at him - he won a large sum in the lottery and decided that it was time to make his cherished dream come true. And the Master dreamed of writing a book about Pontius Pilate. With the money he won, he rents an apartment and begins writing a book. It was during this period that he accidentally met Margarita, a wealthy married woman. There is everything in her life, but there is no love, and this can be read not only in her eyes, but also in her gait. The master, without noticing it, followed her. It was love, love at first sight, which strikes like lightning. He met the woman of his dreams, but was forced to remain silent about his love.

But everything secret becomes clear and Margarita, tired of living without love, threw herself into the Master’s arms, as if into a pool with her head. Life took on meaning and began to sparkle with bright colors. She had no children, and she gave all her unspent love and care to the Master, becoming for him not only his beloved woman, but also his muse. She always supported him in difficult moments. One of these moments was the rejection of his novel by metropolitan critics. He broke down, unable to adapt to the demands of the literary world.

When the Master disappeared, Margarita tried with all her might to find him, but all in vain. She returned to her husband, but did not stop hoping for the return of her beloved. Desperate, she made a pact with dark forces and turned into a witch. For the sake of reuniting with her beloved, she was ready to do anything. Having failed to become happy during life, they found each other again, but in the afterlife.

Love changed their lives forever. Love inspired the Master, and he worked on the novel with even greater zeal, and Margarita felt truly happy next to him. Despite all the hardships, they were ruled by love, which saved their souls. Margarita's selflessness and dedication for the sake of reuniting with her beloved blurred the boundaries of good and evil. The story of the Master and Margarita has become for many an ideal relationship, a symbol of fidelity and love.

The problem of love in the novel

Note 1

It cannot be said that love made the heroes of the work better or worse. Love, as a real feeling, changed them, made them different.

The heroes of the novel realized that their meeting was predetermined by fate itself and that they were created for each other forever. Love struck them instantly and both at once. The master, in a conversation with the poet Bezdomny, compares this feeling with lightning, with a Finnish knife. Love penetrated the hearts of the heroes forever and irrevocably.

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From that moment on, the Master was inspired by Margarita to create a great novel. And the woman became a “secret wife”, a like-minded person and friend of the Master and finally found happiness. There was no place for anyone else in their new life. In their world, only they and their common work existed - the novel on which the Master was working.

The work was written, and the moment came when it was necessary to emerge from the secret shelter into life. This world, the reality into which the Master is immersed, the world of mediocrity, opportunism, denial of talent, breaks him. The heroes have to confront this surrounding world. The author solves the problem of love in his work in a multifaceted way.

The writer tells a story of selfless and selfless love. The heroine of the novel accepts the Master's interests as her own and makes every effort to ensure that her beloved is calm and happy. The meaning of its existence lies precisely in this. She inspires her beloved, helps him create, and it is she who makes him a Master. The life of Margarita and the Master becomes one.

Margarita, not for a single moment feeling happy in the Gothic mansion, nevertheless cannot leave her husband without explaining anything to him. She cannot hurt him, believing that he has done “no harm” to her.

And the Master, who wrote a brilliant, but “untimely” novel, irrelevant at that time, is crushed and broken. “I’m nobody now.” He needs nothing more than to be close to his beloved, but he does not consider himself entitled to ruin her life.

Sample 4

Almost all works of classics do not shy away from such an exciting topic as love. Thousands of novels, plays, and films are dedicated to this inexplicable and deep feeling. Naturally, the sensational and unique in its content novel “The Master and Margarita” was no exception. Even those few people who have not held this bestseller in their hands are at least familiar with this extraordinary and at the same time sad love story.

In the exposition of the novel “The Master and Margarita,” the author, Mikhail Bulgakov, describes two types of feelings: the first feeling is love between a man and a woman, understandable and earthly, the second feeling is universal love for all humanity, which many, alas, cannot understand.

The character of the novel, Yeshua Ha-Norzi, despite all the suffering and humiliation to which he was subjected because of his sermons, still remained full of love for his offenders, found excuses for them and forgave them. The writer describes Yeshua and his feelings, drawing a parallel with the Almighty himself, trying to convey to people that no matter what, God forgives us all, simply because He loves us. Faith in kindness, in the fact that it always defeats evil - all this made Yeshua fearless, even before his death. He was not afraid of anything, because he knew that every end is only the beginning of a new life.

As for the love between a man and a woman, in this case between the Master and Margarita, here the author describes earthly love, although it brought the heroes not only happiness, but also suffering and death. The writer in places compares their love with an invisible killer.

The acquaintance of the Master and Margarita was not accidental; it is obvious that Woland had a hand in this. It was not for nothing that the place of their first meeting turned out to be a deserted and gloomy alley. And it seems that everything in this story was predetermined: crazy love, suffering, death. This love was doomed from the very beginning; the heroes were supposed to find happiness and peace only after death.

The novel tells about true, sincere, sacrificial love. It would seem, why would Margarita lose her wealth, position in society and, finally, sell her soul to the Devil himself? Only a woman experiencing true feelings is capable of such a sacrifice.

Grade 11

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Theme of Love in the novel “The Master and Margarita”

“He who loves must share the fate of the one he loves”

Bulgakov’s most famous novel “The Master and Margarita” is a multi-layered work in which there are several plans (including temporary ones), many themes, rich problematics and a bitter satire on society under the yoke of the Stalinist regime. Writers who expose the vices of society, individual citizens or a political regime always want to ask: “Who is to blame - have we already understood what to do?” Unlike many of them, Mikhail Bulgakov gives the answer: salvation is in love. Not in religion, not in another political system, not in seclusion and oblivion, but precisely in all-consuming, courageous, selfless love.

The relationship between the Master and Margarita is forbidden from the point of view of public morality. She is the wife of a successful man, he is lonely. The disgraced writer could not integrate into Soviet life; it was dangerous to even greet him. In the repressive Stalinist times, government officials spared no one: the victims of unprecedented genocide (when a ruler exterminates his own people) number in the millions. It is not surprising that the Master wanted to protect Margarita from the fate of a criminal’s wife, and perhaps a widow, an exile, and a prisoner. They took whole families. He could not offer his chosen one a tenth of what her husband provided her.

Margarita, in turn, could not just up and leave the family. With such a rash act, she would not leave her beloved a choice; he would be forced to earn money, that is, he would have to strangle the creator, the thinking person, the honest and free man within himself. Could Margarita kill the Master in her lover? No. Therefore, they remained lovers and were acutely aware of their humiliating, servile position; living a lie oppressed these sincere people. Thus, their union from the very beginning was doomed to martyrdom, even if they had been legally married.

But what is legal marriage? Is it the society ridiculed by Bulgakov that decides what is legal? Or a cruel government mired in vices? Probably, marriage can only be called a civil union, that is, a relationship between citizens. People are citizens in relation to the state. But what right does the state have to teach us morality? Is this the state that exterminates, persecutes and humiliates us? No one except the loving people themselves can judge whether their feeling is moral. How many virtuous wives will share any fate with their husband? Unfortunately no. Their oaths are empty formalities. And Margarita, without promises or promises, made a deal with the devil, just to find out what happened to the Master. She sacrificed not only her body, but also her soul. These two are bound by an indissoluble bond.

The Master also sacrificed. When he was arrested and then sent to an insane asylum, he did not look for a way to inform Margot about his trouble. She, using her husband’s connections and money, could do something for her lover or at least brighten up his leisure time. But he, on the contrary, tried to erase her from his memory, hoping that she would forget him and would at least live in safety and comfort. For the good of his beloved woman, the Master wanted to leave her heart, to free her, because without him Margarita could count on a calm, prosperous existence. The highest power of this love is complete self-denial. The same silent feat was accomplished, for example, by Zheltkov in Kuprin’s “Garnet Bracelet.”

Margarita’s love lies not only in sacrifice, but also in the fact that she accepted and understood the Creator in her beloved. She loved his novel, perceived his fate as her own. By destroying the apartment of the critic Latunsky, Margot took revenge for the insulted, unaccepted work of the Master, took revenge for all the rejected and forgotten free art. In this fragment she is the vengeful Clio - the muse of history. Under its blows, the deceitful opportunism that portrays culture before the dictator perishes. Not many women can share their husband's calling, his divine destiny. Margo understands everything, and therefore takes care of and protects the Master, who is less adapted to practical life.

Political realities, it must be said, depend little on society.
Society also depends little on the individual. He comes to society and either accepts its charter, or brings his own and pays for it. If the situation in the surrounding world squeezes a person out of a slave, then how can one accept it? The only way to preserve identity and mental health is to love so much that the best qualities prevail over the worst, and the outside world fades into the background and cannot take away the individual’s freedom. Today no one takes away anything, we ourselves give up our independence for illusory benefits, a career, ostentatious success and pseudo-happiness, indistinguishable from comfort. Bulgakov foresaw this and wanted to warn the reader. The most important thing is harmony in the inner world, it depends only on us and on our ability to accept love “like a killer from around the corner.” Interesting? Save it on your wall!

Love of the Master and Margarita

The novel “The Master and Margarita” is dedicated to the fate of one master - a creative personality who opposes the entire world around him. His story is inextricably linked with the story of Margarita. The author in the second part of his novel promises to show readers “eternal”, “faithful”, “true” love. These were the feelings of the main characters in the work. Let's analyze them. “The Master and Margarita” (we hope you remember the summary of the work) is a novel in which love is one of the main themes.

Essay The Master and Margarita theme of love

Essay The Master and Margarita theme of love

Plan

Introduction

2.Love story

3. Black power intervention

4.Conclusion

The work “The Master and Margarita” includes a wide range of philosophical problems. The writer did not ignore the theme of love, which is directly reflected in the title of the novel. The love of the Master and Margarita is one of the central threads of the work, around which the main events unfold.

The reader first learns about tragic love in the 13th chapter of the novel. The Master himself tells Ivan Bezdomny about it, visiting the poet in the ward of a madhouse. The Master's story is very fantastic considering the time in which it takes place. He wins a huge amount of money, thanks to which he is able to devote all his free time to writing his novel. Such a person does not fit into the Soviet life of the 20s at all.

The meeting of the main character with Margarita is also unusual. Among thousands of people, they just met eyes, and it changed everything in their lives. In the eyes of Margarita, the Master was struck by “an unprecedented loneliness.” A chance meeting of two absolutely lonely people among a faceless crowd was the beginning of a great feeling. The master was already living “with this what’s her name...”, which he immediately forgot. Margarita had a husband and a wealthy life, which also lost all meaning in her eyes. From now on, they belonged only to each other and to the novel that the Master was creating. Margarita became the writer’s real muse, giving him unprecedented creative power. She worried about the novel as if it were her own child. He became their child, born under the influence of great love.

The process of writing the novel was the happiest time in the life of the Master and Margarita. Bulgakov says nothing about any intimate moments of love. This is not necessary for a great feeling. It becomes clear that the Master and Margarita simply could not live without each other. They spent their days in a small basement, lit the stove, baked potatoes and were the happiest people in the world. After completing the novel and the first attempt to publish it, a tragic denouement occurs.

The rejection of the novel by Soviet criticism gradually drives the Master crazy. Margarita is furious, she consoles her lover with all her might. In another painful attack, the Master destroys his novel, and at that moment Margarita appears. She understands that the salvation of her lover depends only on her. She decides to break up with her husband and promises the Master to move in with him forever. The power of love is such that Margarita agrees to die along with the Master. However, the Master could not stand the night and, in a fit of fear, ran away from home, ultimately ending up in a madhouse. He loves Margarita with the same intensity, but does not want to destroy her life, so he does not even try to write to her.

In chapter 19 the reader meets Margarita. Her love also has not weakened, she cannot forget the Master, she cannot forgive herself for leaving him on that fateful night. She spends her days mindlessly in luxurious surroundings, constantly thinking about her lover. Attempts to find the Master lead nowhere. But then the day comes when Margarita wakes up with the firm conviction that something is about to happen.

The subsequent meeting with Azazello, the ball at Satan’s – all this flashes like a whirlwind before Margarita. She gets the opportunity to fulfill her main cherished desire. The return of her lover is the tormented woman’s request from Satan. The Master and Margarita are together again. They have experienced a lot, the Master is mentally ill. The lovers return to their basement. Woland's henchmen provide them with an unnoticed life. It would seem that happiness has been achieved. However, in chapter 30 Azazello appears again. He takes the souls of lovers from the basement so that they can find “eternal shelter.” Woland gives the Master and Margarita the last gift - a quiet, happy life in an “eternal house” with a “Venetian window”.

The story of the Master and Margarita is fantastic and unique. But it serves as an ideal to which people should strive. If we discard Satan, magical adventures, etc., then the main thing will remain a huge real feeling that cannot be defeated or broken. In the middle of the novel, Bulgakov states, addressing the reader: “I will show you such love!” And he really succeeds.

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